The Nation in War: A Study of Military Literature and Hindi War Cinema explores the notions of nation and nationalism as they emerge in war narratives, specifically military literature and war films in popular Hindi cinema. This book is an interesting examination of how the discourses of military literature and war films construct the subject, namely “nation”. The Indian nation faces a multi-pronged attack from neighbouring countries that seek territorial aggrandizement, the forces of liberalization (economic and cultural), and from secessionist forces within the nation. In the face of such an attack, a plethora of discourses engages seriously in constructing an idea of the Indian nation and reinforcing the notion of an Indian identity. The nation may have come into existence as a political entity in August 1947, but the nation as a cultural, social, and economic entity is constantly in the making. The Nation in War addresses concerns such as: What narrative modes are deployed to create consensus for war? How do war narratives further the statist agenda? What is the link between the war waged by the national army and that by the insurgents? How do war narratives construct women as national subjects? These questions, and more, are addressed using theoretical insights from various disciplinary positions, such as feminist, postcolonial and film studies. The book will be of interest to scholars of cultural studies, film studies, feminist studies, political science and sociology.

The author desires to give an "accurate statement of what was done by the [War] Department from the official records of that [World War I] period." The records were given by Secretary of war Hurley and General Douglas macArthur, Chief of Staff of the Army. -- Preface

The President, Secretary of Defense, and the Army's Chief of Staff have all stated that the United States is a "Nation at War." The U.S. military faces significant strategic challenges as it continues to transform the force and improve interagency integration into joint operations, all the while engaging in active combat operations associated with the Global War on Terrorism. This collection of outstanding essays--three of which won prestigious writing awards--by the students enrolled in the Army War College's Advanced Strategic Art Program (ASAP) highlight some of these strategic challenges and offer thoughtful solutions. They provide insights that will undoubtedly prove useful to decisionmakers at the highest levels of our national security establishment. ASAP graduates continue to make their mark as outstanding theater strategists in the Office of the Secretary of Defense, the Joint Staff and Army Staff, and in the Combatant Commands

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Excerpt from The Nation at War The book is not a history of State Councils, and far less does it pretend to be an account of all Ameri can war work. The treatment of the States is indeed deliberately uneven, certainly not from partiality or prejudice, but simply because, within the limits of a single handy volume, I have tried to give the casual reader some general idea of what the State Councils are doing as a whole. This I have thought could be more effectively done by picking out the high lights here and there rather than by covering my canvas with a at uniformity of detail. Quite frankly, too, I have occasionally dwelt with emphasis on the less known parts of the country, and on parts that are misunderstood. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works."