In In the Name of God biblical scholars and historians begin the exciting work of deconstructing British and Spanish imperial usage of the Bible as well as the use of the Bible to counteract imperialism. Six essays explore the intersections of political movements and biblical exegesis. Individual contributions examine English political theorists' use of the Bible in the context of secularisation, analyse the theological discussion of discoveries in the New World in a context of fraught Jewish-Christian relations in Europe and dissect millennarian preaching in the lead up to the Crimean War. Others investigate the anti-imperialist use of the Bible in southern Africa, compare Spanish and British biblicisation techniques and trace the effects of biblically-rooted articulations of nationalism on the development of Hinduism's relationship to the Vedas. Contributors include: Yvonne Sherwood, Ana Valdez, Mark Somos, Andrew Mein, Hendrik Bosman and Hugh Pyper.

In the last twenty years, there has been a growing recognition of the centrality of religious beliefs to an understanding of Victorian literature and society. This interdisciplinary collection makes a significant contribution to post-secularist scholarship on Victorian culture, reflecting the great diversity of religious beliefs and doubts in Victorian Britain, with essays on Protestant, Catholic, Jewish, Unitarian, and spiritualist topics. Writing from a variety of disciplinary perspectives for an interdisciplinary audience, the essayists investigate religious belief using diverse historical and literary sources, including journalism, hymns, paintings, travel-writings, scientific papers, novels, and poetry. Essays in the volume examine topics including: • The relation between science and religion in the career of evolutionary biologist Alfred Russel Wallace (Thomas Prasch); • The continuing significance of the Bible in geopolitical discourse (Eric Reisenauer); • The role of children and children’s hymns in the missionary and temperance movements (Alisa Clapp-Itnyre); • The role of women in Christian and Jewish traditions (Julie Melnyk and Lindsay Dearinger); • The revival of Catholicism and Catholic culture and practices (Katherine Haldane Grenier and Michelle Meinhart); • The occult religious society Golden Dawn (Sharon Cogdill); • Faith in the writings of the Brontë sisters (Christine Colón), Charles Dickens (Jessica Hughes) and George Eliot (Robert Koepp).