A beautifully illustrated alternate taxonomy of the animal kingdom, based on mythology, literature, art, and other cultural realms: “Charming.” —ForeWord Sacred cows, wily serpents, fearsome lions, elegant swans, busy bees, and sly foxes—all are caricatures of the creatures themselves, yet they reflect not only how different cultures see the natural world around them but also how such cultures make use of their native animals. In this fun and thought-provoking book, historian and animal enthusiast Boria Sax argues for a classification of animals that goes beyond the biological to encompass a more meaningful distinction: tradition. From ants and elephants to tigers and tortoises, The Mythical Zoo weaves together a cross-cultural tapestry encompassing mythology, history, art, science, philosophy, and literature. The result is a beautifully illustrated, masterfully composed love letter to the animal kingdom.

Mythical creatures that come from the land, sea, air, and beyond your wildest imagination ... -- p.[4] of cover.

What might we learn about our own human natures from the friskiness of a young goat, the focus of a hawk, the transformation of a butterfly, or the hibernation of a bear? How can animals—through their natural and cultural histories—offer us ideas that could help us better understand ourselves, navigate a relationship, or change an aspect of our lives? Do the animals that we admire or fear reveal something about us? What about the animals who appear in our dreams, visions, and creative inspirations? These are some of the questions addressed in Your Inner Zoo: A Guide to the Meaning of Animals and the Insights They Offer Us. You can use Your Inner Zoo: • to explore yourself through animals • to approach animals as teachers and guides • to explore the possible meaning of animal encounters • to connect with animals through their natural and cultural histories • as an animal symbolism dictionary By exploring animal biology and behavior, as well as the cultural roles that animals play in symbolism, mythology, and traditions, Your Inner Zoo invites you to approach animals as a source of provocative ideas that can lead to self-discovery and a deeper sense of connection with the more-than-human world.

"Tracing the story of Red Lodge from the 1880s to the present, Christensen tells how a mining town managed to endure the vagaries of the West's unpredictable extractive-industries economy. She connects Red Lodge to a myriad of larger events and historical forces to show how national and regional influences have contributed to the development of local identities, exploring how and why westerners first rejected and then embraced "western" images, and how ethnicity, wilderness, and historic preservation became part of the identity that defined one town."--BOOK JACKET.

My name is Iris Dimitriadis, after visiting the Oracle of Delphi on my 18th birthday, I’m shocked to my core, to find out that I am a demigod! Yes, you heard correctly, a demigod! And one that is an offspring to one of the mighty gods. I never believed in the Greek gods until I started showing superhuman abilities, and this drastic change of events has awakened a forbidden prophecy, that no mere mortal could ever hope to complete. The barrier between the god's and humans has never been crossed before, well at least not until now. Everything changed on that fateful night, when the gods received a prophecy from the Oracle of Delphi exclaiming that Mount Olympus will be overthrown and destroyed by an evil fiend, and that only four demigods would be able to save them from destruction. These four demigods, offspring to the mighty gods of Olympus, will hold the fate of both worlds in their hands.

The Mythology of the Animal Farm in Children’s Literature: Over the Fence analyzes the ways in which myths about farmed animals’ lives are perpetuated in children’s materials. Specifically, this book investigates the use of five recurring thematic devices in about eighty books for young children published during the past five decades. The close readings of texts and images draw on a wide range of fields, including animal theory, psychoanalytic and Marxian literary criticism, child development theory, histories of farming and domestication, and postcolonial theory. In spite of the underlying seriousness of the project, the material lends itself to humorous and not overly heavy-handed explications that provide insight into the complex workings of a literary genre based on the covering up of real animal lives.

Examining a wide range of works, from Gulliver's Travels to The Hunger Games, Representing the Modern Animal in Culture employs key theoretical apparatuses of Animal Studies to literary texts. Contributors address the multifarious modes of animal representation and the range of human-animal interactions that have emerged in the past 300 years.

From sixteenth-century cabinets of wonders to contemporary animal art, The Breathless Zoo: Taxidermy and the Cultures of Longing examines the cultural and poetic history of preserving animals in lively postures. But why would anyone want to preserve an animal, and what is this animal-thing now? Rachel Poliquin suggests that taxidermy is entwined with the enduring human longing to find meaning with and within the natural world. Her study draws out the longings at the heart of taxidermy—the longing for wonder, beauty, spectacle, order, narrative, allegory, and remembrance. In so doing, The Breathless Zoo explores the animal spectacles desired by particular communities, human assumptions of superiority, the yearnings for hidden truths within animal form, and the loneliness and longing that haunt our strange human existence, being both within and apart from nature.

From Jurassic Park to Sue the T-Rex and Barney, our dino love affair is as real, as astonishing, and as incomprehensible as the gargantuan beasts themselves. At once reptilian and avian, dinosaurs enable us to imagine a world far beyond the usual boundaries of time, culture, and physiology. We envision them in diverse and contradictory ways, from purple friends to toothy terrors—reflecting, in part, our changing conceptions of ourselves. Not unlike humans today, dinosaurs seem at once powerful, almost godly, and helpless in the face of cosmic forces even more powerful than themselves. In Dinomania, Boria Sax, a leading authority on human-animal relations, tells the story of our unlikely romance with the titanic saurians, from the discovery of their enormous bones—relics of an ancient world—to the dinosaur theme parks of today. That discovery, around the start of the nineteenth century, was intimately tied to our growing awareness of geological time and the dawn of the industrial era. Dinosaurs’ vast size and power called to mind railroads, battleships, and factories, making them, paradoxically, emblems of modernity. But at the same time, their world was nature at its most pristine and unsullied, the perfect symbol of childhood innocence and wonder. Sax concludes that in our imaginations dinosaurs essentially are, and always have been, dragons; and as we enter a new era of environmental threats in which dinos provide us a way to confront indirectly the possibility of human extinction, their representation is again blending with the myth and legend from which it emerged at the start of the modern age. Fun and ferocious, and featuring many superb illustrations of dinosaurs from art, popular culture, film, and advertising, Dinomania is a thought-provoking homage to humanity's enduring dinosaur amour.

This book provides a nuanced picture of the notions of body and soul held by the peoples of Europe through the soul concepts associated with the Judeo-Christian tradition and other religions and denominations; and the alternative traditions preserved alongside Christianity in folklore collections, linguistic and literary records. The studies also emphasize the connections between these notions and beliefs related to death and the dead, as well as questions of communication between the human world and the spirit world. The essays here focus on the roles notions of the soul and the spirit world play in the everyday life, religion and mentality of various communities; their folklore and literary representations, as well as the narrative metaphors, motifs, topoi and genres of ideas about the soul and about supernatural communication, along with questions of the relationship between narratives and religious notions. This book will appeal to researchers and students of religion, mythology, folklore and the anthropology of religion, as well as general readers interested in the humanities.