The mummy came to life in the 1940s out of Universal Pictures' need to produce quick turnaround, low budget "B" movies. Universal produced The Mummy's Hand, The Mummy's Tomb, The Mummy's Ghost, and The Mummy's Curse (originally The Mummy's Return) and thus created a popular franchise that is still supported today by a following of loyal fans. (Universal was prompted to produce a remake of its Mummy films in 1999.) This book is devoted entirely to Universal's Mummy movies of the 1940s. It reveals lost action and dialogue by analyzing scenes that were edited out days before The Mummy's Hand was released to theaters, treats readers to other dialogue that was filmed and then cut down to almost nothing before being included in the films, and compares and contrasts the original story of The Mummy's Return to the final shooting script of what was later renamed The Mummy's Curse. Each of the films has its own chapter, and chapters are also devoted to the actors who played the heroes, heroines, high priests, victims, and mummies in the films, and to the filmmakers who brought the mummies to life.

The Mummy is one of the most recognizable figures in horror and is as established in the popular imagination as virtually any other monster, yet the Mummy on screen has until now remained a largely overlooked figure in critical analysis of the cinema. In this compelling new study, Basil Glynn explores the history of the Mummy film, uncovering lost and half-forgotten movies along the way, revealing the cinematic Mummy to be an astonishingly diverse and protean figure with a myriad of on-screen incarnations. In the course of investigating the enduring appeal of this most 'Oriental' of monsters, Glynn traces the Mummy's development on screen from its roots in popular culture and silent cinema, through Universal Studios' Mummy movies of the 1930s and 40s, to Hammer Horror's re-imagining of the figure in the 1950s, and beyond.

Horemkenesi was an Egyptian priest and official who lived at Thebes in the eleventh century B.C. The unwrapping and scientific examination of his mummified body (the last such investigation to have been carried out in Britain) provided a rare opportunity to study the remains of a known historical figure using the most sophisticated technology and methods of analysis. By combining the results of this study with information from inscriptions on Horemkenesi's coffin and rock graffiti recording his work in the cemeteries of Thebes, it is possible to build up a fascinating picture of the life, death, and mummification of an ancient Egyptian. The first part of this book considers Horemkenesi's life and work against the backdrop of Upper Egypt in the troubled times of the early Twentieth Dynasty. The second part concentrates on the unwrapping of the mummy: its careful planning, how the delicate operation was carried out, and what discoveries were made. What did Horemkenesi look like? How old was he at death? What was the state of his health? Why did the embalmers not remove his brain, and why were his internal organs missing? These and other questions are answered in this stimulating book.

What weird science lay in the mummy case of Ret-Seh? What uncanny power created this lovely, terrifying vision?excerptThe mummy case was the finest thing of its sort that Hargraves ever had seen; a magnificent thing marvelous with paint and gold. It was a slender elaborate affair showing the figure of a woman, a woman who must have been a ravishing beauty in life if the carved and painted face was even a passable likeness of the original whose body was-supposedly-within the case.Moreover, it was a strikingly lifelike face; a face of perfect oval, with a delicate cleft chin, with beautifully rounded cheeks, with broad low forehead crowned with masses of black hair, with a thin straight nose that would have been imperious had it not been for the uptilted tip; with arching brows over lustrous eyes that seemed-even in painted form-to gaze up at Hargraves with a questing, ardent expression; and with carmine lips parted in an alluring, most provocative smile."Actually looks as if she wanted to be kissed," mused Hargraves as he stood off and admired the carved and painted figure. "Must have been a pretty thing if she looked like that. Regular heart-breaker, back in days of the Pharaohs, I expect. And what a figure! Might represent Pharaoh's daughter at the time she found little Moses."

