There was nothing on the island big enough to kill a man, yet each new day brought with it another bloody death, another mysterious disappearance. The first hint of something wrong at the outpost was the plane. It crazily circled the little island, its cargo-bay doors open, its radio dead. It seemed to hang in the air for a moment and then it dived downward, levelled and dipped again. It made a belly landing on the runway with its wheels still retracted. There was a singular, dead silence and then a shot rang out. The crew of two and the seven passengers had vanished, the cargo was strewn about and the fuel tanks had been emptied. And the pilot, after landing, had blown his brains out...

World myth deciphered and organized into a coherent story of our past. It is almost impossible to read world mythology without noticing common threads and patterns that seem to paint a bigger picture. A story told by our ancient ancestors for future generations to remember and learn. What if the eyewitnesses to past events were taken seriously? What if we listen to their stories with unbiased ears, free of assumptions? What if their stories were backed up by scientific discoveries? What if the myths can explain the mysteries?

Shadow Angels is a story of struggle through the ages between good and evil. It is a story of the Bryce family of vampires. The only surviving vampire family of the Herit Covenant. The Herit covenant, one of five vampire covenants brought to earth by warrior angels of heaven, led by the Archangel Michael, to counter the five known Esmanaa demons and the rapid spread of evil on this world. Vampires had fought the Esmanaa through the ages and lost. Now they wait for a new champion foretold by the angels. Shawn Nelson battered by life and war was destined to become this champion and was made vampire into the Bryce vampire family. Follow him through the centuries and experience his loves and sacrifices how he learned from his maker Anne to live as a vampire. How the vampire Victoria love and taught him about the Esmanaa. His special relationship with the angels of heaven. How his family of vampires lived their long lives in the shadows, fighting the Esmanaa protecting humans and shielding them from the dark forces that occupy their world. Follow Shawn through the great human war, to the final battle with the Esmanaa and the terrible tragedy that awaits them all. Shadow Angels is a deliciously different take on the traditional vampire tale and is the first book in the Shadow Angels Trilogy.

This 9th volume “Accidents & Experiments” of the Sci-Fi Film Fiesta eBook series features classic science fiction films from the 1950s whose subject matter involves discoveries and breakthroughs made through experiments or even by sheer accident. The important point about such discoveries, though are the consequences that result from them. The collection of entertaining cautionary sci-fi screen tales from the 1950’s raise interesting questions about humanity’s drive to command, control and master nature and treat it as if it exists purely for our own benefit, while often ignoring the price to be paid for doing so.

Vivid myths of Greece and Rome, plus stories of Norse gods and heroes. Zeus and Hera, Apollo, Jason and the golden fleece, the wanderings of Ulysses and Aeneas, the deeds of Thor, many more.

Purpose of the Study. Interwoven with the fabric of our English literature, of our epics, dramas, lyrics, and novels, of our essays and orations, like a golden warp where the woof is only too often of silver, are the myths of certain ancient nations. It is the purpose of this work to relate some of these myths, and to illustrate the uses to which they have been put in English literature, and, incidentally, in art. The Fable and the Myth. Careful discrimination must be made between the fable and the myth. A fable is a story, like that of King Log, or the Fox and the Grapes, in which characters and plot, neither pretending to reality nor demanding credence, are fabricated confessedly as the vehicle of moral or didactic instruction. Dr. Johnson narrows still further the scope of the fable: "It seems to be, in its genuine state, a narrative in which beings irrational, and sometimes inanimate, are, for the purpose of moral instruction, feigned to act and speak with human interests and passions." Myths, on the other hand, are stories of anonymous origin, prevalent among primitive peoples and by them accepted as true, concerning supernatural beings and events, or natural beings and events influenced by supernatural agencies. Fables are made by individuals; they may be told in any stage of a nation's history,—by a Jotham when the Israelites were still under the Judges, 1200 years before Christ, or by Christ himself in the days of the most critical Jewish scholarship; by a Menenius when Rome was still involved in petty squabbles of plebeians and patricians, or by Phædrus and Horace in the Augustan age of Roman imperialism and Roman letters; by an Æsop, well-nigh fabulous, to fabled fellow-slaves and Athenian tyrants, or by La Fontaine to the Grand Monarch and the most highly civilized race of seventeenth-century Europe. Fables are vessels made to order into which a lesson may be poured. Myths are born, not made. They are born in the infancy of a people. They owe their features not to any one historic individual, but to the imaginative efforts of generations of story-tellers. The myth of Pandora, the first woman, endowed by the immortals with heavenly graces, and of Prometheus, who stole fire from heaven for the use of man; the myth of the earthborn giants that in the beginning contested with the gods the sovereignty of the universe; of the moon-goddess who, with her buskined nymphs, pursues the chase across the azure of the heavens, or descending to earth cherishes the youth Endymion,—these myths, germinating in some quaint and childish interpretation of natural events or in some fireside fancy, have put forth unconsciously, under the nurture of the simple folk that conceived and tended them, luxuriant branches and leaves of narrative, and blossoms of poetic comeliness and form. The myths that we shall relate present wonderful accounts of the creation, histories of numerous divine beings, adventures of heroes in which magical and ghostly agencies play a part, and where animals and inanimate nature don the attributes of men and gods. Many of these myths treat of divinities once worshiped by the Greeks and the Romans, and by our Norse and German forefathers in the dark ages. Myths, more or less like these, may be found in the literatures of nearly all nations; many are in the memories and mouths of savage races at this time existent. But the stories here narrated are no longer believed by any one. The so-called divinities of Olympus and of Asgard have not a single worshiper among men. They dwell only in the realm of memory and imagination; they are enthroned in the palace of art.