Get ready for fun, adventure, and intrigue in the iconic mystery series starring the beloved teenage girl detective, Trixie Belden! Trixie’s on the trail of a century-old mystery! She’s headed to Williamsburg, Virginia, to find an old plantation house, Rosewood Hall, that was the home to the Sunderland family during the Civil War. Rumor has it that a cursed emerald necklace is buried in a secret passageway there. But after all that time, Rosewood Hall is just a ruin. Is it too late for Trixie to find the missing emeralds?

Includes Part 1, Number 2: Books and Pamphlets, Including Serials and Contributions to Periodicals July - December)

Girls' Series Fiction and American Popular Culture examines the ways in which young female heroines in American series fiction have undergone dramatic changes in the past 150 years, changes which have both reflected and modeled standards of behavior for America’s tweens and teen girls. Though series books are often derided for lacking in imagination and literary potency, that the majority of American girls have been exposed to girls’ series in some form, whether through books, television, or other media, suggests that this genre needs to be studied further and that the development of the heroines that girls read about have created an impact that is worthy of a fresh critical lens. Thus, this collection explores how series books have influenced and shaped popular American culture and, in doing so, girls’ everyday experiences from the mid nineteenth century until now. The collection interrogates the cultural work that is performed through the series genre, contemplating the messages these books relay about subjects including race, class, gender, education, family, romance, and friendship, and it examines the trajectory of girl fiction within such contexts as material culture, geopolitics, socioeconomics, and feminism.

Why can't everybody just leave him alone? All Sean Rafferty wants is solitude to recover from a gunshot wound. That's why he's here on Maine's isolated Osprey Island: to heal and move on. But how can he face going back to being a Massachusetts state police officer since he's sworn off ever playing hero again? Unfortunately, Sean can't avoid heroics when neighboring Connie Bradford's daughter keeps getting into trouble. And the fiercely independent Connie makes it clear she doesn't need a rescuer— reluctant or otherwise. The mother-and-daughter antics make his solitude seem almost too quiet. Despite himself, Sean finds this pair wrestling their way into his heart…as if they belong there.

Uncle Andrew needs Trixie's help. While Trixie and the Bob-Whites are spending spring break at his farm in Iowa, his sheep keep disappearing. He thinks they're being stolen! Trixie may not know sheep, but she does know thieves. And she has an idea where to start looking for them-near the mysterious flickering lights in dark, dangerous Walnut Woods! Book jacket.

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