Murder in a cathedral, horrific illnesses and deformities, narrow escapes from injury and death, a vengeful dragon, a wandering eyeball, a bawdy monk and other sinners redeemed—the accounts of miracles performed by the Virgin Mary gathered and translated in The Miracles of Mary in Twelfth-Century France provide vivid glimpses into medieval life and beliefs. Bruce L. Venarde provides fluent translations of the first five collections of Marian miracle narratives from France, written in the second quarter of the twelfth century and never before available in English. The stories recorded in these collections—by Herman of Tournai; Hugh Farsit; Haimo of Saint-Pierre-sur-Dives; John, son of Peter; and Gautier of Compiègne—offer descriptions of travel, living conditions, medical knowledge, conflict between and among lay and religious authorities, and the burgeoning cult of the Virgin Mary, which had only recently become important in Western Europe. Including notes, tables, and maps that orient and illuminate the texts, The Miracles of Mary in Twelfth-Century France makes these riveting tales available to readers seeking a view into the medieval past.

Recent research has emphasised the importance of insular French in medieval English culture alongside English and Latin; for a period of some four hundred years, French (variously labelled the French of England, Anglo-Norman, Anglo-French, and Insular French) rivalled these two languages. The essays here focus on linguistic adaptation and translation in this new multilingual England, where John Gower wrote in Latin while his contemporary Chaucer could break new ground in English.

Arranged alphabetically, with a brief introduction that clearly defines the scope and purpose of the book. Illustrations include maps, B/W photographs, genealogical tables, and lists of architectural terms.

"I can merely admire his courage in tackling so complex and difficult a subject; he should succeed in stimulating a fresh generation of research... this well-written, intelligent and lively study will greatly stimulate anyone fortunate enough to read it." Christianity provided the constitutive identity of historic Ethiopia. From the sixteenth century, and increasingly from the nineteenth, it entered decisively into the life and culture of an increasing number of other African peoples. In the course of the twentieth century, African Christians have become a major part of the world Church, and arguably modern African history as a whole is not intelligible without its powerful Christian element. Yet despite the great advance in African historiography over the last forty years, this is the first major volume to consider the historical development and character of the Christian Church in Africa as a whole, linking together Ehtiopia Orthodoxy, Roman Catholicism, Protestantism, and the numerousm 'Independent' churches of modern times. The book focuses throughout on the role of coversion, the shaping of Church life and its relationship to traditional values, and the impact of political power. Professor Hastings also compares the relation of Christian history to the comprable development of Islam in Africa.

First published in 1995, Medieval France: An Encyclopedia is the first single-volume reference work on the history and culture of medieval France. It covers the political, intellectual, literary, and musical history of the country from the early fifth to the late fifteenth century. The shorter entries offer succinct summaries of the lives of individuals, events, works, cities, monuments, and other important subjects, followed by essential bibliographies. Longer essay-length articles provide interpretive comments about significant institutions and important periods or events. The Encyclopedia is thoroughly cross-referenced and includes a generous selection of illustrations, maps, charts, and genealogies. It is especially strong in its coverage of economic issues, women, music, religion and literature. This comprehensive work of over 2,400 entries will be of key interest to students and scholars, as well as general readers.

This book explores how madness was defined and diagnosed as a condition of the mind in the Middle Ages and what effects it was thought to have on the bodies, minds and souls of sufferers. Madness is examined through narratives of miraculous punishment and healing that were recorded at the shrines of saints. This study focuses on the twelfth century, which has been identified as a ‘Medieval Renaissance’: a time of cultural and intellectual change that saw, among other things, the circulation of new medical treatises that brought with them a wealth of new ideas about illness and health. With the expanding authority of the Roman Church and the tightening of papal control over canonisation procedures in this period, historians have claimed that there was a ‘rationalisation’ of the miraculous. In miracle records, illnesses were explained using newly-accessible humoral theories rather than attributed to divine and demonic forces, as they had been previously. The first book-length study of madness in medieval religion and medicine to be published since 1992, this book challenges these claims and reveals something of the limitations of the so-called ‘medicalisation’ of the miraculous. Throughout the twelfth century, demons continue to lurk in miracle records relating to one condition in particular: madness. Five case studies of miracle collections compiled between 1070 and 1220 reveal that hagiographical representations of madness were heavily influenced by the individual circumstances of their recording and yet were shaped as much by hagiographical patterns that had been developing throughout the twelfth century as they were by new medical and theological standards.

LITERATURE A WORLD HISTORY An exploration of the history of the world’s literatures and the many varieties of literary expression Literature: A World Historyencompasses all the world’s major literary traditions, emphasizing the interrelationship of local and national cultures over time. Spanning global literature from the beginnings of recorded history to the present day, this expansive four-volume set examines the many varieties of the world’s literatures in their social and intellectual contexts. Its four volumes are devoted to literature before 200 CE, from 200 to 1500, from 1500 to 1800, and from 1800 to 2000, with four dozen contributors providing new insights into the art of literature, and addressing the situation of literature in the world today. Organized throughout in six broad regions—Africa, the Americas, East Asia, Europe, South Asia, Southeast Asia, and Oceania, and West and Central Asia—Literature: A World History offers readers a clear and consistent treatment of diverse forms of literary expression across time and place. Throughout the text, particular emphasis is placed on literary institutions within different regional and linguistic cultures and on the relations between literature and a spectrum of social, political, and religious contexts. Features work by an international panel of leading scholars from around the globe, in Africa, the Middle East, South and East Asia, Australia and New Zealand, Europe, and the United States Provides a balanced overview of national and global literature from all major regions of the world from antiquity to the present Highlights the specificity of regional and local cultures throughout much of literary history, together with cross-cutting essays on topics such as different writing systems, court cultures, and utopias Literature: A World History is an invaluable reference work for undergraduate and graduate students as well as scholars looking for a wide-ranging overview of global literary history.

Medieval art history has long emphasized the glories of the Byzantine Empire, but less known are the profound artistic contributions of Nubia, Egypt, Ethiopia, and other powerful African kingdoms whose pivotal interactions with Byzantium had an indelible impact on the medieval Mediterranean world. Bringing together more than 170 masterworks in a range of media and techniques—from mosaic, sculpture, pottery, and metalwork to luxury objects, panel paintings, and religious manuscripts—Africa and Byzantium recounts Africa’s centrality in transcontinental networks of trade and cultural exchange. With incisive scholarship and new photography of works rarely or never before seen in public, this long-overdue publication sheds new light on the staggering artistic achievements of late antique Africa. It reconsiders northern and eastern Africa’s contributions to the development of the premodern world and offers a more complete history of the region as a vibrant, multiethnic society of diverse languages and faiths that played a crucial role in the artistic, economic, and cultural life of Byzantium and beyond.