How did English dramatists portray the neighboring domain of France and its history in their plays? The study examines a selection of Shakespearean and other history plays, the French tragedies of George Chapman, Christopher Marlowe's revealing historical tragedy The Massacre at Paris, and several literary and nonliterary historical texts. The result is a unique and timely contribution to our understanding of how cultural differences influenced the historical perspectives of English dramatists as well as how Renaissance plays shaped, and were shaped by, their historical material. Drawing on the insights of cultural studies, historiography, and ethnography, this study re-examines the historical representation of a neglected yet influential part of early modern Europe and the paradoxical relationship between English writers and their French subject matter. Although information about France and French history was becoming increasingly available in England at the end of the sixteenth century, for English writers France remained a distant land, its history and people misunderstood and misrepresented.

How did English dramatists portray the neighboring domain of France and its history in their plays? The study examines a selection of Shakespearean and other history plays, the French tragedies of George Chapman, Christopher Marlowe's revealing historical tragedy The Massacre at Paris, and several literary and nonliterary historical texts. The result is a unique and timely contribution to our understanding of how cultural differences influenced the historical perspectives of English dramatists as well as how Renaissance plays shaped, and were shaped by, their historical material. Drawing on the insights of cultural studies, historiography, and ethnography, this study re-examines the historical representation of a neglected yet influential part of early modern Europe and the paradoxical relationship between English writers and their French subject matter. Although information about France and French history was becoming increasingly available in England at the end of the sixteenth century, for English writers France remained a distant land, its history and people misunderstood and misrepresented.

Brazzletons Adventures Summary: These stories are written about a strange, make-believe character named Brazzleton. He sets out on eight adventures where he learns important values about himself and others. He learns to believe in himself and how to find success by not giving up.

International journal of contemporary visual artists.

Essays on great figures and important issues, advances and blind alleys—from trepanation to the discovery of grandmother cells—in the history of brain sciences. Neuroscientist Charles Gross has been interested in the history of his field since his days as an undergraduate. A Hole in the Head is the second collection of essays in which he illuminates the study of the brain with fascinating episodes from the past. This volume's tales range from the history of trepanation (drilling a hole in the skull) to neurosurgery as painted by Hieronymus Bosch to the discovery that bats navigate using echolocation. The emphasis is on blind alleys and errors as well as triumphs and discoveries, with ancient practices connected to recent developments and controversies. Gross first reaches back into the beginnings of neuroscience, then takes up the interaction of art and neuroscience, exploring, among other things, Rembrandt's “Anatomy Lesson” paintings, and finally, examines discoveries by scientists whose work was scorned in their own time but proven correct in later eras.

Containing original essays; historical narratives, biographical memoirs, sketches of society, topographical descriptions, novels and tales, anecdotes, select extracts from new and expensive works, the spirit of the public journals, discoveries in the arts and sciences, useful domestic hints, etc. etc. etc.