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The preeminent Wellington biographer presents a fascinating reassessment of the Duke’s most famous victory and his political career after Waterloo. The Duke of Wellington’s momentous victory over Napoleon at the Battle of Waterloo was the culminating point of a brilliant military career. Yet Wellington’s achievements were far from over. He commanded the allied army of occupation in France to the end of 1818, returned home to a seat in Lord Liverpool’s cabinet, and became prime minister in 1828. He later served as a senior minister in Robert Peel’s government and remained Commander-in-Chief of the Army for a decade until his death in 1852. In this richly detailed work, the second and concluding volume of Rory Muir’s definitive biography, the author offers a substantial reassessment of Wellington’s significance as a politician and a nuanced view of the private man behind the legendary hero. Muir presents new insights into Wellington’s determination to keep peace at home and abroad, achieved by maintaining good relations with the Continental powers, resisting radical agitation, and granting political equality to the Catholics in Ireland. Countering one-dimensional image of Wellington as a national hero, Muir paints a nuanced portrait of a man whose austere public demeanor belied his entertaining, gossipy, generous, and unpretentious private self.

Learning is the soul of our species. From our first steps to our last words, we are what we learn. But for all its obvious importance, learning has lost touch with human progress. We live in an information age, work in a knowledge economy, yet our schools are relics of an industrial era. Education insider Alex Beard takes us on a dazzling tour of the future of learning to show how we can - and why we must - do better. Tackling everything from artificial intelligence to our growing understanding of the infant brain, Natural Born Learners is a user's guide to transforming learning in the twenty-first century and roadmap to accessing our better future selves.

Serial Forms: The Unfinished Project of Modernity, 1815–1848 proposes an entirely new way of reading the transition into the modern. It is the first book in a series of three which will take the reader up to the end of the First World War, moving from a focus on London to a global perspective. Serial Forms sets out the theoretical and historical basis for all three volumes. It suggests that, as a serial news culture and a stadial historicism developed together between 1815 and 1848, seriality became the dominant form of the nineteenth century. Through serial newsprint, illustrations, performances, and shows, the past and the contemporary moment enter into public visibility together. Serial Forms argues that it is through seriality that the social is represented as increasingly politically urgent. The insistent rhythm of the serial reorganizes time, recalibrates and rescales the social, and will prepare the way for the 1848 revolutions which are the subject of the next book. By placing their work back into the messy print and performance culture from which it originally appeared, Serial Forms is able to produce new and exciting readings of familiar authors such as Scott, Byron, Dickens, and Gaskell. Rather than offering a rarefied intellectual history or chopping up the period into ‘Romantic’ and ‘Victorian’, Clare Pettitt tracks the development of communications technologies and their impact on the ways in which time, history and virtuality are imagined.

This timely anthology, full of surprises, will stimulate ideas and discussion. It is a collection of writing, and some cartoons, from the nineteenth century British periodical press - which was the popular press of its day. The pieces range from articles and book reviews to short stories and poetry, as well as practical advice.