A revelatory history of the women who brought Victorian criminals to account—and how they became a cultural sensation From Wilkie Collins to the adventures of Sherlock Holmes, the traditional image of the Victorian detective is male. Few people realise that women detectives successfully investigated Victorian Britain, working both with the police and for private agencies, which they sometimes managed themselves. Sara Lodge recovers these forgotten women’s lives. She also reveals the sensational role played by the fantasy female detective in Victorian melodrama and popular fiction, enthralling a public who relished the spectacle of a cross-dressing, fist-swinging heroine who got the better of love rats, burglars, and murderers alike. How did the morally ambiguous work of real women detectives, sometimes paid to betray their fellow women, compare with the exploits of their fictional counterparts, who always save the day? Lodge’s book takes us into the murky underworld of Victorian society on both sides of the Atlantic, revealing the female detective as both an unacknowledged labourer and a feminist icon.

Award-winning author Laura Joh Rowland is back with the fourth in her critically acclaimed Victorian mysteries where the case of a mutilated "Sleeping Beauty" washes ashore in London. London, June 1890. Sarah Bain and her friends Lord Hugh Staunton and Mick O'Reilly are crime scene photographers for the Daily World newspaper. After solving a sensational murder, they're under pressure to deliver another big story. On a foggy summer night, they're called to the bank of the river Thames. The murder victim is an unidentified woman whose face has been slashed. But as Sarah takes photographs, she discovers that the woman is still alive. The case of "Sleeping Beauty" becomes a public sensation, and three parties quickly come forward to identify her: a rich, sinister artist who claims she's his wife; a mother and her two daughters who co-own a nursing home and claim she's their stepdaughter/sister; and a precocious little girl who claims Sleeping Beauty is her mother. Which party is Sleeping Beauty's rightful kin? Is someone among them her would-be killer? Then Sleeping Beauty awakens--with a severe case of amnesia. She's forgotten her name and everything else about herself. But she recognizes one of the people who've claimed her. Sarah is delighted to reunite a family and send Sleeping Beauty home--until one of the claimants is murdered. Suddenly, Sarah, her motley crew of friends, and her fiancé Detective Sergeant Barrett are on the wrong side of the law. Now they must identify the killer before they find themselves headed for the gallows.

Able to assume a multitude of disguises and with analytical powers rivaling those of Sherlock Holmes, Loveday Brooke solves every perplexing crime in these seven atmospheric and entertaining Victorian mysteries.

When Loveday Brooke falls from her place in London high society, losing her financial security, she has no choice but to become a working woman. Set in the Victorian era, it is considered unusual and even shameful for a woman to participate in the workforce, but when Brooke proves her ability, no man can deny or ignore her talent. Beginning a career as a detective, Brooke becomes the go-to police consultant for any case that seems unsolvable. The Experiences of Loveday Brooke, Lady Detective is a collection of seven short stories, each portraying an individual mystery, varying crimes and intrigue. The Black Bag on the Doorstep is the first title in the collection, and follows a Christmas Eve robbery. Featuring a more heinous crime, The Murder at Troyte's Hill depicts a murder mystery after a local lodge-keeper is found dead in a ransacked room. Challenged with one of her most puzzling mysteries, Brooke attempts to find a young girl who vanished without a trace in the fan-favorite story, Missing. Unable to find a lead even after ten days of searching, the police are ready to give up, but Loveday Brooke is determined to reunite the girl with her family. With an original approach to the mystery genre, The Experiences of Loveday Brooke, Lady Detective was among Catherine Louisa Pirkis' most popular work. Often compared to Sherlock Holmes, Loveday Brooke remains to be a beloved and memorable character from the detective fiction genre, and is one of the earliest depictions of a woman working in the detective field in literature. With mysteries ranging from crimes of theft, murder, kidnap, and conspiracy, The Experiences of Loveday Brooke, Lady Detective provides a fun and fresh reading experience, as it has remained to be progressive and intriguing nearly one-hundred and thirty years after its original publication. This edition of The Experiences of Loveday Brooke, Lady Detective by Catherine Louisa Pirkis is now available in an easy-to-read font, and features a new, eye-catching cover design. With these accommodations, The Experiences of Loveday Brooke, Lady Detective is restored to modern standards while the original mastery of Catherine Louisa Pirkis' work is preserved.

The greatest ever anthology of Victorian detective stories, The Dead Witness gathers the finest police and private detective adventure stories from the nineteenth and early twentieth centuries, including a wide range of overlooked gems.'The Dead Witness', the 1866 title story by Australian writer Mary Fortune, is the first known detective story by a woman, a suspenseful clue-strewn manhunt in the Outback. This forgotten treasure sets the tone for the whole anthology as surprises appear from every direction, including more female detectives and authors than you can find in any other anthology of its kind. Pioneer women writers such as Anna Katharine Green, Mary E. Wilkins and C. L. Pirkis take you from rural America to bustling London, introducing you to female detectives from Loveday Brooke to Dorcas Dene and Madelyn Mack.In other stories, you will meet November Joe, the Canadian half-Native backwoods detective who stars in 'The Crime at Big Tree Portage' and demonstrates that Sherlockian attention to detail works as well in the woods as in the city. Holmes himself is here, too, of course - not in another reprint though - but in the first two chapters of A Study in Scarlet, the first Holmes case, in which the great man meets and dazzles Watson. Authors range from luminaries such as Charles Dickens to the forgotten author who helped inspire Edgar Allan Poe's 'The Murders in the Rue Morgue', the first real detective story. Bret Harte is here as is E. W. Hornung, creator of master thief Raffles. Naturally Wilkie Collins couldn't be left behind.Michael Sims's new collection reveals the fascinating and entertaining youth of what would mature into the most popular genre of the twentieth century.

