The excavation of a Minoan shipwreck dated to 1725/1700 BC is described. The cargo includes the largest known corpus of complete and almost complete clay vessels from a single Middle Minoan IIB deposit. The transport boat provides interesting information on a society that revolved around seafaring.

A new look at the Cult of the Saints in late antiquity: Did it really dominate Christianity in late antique Rome?

A dazzlingly ambitious history of the ancient world that places women at the center—from Cleopatra to Boudica, Sappho to Fulvia, and countless other artists, writers, leaders, and creators of history Around four thousand years ago, the mysterious Minoans sculpted statues of topless women with snakes slithering on their arms. Over one thousand years later, Sappho wrote great poems of longing and desire. For classicist Daisy Dunn, these women—whether they were simply sitting at their looms at home or participating in the highest echelons of power—were up to something much more interesting than other histories would lead us to believe. Together, these women helped to make antiquity as we know it. In this monumental work, Dunn reconceives our understanding of the ancient world by emphasizing women's roles within it. The Missing Thread never relegates women to the sidelines and is populated with well-known names such as Cleopatra and Agrippina, as well as the likes of Achaemenid consort Atossa and Olympias, a force in Macedon. Spanning three thousand years, the story moves from Minoan Crete to Mycenaean Greece, from Lesbos to Asia Minor, from the Persian Empire to the royal court of Macedonia, and concludes with Rome and its growing empire. The women of antiquity are undeniably woven throughout the fabric of history, and in The Missing Thread they finally take center stage.

The University of Pennsylvania owns the largest collection of Minoan artifacts outside of Europe. The objects were acquired legally from the nation of Crete after it became independent from the Ottoman Empire and before its request was accepted to become a part of Greece, whose laws forbade such gifts to institutions that had sponsored archaeological expeditions. This third volume about the Cretan Collection in the Penn Museum presents the Minoan metal artifacts. They provide primary evidence for the early history of metallurgy in southeastern Europe during the second millennium B.C. This is a rich and varied assemblage of objects, with a large number of different classes. It is especially rich in items from the preliminary stages of metalwork (including oxhide ingot fragments, cut preliminary strips, and small cast strips used as early stages in the manufacture of artifacts). The study using modern techniques of examination-including scientific analyses-both documents the museum's holdings and provides new information on Minoan metalworking. Two important metallurgical techniques are documented: eutectic bonding of silver-capped rivets on daggers and "casting on" repairs to an existing object, which has not been noted previously in Minoan metalwork. The assemblage is remarkable for the light its objects shed on the history of technology.

The mid second millennium BC material record of the southern Aegean shows evidence of strong Cretan influence. This phenomenon has traditionally been seen in terms of ‘Minoanisation’, but the nature and degree of Cretan influence, and the process/processes by which it was spread and adopted, have been widely debated. This new study addresses the question of ‘Minoanisation’ through a study of the adoption of Cretan technologies in the wider southern Aegean: principally, weaving technology. By the early Late Bronze Age, Cretan-style discoid loom weights had appeared at a number of settlements across the southern Aegean. In most cases, this represents not only the adoption of a particular type of loom weight, but also the introduction of a new weaving technology: the use of the warp-weighted loom. The evidence for, and the implications of, the adoption of this new technology is examined. Drawing upon recent advances in textile experimental archaeology, the types of textiles that are likely to have been produced at a range of sites both on Crete itself and in the wider southern Aegean are discussed, and the likely nature and scale of textile production at the various settlements is assessed. A consideration of the evidence for the timing and extent of the adoption of Cretan weaving technology in the light of additional evidence for the adoption of other Cretan technologies is used to gain insight into the potential social and economic strategies engaged in by various groups across the southern Aegean, as well as the motivations that may have driven the adoption and adaptation of Cretan cultural traits and accompanying behaviors. By examining how technological skills and techniques are learned and considering possible mechanisms for the transmission of such technical knowledge and know-how, new perspectives can be proposed concerning the processes through which Cretan techniques were taken up and imitated abroad.

An undulating flow of multi-scalar exchanges pulsed across the surface of Aegean from the beginnings of the Bronze Age in the third millennium to the transition into the Iron Age nearly two thousand years later. Such exchanges were variable in nature. Most probably occurred within a rather circumscribed environment, involving neighboring communities operating across the many real but traversable geographical boundaries that characterize the Aegean landscape – ridges separating mountain plateaus, rocky coastal stretches between bays, or narrow straits amidst archipelagos. This Element is focused on the less-frequent but important long-distance exchanges that connected people in the Aegean with the wider Mediterranean and European world, especially focusing on interactions that may be classified as 'economic'. After reviewing basic definitions and discussing some methods and materials available for studying long-distance exchange, this Element presents a diachronic assessment of the geospatial, scalar, and structural characteristics of long-distance exchange and inter-regional economies.

This excavation of a Late Bronze Age town on the island of Mochlos in northeastern Crete includes the House of the Metal Merchant (with two large bronze hoards) and 13 other structures. Each building is described with its stratigraphy, architecture, small finds, ecofactual materials, function, and room use. This is a two volume set. Volume 1 contains the text and Volume 2 contains the Concordance, Tables, Figures, and Plates.

Mediterranean Connections focuses on the origin and development of maritime transport containers from the Early Bronze through early Iron Age periods (ca. 3200–700 BC). Analysis of this category of objects broadens our understanding of ancient Mediterranean interregional connections, including the role that shipwrecks, seafaring, and coastal communities played in interaction and exchange. These containers have often been the subject of specific and detailed pottery studies, but have seldom been examined in the context of connectivity and trade in the Aegean and eastern Mediterranean. This broad study: considers the likely origins of these types of vessels; traces their development and spread throughout the Aegean and eastern Mediterranean as archetypal organic bulk cargo containers; discusses the wider impact on Mediterranean connections, transport and trade over a period of 2,500 years covering the Bronze and early Iron Ages. Classical and Near Eastern archaeologists and historians, as well as maritime archaeologists, will find this extensively researched volume an important addition to their library.

The Minoan site at Bramiana in southeastern Crete provides evidence for a Bronze Age economy based on trade, agriculture, and craftwork. This publication uses a new system of organizing the pottery by petrography-sorting it by materials and workshop practices-revealing a trade network of cooking pots and other clay vessels and their contents.

Twenty-five papers from the Institute for Mediterranean Studies in Crete provide a best practice guide for the use of geophysical, geoarchaeological, geochemical and surveying techniques to study ancient landscapes.