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BOOK EXCERPT:
The Music of Hugh Wood provides the first ever in-depth study of this well-known, yet only briefly documented composer. Over the years, Wood (b. 1932) has produced a sizeable oeuvre that explores the established genres of symphony, concerto, and quartet on the one hand, and songs and choruses on the other. Underpinned by an awareness of recent philosophical, theoretical and analytical concepts, Dr Edward Venn highlights both the technical basis of Wood's music and the expressive force of his work. In doing so, a picture emerges of Wood as an artist of considerable merit and power. The eclectic blend of national and international influences in the music of Hugh Wood combine to create an individual and distinctive musical language all his own. The book provides an overview of Wood's style, focussing on his engagement with modernism and the melodic, rhythmic, harmonic and formal characteristics of his musical language. From here a more detailed consideration of Wood's development as a composer is advanced, in which his technical development is illustrated alongside an exploration of various aspects of musical meaning embodied in his works. In the process, numerous analytical strategies ranging from formalist to narrative structures are utilized, demonstrating the fecundity and expressivity of Wood's music.
Product Details :
Genre |
: Music |
Author |
: Edward Venn |
Publisher |
: Routledge |
Release |
: 2017-07-05 |
File |
: 295 Pages |
ISBN-13 |
: 9781351542326 |
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BOOK EXCERPT:
Over three decades, Paul Griffiths's survey has remained the definitive study of music since the Second World War; this fully revised and updated edition re-establishes Modern Music and After as the preeminent introduction to the music of our time. The disruptions of the war, and the struggles of the ensuing peace, were reflected in the music of the time: in Pierre Boulez's radical reformation of compositional technique and in John Cage's development of zen music; in Milton Babbitt's settling of the serial system and in Dmitry Shostakovich's unsettling symphonies; in Karlheinz Stockhausen's development of electronic music and in Luigi Nono's pursuit of the universally human, in Iannis Xenakis's view of music as sounding mathematics and in Luciano Berio's consideration of it as language. The initiatives of these composers and their contemporaries opened prospects that haven't yet stopped unfolding. This constant expansion of musical thinking since 1945 has left us with no singular history of music; Griffiths's study accordingly follows several different paths, showing how and why they converge and diverge. This new edition of Modern Music and After discusses not only the music of the fifteen years that have passed since the previous edition, but also the recent explosion of scholarly interest in the latter half of the twentieth century. In particular, the book has been expanded to incorporate the variety of responses to the modernist impasse experienced by composers of the 1980s and 1990s. Griffiths then moves the book into the twenty-first century as he examines such highly influential composers as Helmut Lachenmann and Salvatore Sciarrino. For its breadth, wealth of detail, and characteristic wit and clarity, the third edition of Modern Music and After is required reading for the student and the enquiring listener.
Product Details :
Genre |
: Music |
Author |
: Paul Griffiths |
Publisher |
: Oxford University Press |
Release |
: 2011-02-16 |
File |
: 475 Pages |
ISBN-13 |
: 9780199792825 |
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BOOK EXCERPT:
Christopher Fox (1955) has emerged as one of the most fascinating composers of the post-war generation. His spirit of experimentalism pervades an oeuvre in which he has blithely created his own version of a range of contemporary musical practices. In his work many of the major expressions of European cultural activity - Darmstadt, Fluxus, spectralism, postminimalism and more - are assimilated to produce a voice which is uniquely resonant and multifaceted. In this, the first major study of his work, musicologists, composers, thinkers and practitioners scrutinize aspects of Christopher Fox's music, each exploring elements that relate to their own distinct areas of practice, tracing Fox's compositional trajectory and situating it within post-war contemporary European music practice. Above all this book addresses the question: How can one person dip his fingers into so many paint pots and yet retain a coherent compositional vision? The range of Fox's musical concerns make his work of interest to anyone who wants to study the development of so-called new music spanning the latter twentieth century into the twenty first century.
Product Details :
Genre |
: Art |
Author |
: Rose Dodd |
Publisher |
: Routledge |
Release |
: 2016-07-15 |
File |
: 193 Pages |
ISBN-13 |
: 9781317081678 |
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BOOK EXCERPT:
The concept of intertextuality – namely, the meaning generated by interrelations between different texts – was coined in the 1960s among literary theorists and has been widely applied since then to many other disciplines, including music. Intertextuality in Music: Dialogic Composition provides a systematic investigation of musical intertextuality not only as a general principle of musical creativity but also as a diverse set of devices and techniques that have been consciously developed and applied by many composers in the pursuit of various artistic and aesthetic goals. Intertextual techniques, as this collection reveals, have borne a wide range of results, such as parody, paraphrase, collage and dialogues with and between the past and present. In the age of sampling and remix culture, the very notion of intertextuality seems to have gained increased momentum and visibility, even though the principle of creating new music on the basis of pre-existing music has a long history both inside and outside the Western tradition. The book provides a general survey of musical intertextuality, with a special focus on music from the second half of the twentieth century, but also including examples ranging from the nineteenth century to the second decade of the twenty-first century. The volume is intended to inspire and stimulate new work in intertextual studies in music.
