The Modes of Modern Writing tackles some of the fundamental questions we all encounter when studying or reading literature, such as: what is literature? What is realism? What is relationship between form and content? And what dictates the shifts in literary fashions and tastes? In answering these questions, the book examines texts by a wide range of modern novelists and poets, including James Joyce, T.S.Eliot, Ernest Hemingway, George Orwell, Virginia Woolf, Samuel Beckett and Philip Larkin, and draws on the work of literary theorists from Roman Jakobson to Roland Barthes. Written in Lodge's typically accessible style this is essential reading for students and lovers of literature at any level. The Bloomsbury Revelations edition includes a new Foreword/Afterword by the author.

The Modes of Modern Writing tackles some of the fundamental questions we all encounter when studying or reading literature, such as: what is literature? What is realism? What is relationship between form and content? And what dictates the shifts in literary fashions and tastes? In answering these questions, the book examines texts by a wide range of modern novelists and poets, including James Joyce, T.S.Eliot, Ernest Hemingway, George Orwell, Virginia Woolf, Samuel Beckett and Philip Larkin, and draws on the work of literary theorists from Roman Jakobson to Roland Barthes. Written in Lodge's typically accessible style this is essential reading for students and lovers of literature at any level. The Bloomsbury Revelations edition includes a new Foreword/Afterword by the author.

David Lodge is internationally celebrated as a novelist and critic, and, more recently, as a writer for television. This study examines his work from The Picturegoers (1960) to Therapy (1995). There are chapters on Lodge's early, mainly realistic, fiction; on his trilogy of campus novels, Changing Places, Small World and Nice Work; and on his interest, sometimes light-hearted, sometimes deeply serious, in Catholicism, notably in How Far Can You Go? and Paradise News. Lodge's practice as a novelist has been paralleled over the years by his work as a literary critic and theorist who is keenly interested in fictional form. There is an account of his critical writing, and the study concludes with an assessment of Lodge's achievement as a best-selling novelist with intellectual interests in criticismand theology, who has successfully brought together observant realism, metafictional consciousness and dazzling comedy.

A comprehensive, accessible and lucid coverage of major issues and key figures in modern and contemporary British literature.

Discusses the overlooked works of Bradbury and Lodge in terms of their critical reception, Bakhtin's theory of the dialogical novel, and their relation to British literature and contemporary literature in general. Annotation copyright Book News, Inc. Portland, Or.

Between Human and Divine is the first collection of scholarly essays published on a wide variety of contemporary (post 1980) Catholic literary works and artists. Its aim is to introduce readers to recent and emerging writers and texts in the tradition.

Berger’s slim, user-friendly volume on academic writing is a gift to linguistically-stressed academics. Author of 60 published books, the author speaks to junior scholars and graduate students about the process and products of academic writing. He differentiates between business writing skills for memos, proposals, and reports, and the scholarly writing that occurs in journals and books. He has suggestions for getting the “turgid” out of turgid academic prose and offers suggestions on how to best structure various forms of documents for effective communication. Written in Berger’s friendly, personal style, he shows by example that academics can write good, readable prose in a variety of genres.

This is a core introduction to the most innovative and influential writings to have shaped and defined the relations between language, culture and cultural identity.