Edgar Award winner Otto Penzler—“detective fiction’s best editor and champion” (The Washington Post)—returns with a new anthology of exhilarating mysteries, assembling Victorian society's lords and ladies and most miserable miscreants Behind the velvet curtains of horsedrawn carriages and amid the soft glow of the gaslights are the detectives and bobbies sniffing out the safecrackers and petty purloiners who plague everything from the soot-covered side streets of London to the opulent manors of the countryside. With his latest title in the Big Book series, Otto Penzler is cracking cases and serving up the most thrilling, suspenseful Victorian mysteries. This collection brings together incredible stories from Arthur Conan Doyle, Thomas Hardy, Oscar Wilde, Charles Dickens, Wilkie Collins, and Guy de Maupassant among other legendary writers of the grand era of the British Empire. So brush off your dinner jackets and straighten out your ball gowns for these exciting, glitzy mysteries. A VINTAGE CRIME/BLACK LIZARD ORIGINAL

A wonderfully wicked new anthology from the editor of The Penguin Book of Gaslight Crime It is the Victorian era and society is both entranced by and fearful of that suspicious character known as the New Woman. She rides those new- fangled bicycles and doesn't like to be told what to do. And, in crime fiction, such female detectives as Loveday Brooke, Dorcas Dene, and Lady Molly of Scotland Yard are out there shadowing suspects, crawling through secret passages, fingerprinting corpses, and sometimes committing a lesser crime in order to solve a murder. In The Penguin Book of Victorian Women in Crime, Michael Sims has brought together all of the era's great crime-fighting females- plus a few choice crooks, including Four Square Jane and the Sorceress of the Strand.

Award-winning author Laura Joh Rowland is back with the sixth in her critically acclaimed Victorian Mystery series in which Sarah must search for the killer of a woman she found murdered on a train all the while waiting for the verdict of her father's trial for heinous crimes committed two decades earlier. London, November 1890. Crime scene photographer Sarah Bain Barrett faces a perfect storm of events. She and her husband Detective Sergeant Barrett are riding on a train that crashes. While rescuing other passengers, they find a woman who's been strangled to death. Their search for her identity and her killer lead them to Cremorne Gardens, a seedy riverside pleasure park that's a combination carnival, theater, freak show, and museum of oddities. It's among the most challenging cases that Sarah, Barrett, and her friends Lord Hugh Staunton and Mick O'Reilly have ever undertaken. The suspects include a dwarf, a female acrobat, and a member of the Royal Family. Due to the royal connection, the police commissioner declares the case top-secret. Sarah and company must investigate on the quiet, keeping the suspects, the press, and the public in the dark. That's easier said than done. The investigation is complicated by the injury Hugh sustained during their last case, Mick's romance with a woman who has psychic powers, and Barrett's old flame. Meanwhile, Sarah's father Benjamin Bain goes on trial for a rape and murder that happened more than two decades ago. The victim was a teenage girl named Ellen Casey. Is Benjamin Bain as innocent as he claims? Sarah has serious doubts. The trial is the scandal of the year, a media blitz. The outcome--and the truth about the murder on the train--are beyond Sarah's wildest imaginings. What dangerous secrets are hidden behind the tawdry glamor of Cremorne Gardens? Is Benjamin Bain wrongly accused, or a guilty sinner who deserves to be hanged?

In nineteenth-century London, middle-class women did not engage in what were seen as "unladylike activities." There were many jobs that a woman simply could not be expected to do because they were viewed as unsuitable for finer female sensibilities. The idea of a woman being involved in the murkiness of criminal detection must have seemed a radical and adventurous one in Victorian times: women simply did not do that sort of thing. And yet, in 1864, to the delight of men and women alike, two male authors published novels starring a female detective. William Stephens Hayward published Revelations of a Lady Detective just six months after Andrew Forrester's The Female Detective (republished by the British Library in 2012), making Hayward's the second novel ever published to feature a female detective. Hayward's heroine, Mrs. Paschal, is a very different character from her predecessor, Forrester's G. For a start, Mrs. Paschal is shown smoking on the front cover--an activity considered very modern and daring for women, even in the late nineteenth century. She is a widow, left close to financial ruin by the death of her husband, and supports herself through her detective work. This much racier female detective is however equally inventive, intuitive, and insightful, and with a Colt revolver in hand she works her way through a variety of cases involving theft, murder, and kidnapping. This very rare novel will be welcomed by all fans of Victorian crime fiction.

A photographer in 1889 London, Miss Sarah Bain runs a private detective agency with her friends, Lord Hugh Staunton and former street urchin Mick O’Reilly. Their sole credential is that they solved the Jack the Ripper case, a secret they can never tell because they did it outside the boundaries of the law. Their new big case arises when a wealthy banker, Sir Gerald Mariner, posts a handsome reward for finding his missing infant. All of London joins in the search. But Sarah has an advantage—a photograph she took during a routine surveillance job, which unexpectedly reveals a clue about the kidnapping. After Sir Gerald hires Sarah, Hugh, and Mick to find his son, they move into his opulent mansion and discover a photograph of baby Robin. It eerily resembles postmortem photographs taken of deceased children posed to look as if they’re alive. Was the kidnapping real, or a cover-up for a murder? Is the perpetrator a stranger, or someone inside the troubled Mariner family? The case hits close to home for Sarah as it intertwines with her search for her father, who disappeared after he became the prime suspect in a murder twenty-three years ago. She finds herself on the wrong side of the law, which threatens her budding romance with Police Constable Barrett. But Sarah must uncover the truth about Robin’s kidnapping, and her own family, before her past catches up to her in A Mortal Likeness, the gripping follow-up to award-winning author Laura Joh Rowland’s The Ripper’s Shadow.