First runner-up for the British-Kuwait Friendship Society Book Prize in Middle Eastern Studies 2015. In ancient Egypt, wrapping sacred objects, including mummified bodies, in layers of cloth was a ritual that lay at the core of Egyptian society. Yet in the modern world, attention has focused instead on unwrapping all the careful arrangements of linen textiles the Egyptians had put in place. This book breaks new ground by looking at the significance of textile wrappings in ancient Egypt, and at how their unwrapping has shaped the way we think about the Egyptian past. Wrapping mummified bodies and divine statues in linen reflected the cultural values attached to this textile, with implications for understanding gender, materiality and hierarchy in Egyptian society. Unwrapping mummies and statues similarly reflects the values attached to Egyptian antiquities in the West, where the colonial legacies of archaeology, Egyptology and racial science still influence how Egypt appears in museums and the press. From the tomb of Tutankhamun to the Arab Spring, Unwrapping Ancient Egypt raises critical questions about the deep-seated fascination with this culture – and what that fascination says about our own.

Victorian culture was characterized by a proliferation of shows and exhibitions. These were encouraged by the development of new sciences and technologies, together with changes in transportation, education and leisure patterns. The essays in this collection look at exhibitions and their influence in terms of location, technology and ideology.

Perfect for school and public libraries, this is the only reference book to combine pop culture with science to uncover the mystery behind mummies and the mummification phenomena. Mortality and death have always fascinated humankind. Civilizations from all over the world have practiced mummification as a means of preserving life after death—a ritual which captures the imagination of scientists, artists, and laypeople alike. This comprehensive encyclopedia focuses on all aspects of mummies: their ancient and modern history; their scientific study; their occurrence around the world; the religious and cultural beliefs surrounding them; and their roles in literary and cinematic entertainment. Author and horror guru Matt Cardin brings together 130 original articles written by an international roster of leading scientists and scholars to examine the art, science, and religious rituals of mummification throughout history. Through a combination of factual articles and topical essays, this book reviews cultural beliefs about death; the afterlife; and the interment, entombment, and cremation of human corpses in places like Egypt, Europe, Asia, and Central and South America. Additionally, the book covers the phenomenon of natural mummification where environmental conditions result in the spontaneous preservation of human and animal remains.

The most penetrating study of the curse ever conducted, The Mummy's Curse uncovers forgotten nineteenth-century fiction and poetry, revolutionizes the study of mummy horror films, and reveals the prejudices embedded in children’s toys. Examining original surveys and field observations of museum visitors demonstrate that media stereotypes - to which museums inadvertently contribute - promote vilification of mummies, which can invalidate demands for their removal from display. Jasmine Day shows that the curse's structure and meaning has changed over time, as public attitudes toward archaeology and the Middle East were transformed by events such as the discovery of Tutankhamun’s tomb. The riddle of the 'curse of the pharaohs' is finally solved via a radical anthropological treatment of the legend as a cultural concept rather than a physical phenomenon. A must for anyone interested in this ancient and mystifying legend.

Recognizing the important contribution of the human skeletal evidence to the archaeology of Pompeii, Lazer presents an in-depth study of the people of pompeii, and gives students an essential resource in the study of this fascinating historical event.

"Today, a good century after the first X-rays of mummies, Egyptology has the benefit of all the methods and means at the disposal of forensic medicine. The 'mummy stories' we tell have changed their tone, but they have enjoyed much success, with fantastic scientific and technological results resolving the mysteries of the ancient land of the pharaohs."--from the Foreword Mummies are the things that fascinate us most about ancient Egypt. But what are mummies? How did the Egyptians create them? And why? What became of the people they once were? We are learning more all the time about the cultural processes surrounding mummification and the medical characteristics of ancient Egyptian mummies. In the first part of Mummies and Death in Egypt Françoise Dunand gives an overview of the history of mummification in Egypt from the prehistoric to the Roman period. She thoroughly describes the preparations of the dead (tombs and their furnishings, funerary offerings, ornamentation of the corpse, coffins, and canopic jars), and she includes a separate chapter on the mummification of animals. She links these various practices and behaviors to the religious beliefs of classical Egypt. In the second part of this book, Roger Lichtenberg, a physician and archaeologist, offers a fascinating narrative of his forensic research on mummies, much of it conducted with a portable X-ray machine on archaeological digs. His findings have revealed new information on the ages of the mummified, their causes of death, and the illnesses and injuries they suffered. Together, Dunand and Lichtenberg provide a state-of-the-art account of the science of mummification and its social and religious context.