A figure from ancient folklore, the doppelganger--in fiction a character's sinister look-alike--continues to appear in literature, television and film. The modern-day version (of the Doppelganger, or "double-goer" in German) is typically depicted in a form adapted to reflect present-day social anxieties. Focusing on a broad range of narratives, the author explores 21st century representations in novels (such as Audrey Niffenegger's Her Fearful Symmetry, Jose Saramago's The Double), television shows (Orphan Black, Battlestar Galactica, Ringer) and movies (The Island, The Prestige, Oblivion).

In the past decade, our rapidly changing world faced terrorism, global epidemics, economic and social strife, new communication technologies, immigration, and climate change to name a few. These fears and tensions reflect an evermore-interconnected global environment where increased mobility of people, technologies, and disease have produced great social, political, and economical uncertainty. The essays in this collection examine how monstrosity has been used to manage these rising fears and tensions. Analyzing popular films and televisions shows, such as True Blood, Twilight, Paranormal Activity, District 9, Battlestar Galactica, and Avatar, it argues that monstrous narratives of the past decade have become omnipresent specifically because they represent collective social anxieties over resisting and embracing change in the 21st century. The first comprehensive text that uses monstrosity not just as a metaphor for change, but rather a necessary condition through which change is lived and experienced in the 21st century, this approach introduces a different perspective toward the study of monstrosity in culture.

In an exciting, fast-paced historical narrative ranging across two centuries, Ronan takes readers on an exhilarating tour of this final mathematical quest to understand symmetry.

CIA agent Asahi Tanaka grew up hearing tales from his grandfather about a mysterious realm where magic and monsters are real. His quest for answers takes him back to Yachats, Oregon, his childhood home, and a series of disappearances leads to a strange but eerily familiar world. Nali, Empress of the Monsters, will do anything to protect the creatures under her care. When one of her fabled Sea Stags washes ashore grievously injured, she knows that the last of the alien organisms who came to her world has made it to her kingdom. Her search for the alien leads to an unexpected discovery—another visitor, this one from Earth! A perilous journey to find the malevolent alien takes Nali and Asahi across the Isle of the Monsters, leading them to a discovery that changes their perceptions and makes them reexamine their place in the universe. Will the magic that sparks between these two warriors from different worlds be enough to destroy the threat, or will one have to be sacrificed to save not only the Seven Kingdoms but Earth as well? A NY Times and USA Today bestselling author, the internationally acclaimed S.E. Smith presents a new story with her signature humor and unpredictable twists! Exciting adventure, hot romance, and iconic characters have won her a legion of fans. Over TWO MILLION books sold!

Taking Mary Shelley's novel as its point of departure, this collection of essays considers how her creation has not only survived but thrived over 200 years of media history, in music, film, literature, visual art and other cultural forms. In studying monstrous figures torn from the deepest and darkest imaginings of the human psyche, the essays in this book deploy the latest analytical approaches, drawn from such fields as musicology, critical race studies, feminist studies, queer theory and psychoanalysis. The book interweaves the manifold sounds, sights and stories of monstrosity into a conversation that sheds light on important social issues, aesthetic trends and cultural concerns that are as alive today as they were when Shelley's landmark novel was published 200 years ago.

The Monster in the Machine tracks the ways in which human beings were defined in contrast to supernatural and demonic creatures during the time of the Scientific Revolution. Zakiya Hanafi recreates scenes of Italian life and culture from the late sixteenth to the early eighteenth centuries to show how monsters were conceptualized at this particular locale and historical juncture—a period when the sacred was being supplanted by a secular, decidedly nonmagical way of looking at the world. Noting that the word “monster” is derived from the Latin for “omen” or “warning,” Hanafi explores the monster’s early identity as a portent or messenger from God. Although monsters have always been considered “whatever we are not,” they gradually were tranformed into mechanical devices when new discoveries in science and medicine revealed the mechanical nature of the human body. In analyzing the historical literature of monstrosity, magic, and museum collections, Hanafi uses contemporary theory and the philosophy of technology to illuminate the timeless significance of the monster theme. She elaborates the association between women and the monstrous in medical literature and sheds new light on the work of Vico—particularly his notion of the conatus—by relating it to Vico’s own health. By explicating obscure and fascinating texts from such disciplines as medicine and poetics, she invites the reader to the piazzas and pulpits of seventeenth-century Naples, where poets, courtiers, and Jesuit preachers used grotesque figures of speech to captivate audiences with their monstrous wit. Drawing from a variety of texts from medicine, moral philosophy, and poetics, Hanafi’s guided tour through this baroque museum of ideas will interest readers in comparative literature, Italian literature, history of ideas, history of science, art history, poetics, women’s studies, and philosophy.