Product Details :
Genre |
: Music |
Author |
: Violetta Kostka |
Publisher |
: Routledge |
Release |
: 2021-06-17 |
File |
: 233 Pages |
ISBN-13 |
: 9781000397321 |
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BOOK EXCERPT:
As one of the most significant and widely performed composers of the nineteenth century, Brahms continues to command our attention. Rethinking Brahms counterbalances prevailing scholarly assumptions that position him as a conservative composer (whether musically or politically) with a wide-ranging exploration and re-evaluation of his significance today. Drawing on German- and English-language scholarship, it deploys original approaches to his music and pursues innovative methodologies to interrogate the historical, cultural, and artistic contexts of his creativity. Empowered by recent theoretical work on form and tonality, it offers fresh analytical insights into his music, including a number of corpus studies that interrogate the relationships between Brahms and other composers, past and present. The book brings into sharp focus the productive tension that exists between the perceived fixedness of musical texts and the ephemerality of performance by considering how historical and modern performers shape established understandings of Brahms and his music. Rethinking Brahms invites the reader to hear familiar pieces anew as they are refracted through historical, artistic, and philosophical prisms. Bringing us up to the present day, it also gives sustained attention to the resounding impact of Brahms's compositions on new music by exploring works by recent composers who have engaged deeply with his oeuvre. Combining awareness of overarching contexts with perceptive insights into Brahms's music, this book enlivens our understanding of Brahms, providing a dynamic, multifaceted, complex, and invigoratingly fresh portrait of the composer.
Product Details :
Genre |
: Music |
Author |
: Nicole Grimes |
Publisher |
: Oxford University Press |
Release |
: 2022-10-28 |
File |
: 585 Pages |
ISBN-13 |
: 9780197541753 |
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BOOK EXCERPT:
"A gathering chiefly of talks given either by invitation or at conferences throughout the world over the last quarter century. The topics range widely, but recurrent themes include the place of classical music in contemporary society and culture, the fraught relationship between aesthetics and ethics, and the responsibilities of scholarship in an age of spin"--
Product Details :
Genre |
: Music |
Author |
: Richard Taruskin |
Publisher |
: Univ of California Press |
Release |
: 2023 |
File |
: 576 Pages |
ISBN-13 |
: 9780520392007 |
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BOOK EXCERPT:
Keller was among the earliest Freudians in Britain. For his case studies he drew on composers, performers and listeners, and for his general studies he turned to various aspects of music.
Product Details :
Genre |
: Biography & Autobiography |
Author |
: Hans Keller |
Publisher |
: Plumbago Books and Arts |
Release |
: 2003 |
File |
: 578 Pages |
ISBN-13 |
: 9780954012311 |
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BOOK EXCERPT:
The Directory of Choral-Orchestral Music is the most comprehensive index of music written for orchestra with chorus in print today.Offering performance information about choral works by more than 900 composers, the more than 3,500 entries include pertinent details such as instrumentation, languages, timings, publishers, and composer information in an easy-to-follow reference style. Users can also browse categorized appendices of works, chronological lists of composers, and an index of popular and original titles. From traditional masterworks to contemporary creations, this book presents an impressive variety of choral compositions and serves as both a research aid and practical performance reference.The first volume of its kind, The Directory of Choral-Orchestral Music is designed to meet the needs of professional directors, music educators and students of choral music. The author's hope is that it will broaden the choices available to programmers and performers, spur further research in the field of choral-orchestral music, and encourage composers, musicologists and performers alike to further explore this rich and varied body of musical literature.
Product Details :
Genre |
: Music |
Author |
: Michael Rosewall |
Publisher |
: Routledge |
Release |
: 2006-09-12 |
File |
: 634 Pages |
ISBN-13 |
: 9781135862275 |
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BOOK EXCERPT:
This book examines the American Sixties, and how that period’s socio-political essence was reflected and refracted in certain forms of the period’s music. Its five main chapters bear the names of familiar musical categories: ’Folk,’ ‘Rock,’ ‘Jazz,’ ‘Avant-Garde,’ ‘Classical.’ But the book’s real subject matter—treated at length in the Prologue and the Epilogue but spread throughout all that comes between—is the Sixties’ tangled mess of hopes and frustrations, of hungers as much for self-identity as for self-indulgence, of crises of conscience that bothered Americans of almost all ages and regardless of political persuasion.
Product Details :
Genre |
: History |
Author |
: James Wierzbicki |
Publisher |
: Springer Nature |
Release |
: 2022-04-27 |
File |
: 300 Pages |
ISBN-13 |
: 9783030966942 |
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BOOK EXCERPT:
Product Details :
Genre |
: Music |
Author |
: |
Publisher |
: |
Release |
: 1987 |
File |
: 568 Pages |
ISBN-13 |
: UOM:39015009774731 |