June O. Leavitt offers a fascinating examination of the mystical in Franz Kafka's life and writings, showing that Kafka's understanding of the occult was not only a product of his own clairvoyant experiences but of the age in which he lived.

The purpose of this study is to show Kafka's thematic and stylistic influence on the three recent novels by Garcia Marquez, and to explore the metaphysical topics of human solitude, the meaning of life and death, the individual search for spirituality, modern man's alienation, and the continuous striving for personal freedom. Both writers are true representatives of the Twentieth Century and are strongly influenced by existential thought, based on the world view of Kierkegaard and Heidegger.

Franz Kafka, the Jewish writer from Prague, who wrote in German, grew up after the Emancipation at a time when most Jews in Central and Western Europe suffered from an identity crisis. The most prominent characteristic of the experience of this generation of young people was "hybridism," a kind of partial assimilation that brought them to a dead-end. In Franz Kafka: A Question of Jewish Identity, Sara Loeb examines this complex dialectic, focusing on the question of if, how, and to what extent Kafka's works reflect the identity crisis he suffered. She offers a new perspective of his life through an encounter between the points of view of two well-known critics: Max Brod, Kafka's close friend, and Marthe Rober, a literary critic who translated Kafka's works into French. Each seeks to examine, in a different way, the source of Kafka's link to his Jewishness. Loeb opens a window to Kafka's inner world, and examines the man and his work from a new perspective.