On the tracks of the killers of Rosa Luxemburg The cold-blooded murder of revolutionary icons Rosa Luxemburg and Karl Liebknecht in the pitched political battles of post-WWI Germany marks one of the greatest tragedies of the 20th century. No other political assassination inflamed popular passions and transformed Germany's political climate as that killing in the night of 15-16 January 1919 in front of the luxurious Hotel Eden. It not only cut short the lives of two of the country's most brilliant political leaders, but also inaugurated a series of further political assassinations designed to snuff out the revolutionary flame and, ultimately, pave the way for the ultra-reactionary forces that would take power in 1933. To commemorate the 100th anniversary of their untimely deaths, Klaus Gietinger has carefully reconstructed the events on that fateful night, digging deep into the archives to identify who exactly was responsible for the murder, and what forces in high-placed positions had a hand in facilitating it and protecting the culprits.

Kataj is a major figure on the post-war international art scene. His retrospective at the Tate in 1994 generated argument and discussion. In over 30 years as a successful artist, he has explored the relationship between the visual and the poetic, taken references from high literature and popular culture, represented heroic figures and struggled to develop an iconography of post-Holocaust Jewish identity.

“You will meet the real Rosa here, and it’s a pleasure.”—Norman Lebrecht, Wall Street Journal As an economist and political theorist, Rosa Luxemburg created a body of work that still resonates powerfully today. Born in Poland in 1871, she became a revolutionary leader in Berlin, publishing works including Reform or Revolution and The Accumulation of Capital. In this account of Luxemburg’s short yet extraordinary life, Dana Mills examines Luxemburg’s writings, including her own correspondence, to reveal a woman who was fierce in professional battles and loving in personal relationships. What is her legacy today, a hundred years after her assassination in Berlin in 1919 at the age of forty-seven? Luxemburg’s emphasis on humanity and equality and her insistence on revolution give coherence, as this compelling biography illustrates, to a fraught life story and to her colossal economic and political legacy.

Born over a fifty-year period, the artists in this volume represent several generations of twentieth-century artists. Examining the work of such influential artists as Mark Rothko, Max Weber, and Ruth Weisberg, Baigell directly confronts their Jewish identity—as a religious, cultural, and psychological component of their lives—and explores the way in which this influence is reflected in their art. Drawing upon their common heritage, Baigell reveals the different ways these artists responded to the Great Immigration, the Depression, the Holocaust, the founding of the state of Israel, and the rise of feminism. Each artist’s varied Jewish experiences have contributed to the creation of a visual language and subject matter that reflect both Jewish assimilation and Jewish continuity in ways that inform modern Jewish history and changes in present-day America. Offering a fresh examination of well-known artists as well as long overdue attention to lesser-known artists, Baigell’s incisive observations are indispensable to our understanding of the Jewish themes in these artists' work. Written in a lively and spirited prose, this book is compulsory reading for those interested in modern American art and Jewish studies.

This biography, first published half a century ago, remains the most detailed and comprehensive study of Rosa Luxemburg. Nettl's extensive knowledge of the social and political context of the European socialist movements in which she was active, and his engagement with her voluminous writings in German, Polish, and Russian (many of which are only now being translated into English), brings to light the multidimensional nature of her life and work. This new edition will enable a new generation to explore Luxemburg's effort to develop an emancipatory version of Marxism liberated from the constraints of both reformism and authoritarianism, as well as grasp the unique personality of this remarkable women theoretician and revolutionary.

This book sets out to examine Rosa Luxemburg’s ideas, not from the distorted myths about her political ideas, or solely about personal questions such as her love life, but from Luxemburg’s very own writings. It is an attempt to provide an insight into the treasure trove of ideas and revolutionary theory that Luxemburg’s works constitute. The book shows that the real Rosa Luxemburg is often very far from the myths and rumours that surround her: Rosa Luxemburg was, is and remains a revolutionary.

Walter Benjamin derided Werner Scholem as a ‘rogue’ in 1924. Josef Stalin referred him as a ‘splendid man’, but soon backtracked and labeled him an ‘imbecile’, while Ernst Thälmann, chairman of the Communist Party of Germany (KPD), warned his followers against the dangers of ‘Scholemism’. For the philosopher and historian Gershom Scholem, however, Werner was first and foremost his older brother. The life of German-Jewish Communist Werner Scholem (1895–1940) had many facets. Werner and Gerhard, later Gershom, rebelled together against their authoritarian father and the atmosphere of national chauvinism engulfing Germany during World War I. After inspiring his younger brother to take up the Zionist cause, Werner himself underwent a long personal journey before deciding to join the Communist struggle. Scholem climbed the party ladder and orchestrated the KPD's ‘Bolshevisation’ campaign, only to be expelled as one of Stalin's opponents in 1926. He was arrested in 1933, and ultimately murdered in the Buchenwald concentration camp seven years later. This first biography of Werner Scholem tells his life story by drawing on a wide range of original sources and archive material long hidden beyond the Iron Curtain of the Cold War era. First published in German by UVK Verlagsgesellschaft as Werner Scholem - eine politische Biographie (1895-1940), Konstanz, 2014.

Part Four of a comprehensive collection of Rosa Luxemburg's writing This 600-page volume of Luxemburg’s Complete Works contains her writings On Revolution from 1906 to 1909—covering the 1905–06 Russian Revolution, an epoch-making event, and its aftermath. Over 80 per cent of writings on this volume have never before appeared in English. The volume contains numerous writings never before available in English, such as her pathbreaking essay “Lessons of the Three Dumas,” which presents a unique perspective on the transition to socialism, her “Notes on the English Revolution” of the 1640s, and numerous writings on of the role of the mass strike in fomenting revolutionary transformation. All of the material in the volume consists of new translations, from German, Polish, and Russian originals.