The Music of Harry Potter and The Lord of the Rings provides an in-depth study of the music of two of the biggest fantasy franchises, focussing on music’s worldbuilding roles within the film-watching experience and elsewhere in videogames, trailers, plays, theme parks and other attractions, and the world of fandom. Daniel White takes a range of approaches and techniques of motivic and thematic musical analysis, and pairs this with transformational harmonic analysis to theorise music’s worldbuilding roles in film. Chapters focus in turn on the opening sequences of the case study franchise films, their closing sequences, and on their depiction of houses, homes and homelands. Extra-filmic areas of these fantasy worlds are also explored, including theme parks and other tourist attractions of the Harry Potter franchise, videogames and the immersive power of their music, and the world of fandom with a focus on soundtrack consumption and other musical fan practices. Through this multifaceted approach, readers gain a deeper understanding not only of the music of these franchises, but also of music’s power in the multimedia franchise both within and without film to build a home that attracts inhabitants. This book will be valuable for academics and students as well as fans of fantasy franchises.

The Music of Film opens up the world of film music from the inside. Through a series of interviews and conversations with professional composers, music supervisors, music editors, and picture editors, this book shows how music for film and television works according to insiders in the industry. Here we find a comprehensive collection of techniques and personal insights and get a unique perspective on how these key players in postproduction interact, collaborate, and successfully build their careers. The Music of Film is essential reading for composers, editors, directors, and producers—aspiring and established alike—or anyone interested in learning how to start or manage a profession working with music in feature films, television, and other media.

These original piano solos are meant to afford early intermediate students the opportunity to explore a variety of styles, techniques, textures, and moods. Titles: * Days Gone By * Delightful Dreams * A Fine Day * No Long Goodbyes * Old Castile * Paisley Patterns * Tritone Blues * Willows

Through analysis, Matthew Bribitzer-Stull explores the legacy of the leitmotif, from Wagner's Ring cycle to present-day Hollywood film music.

These original piano solos are meant to afford intermediate students the opportunity to explore a variety of styles, techniques, textures, and moods. Titles: * Black Tie Tango * Blusters and Breezes * A Hint of Jazz * Seafarer's Song * The Viking Hoard * White Orchid * You and I

As both a distinct genre and a particular mode of filmmaking, the idea of the epic has been central to the history of cinema. Including contributions from both established and emerging film music scholars, the ten essays in Music in Epic Film: Listening to Spectacle provide a cross-section of contemporary scholarship on the subject. They explore diverse topics, including the function of music in epic narratives, the socio-political implications of cinematic music, and the use of pre-existing music in epic films. Intended for students and scholars in film music, film appreciation, and media studies, the wide range of topics and the diversity of the films that the authors discuss make Music in Epic Film: Listening to Spectacle an ideal introduction to the field of music in epic film.

This book is a study of the Christian life and the practice of Christians and the church from an Anglican perspective. It begins with an analysis and explication of the structure and process of the Christian life before God in the church and the world involving a five-fold rule of life and the relation of this to spiritual direction. This is followed by an analysis and critique of the current spirituality movement, which arose in the 1970s and which has come to dominate and mislead the churches. A sequel to the latter explains the origin of the spirituality movement in the current Romantic movement that arose in the 1960s and has influenced all aspects of our culture with ambiguous results. Next there is a critique of contemporary parish ministry as practiced in residential parishes that at best ministers only to the private lives of its members, followed by a fictional story of such a residential parish that suggests a new departure in parish ministry. Then there is a critique of preaching in the Episcopal Church that is generally considered to be poor, and a proposal of a way to overcome this. The concluding three chapters treat a fundamental problem in our approach to private prayer and a way to resolve this, a proposal for a way to overcome the current impasse in the Anglican Communion concerning homosexuality, and a meditation on the responsibility of Christians in public life.

The Oxford Handbook of Film Music Studies gathers two dozen original essays that chart the history and current state of interdisciplinary scholarship on music in audiovisual media, focusing on four areas: history, genre and medium, analysis and criticism, and interpretation.

These original piano solos are meant to afford late-intermediate students the opportunity to explore a variety of styles, techniques, textures, and moods. Titles: *Curtains Up *High-Wire Rag *Intergalactic Confluence *The Peacocks of Babylon *Sidewinder Waltz *Toccata Pirata *Twilight Blue "This is the most enjoyable and worthwhile music!" - Celeste-tina Hernandez, Progressions "The Peacocks of Babylon" and "Toccata Pirata" are Federation Festivals 2014-2016 selections.

By one count, there are more than 7,200 escape room environments in 1,445 cities in 105 countries. So why not in libraries? Sharpening participants’ problem solving and collaboration skills by mashing up real-time adventure, immersive theater, gaming, and old-fashioned entertainment, they’re a natural for libraries. And, as Kroski demonstrates in this fun guide, they’re feasible for a range of audiences and library budgets. Whether you’re already an escape room aficionado who’s eager to replicate the experience at your own institution, or an intrigued novice looking for ways to enliven your programing, Kroski has got you covered. This book discusses the differences between escape rooms, which are highly structured, and immersive experiences, which are more casual;shows how these unique experiences can be used to teach information literacy skills, add unique youth programming, bring adults into the library, and instruct patrons about library resources in the form of puzzles and challenges;profiles several successful library projects, from large scale programs like New York Public Libraries’ Find the Future: The Game to smaller ones like Search for Alexander Hamilton;offers dozens of programming ideas and examples that can be tailored to fit a variety of libraries and budgets; andprovides information on game kits available for purchase, tips for partnering with local Escape Room businesses, and links to additional resources. With the assistance of Kroski’s guide, libraries everywhere can offer their own take on these exciting forms of entertainment, engagement, and education.