Dealing with the basic elements that make us human, the short stories contained in Inside from the Outside represent explorations of various aspects of human nature in all its complexity and variety. Author Peter Baltensperger has incorporated elements of experimental, surrealistic, and bizarre short fiction. The stories, classified as sudden fiction, are all less than a thousand words long and focus on the many archetypal characteristics which constitute the human psyche. In From the Secrets of Tree, Sybil Strong attempts to discover the secrets of the forest during a horseback ride and swim in the river. Mitchell Collier, in Amid the Variegated Currents, battles the river for answers as he calls attention to Sisyphus of the River. In Across the Lake, Morgana Cronin uses a swim in a clear lake on a hot afternoon to solve lifes puzzles. This collection exemplifies the never-ending search for meaning and the primordial quest for selfhood as the characters struggle to find themselves in a confusing world. Praise for Inside from the Outside Because the dreamscape of Peter Baltenspergers prose is precisely where Jung meets Freud, the spare, direct, and deeply affective stories in this volume represent the specific way that the archetypal heritage can surface far more profoundly in the sensual persona than in the curious intellect or the emotive heart. These are stories about the human condition and about the commonality of the human experience shared by all. Like Conrad, Nabokov, and Appelfeld, Baltensperger writes in a learned language. But that only makes his writing the more remarkable: this is English-language short prose at its most arresting and at its most seductive. Martin S. Cohen, essayist, novelist, commentator, and editor

The Metaphor of the Monster offers fresh perspectives and a variety of disciplinary approaches to the ever-broadening field of monster studies. The eclectic group of contributors to this volume represents areas of study not generally considered under the purview of monster studies, including world literature, classical studies, philosophy, ecocriticism, animal ethics, and gender studies. Combining historical overviews with contemporary and global outlooks, this volume recontextualizes the monstrous entities that have always haunted the human imagination in the age of the Anthropocene. It also invites reflection on new forms of monstrosity in an era epitomized by an unprecedented deluge of (mis)information. Uniting researchers from varied academic backgrounds in a common effort to challenge the monstrous labels that have historically been imposed upon "the Other," this book endeavors above all to bring the monster out of the shadows and into the light of moral consideration.

On the 200th anniversary of the first edition of Mary Shelley’s Frankenstein, Transmedia Creatures presents studies of Frankenstein by international scholars from converging disciplines such as humanities, musicology, film studies, television studies, English and digital humanities. These innovative contributions investigate the afterlives of a novel taught in a disparate array of courses - Frankenstein disturbs and transcends boundaries, be they political, ethical, theological, aesthetic, and not least of media, ensuring its vibrant presence in contemporary popular culture. Transmedia Creatures highlights how cultural content is redistributed through multiple media, forms and modes of production (including user-generated ones from “below”) that often appear synchronously and dismantle and renew established readings of the text, while at the same time incorporating and revitalizing aspects that have always been central to it. The authors engage with concepts, value systems and aesthetic-moral categories—among them the family, horror, monstrosity, diversity, education, risk, technology, the body—from a variety of contemporary approaches and highly original perspectives, which yields new connections. Ultimately, Frankenstein, as evidenced by this collection, is paradoxically enriched by the heteroglossia of preconceptions, misreadings, and overreadings that attend it, and that reveal the complex interweaving of perceptions and responses it generates. Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.