R. C. Sproul has committed his life to clearly communicating deep, practical truths from God's Word to students and laypeople. His lucid teaching style brings clarity to the most difficult--and often contentious--biblical and theological questions. Gathered here in one volume are three of his best-selling books--over $40 worth of reading at a great low price. From Rudolf Otto's" mysterium tremendum" to Martin Luther's "insanity"and Jonathan Edwards's fiery sermons, Sproul's classic "The Holiness of God"illuminates history and Scripture to help readers understand--and live with--the tension that exists between God's terrifying holiness and his inexplicable grace. In "Chosen by God," Sproul tackles the divisive subject of predestination, and discusses God's sovereignty and the problem of evil, human freedom, and the task of evangelism. He explains that there is a mystery in God's ways but not contradiction; and paints a picture of a loving--not spiteful or whimsical--God who provides redemption for radically corrupt people."Pleasing God" explores the topic of sanctification--how we satisfy God by pursuing righteousness. Sproul examines the constant battle Christians wage against sin--pride, slothfulness, dishonesty. He reveals how many Christians have tragically abandoned the struggle, but that God delights in those who press on. Although Sproul brings a Reformed background and approach to topics, his work is not just for Calvinists but for all Christians who want to understand and build on the foundations of their faith.

How is it that sounds from the mouth or marks on a page—which by themselves are nothing like things or events in the world—can be world-disclosive in an automatic manner? In this fascinating and important book, Lawrence J. Hatab presents a new vocabulary for Heidegger’s early phenomenology of being-in-the-world and applies it to the question of language. He takes language to be a mode of dwelling, in which there is an immediate, direct disclosure of meanings, and sketches an extensive picture of proto-phenomenology, how it revises the posture of philosophy, and how this posture applies to the nature of language. Representational theories are not rejected but subordinated to a presentational account of immediate disclosure in concrete embodied life. The book critically addresses standard theories of language, such that typical questions in the philosophy of language are revised in a manner that avoids binary separations of language and world, speech and cognition, theory and practise, realism and idealism, internalism and externalism.

Through analysing ancient and classical Arabic literature, including the Qur'an, from within the Arabic literary tradition, this book provides an original interpretation of poetics, and of other important aspects of Arab culture. Ancient Arabic literature is a realm of poetry; prose literary forms emerged rather late, and even then remained in the shadow of poetic creative efforts. Traditionally, this literature has been viewed through a philologist’s lens and has often been represented as ‘materialistic’ in the sense that its poetry lacked imagination. As a result, Arabic poetry was often evaluated negatively in relation to other poetic traditions. The Poetics of Ancient and Classical Arabic Literature argues that old Arabic literature is remarkably coherent in poetical terms and has its own individuality, and that claims of its materialism arise from a failure to grasp the poetic principles of the Arabic tradition. Analysing the Qur’an, which is known for confronting the poetry of the time, this book reveals that "post Qur’anic" literature came to be defined against it. Thus, the constitution and interpretation of Arabic literature imposed itself as a particular exegesis of the sacred Text. Disputing traditional interpretations by arguing that Arabic literature can only be assessed from within, and not through comparison with other literary traditions, this book is of interest to students and scholars of Islamic Studies, Arabic Studies and Literary Studies.

In this newest book, the author presents a theory of art which is at once universal in its general conception and historically-grounded in its attention to aesthetic practices in diverse cultures. The author argues that especially today art not only enjoys a special kind of autonomy but also has important social and political responsibilities. Deutsch posits that an art work has as its intentionality the striving to be aesthetically forceful, meaningful, and beautiful, with each of these dimensions culturally situated. Working from traditional imitation and expression theories, he argues that the manner of an artwork's coming into being and one's experience of it constitutes an integral whole. Selected aspects of painting, poetry, dance, architecture, films, and music are offered to deepen an understanding of the concepts presented. Also included are several inter-connected themes focusing on the difficult and controversial issues of interpreting art, truth in art, and the relations between art and morality, and art and religion.

The Georgics has for many years been a source of fierce controversy among scholars of Latin literature. Is the work optimistic or pessimistic, pro- or anti-Augustan? Should we read it as a eulogy or a bitter critique of Rome and her imperial ambitions? This book suggests that the ambiguity of the poem is the product of a complex and thorough-going engagement with earlier writers in the didactic tradition: Hesiod, Aratus and - above all - Lucretius. Drawing on both traditional, philological approaches to allusion, and modern theories of intertextuality, it shows how the world-views of the earlier poets are subjected to scrutiny and brought into conflict with each other. Detailed consideration of verbal parallels and of Lucretian themes, imagery and structural patterns in the Georgics forms the basis for a reading of Virgil's poem as an extended meditation on the relations between the individual and society, the gods and the natural environment.

Some guides to a subject could more or less be written by any expert in that field, but a small minority are unique creations of a rare individual who has their own view. Unfortunately most of the latter types of guides fail to be good general guides. Verity's genius makes him the exception. This book is arranged in chronological chapters that trace the evolution of poetry as an art form. At the same time, each chapter gives a most practical explanation of how that aspect of poetry that it covers works and why. The book is immensely readable, hugely informative, and adds to the ability of the reader to enjoy and to create poetry. It is a classic.' "Epictetus" (Amazon review) 'The great merit of Verity's approach is that he quotes lavishly throughout, not only from the poems themselves, but also from a variety of critics' LIBRARY REVIEWS 'Of his first book of sonnets Kingsley Amis wrote 'They belong within the corpus of English poetry' Excerpts of Interview with Kenneth Verity on The Vanessa Phelps BBC Radio programme on June 2009 on the News Page (off the Home page) 'The amount of reading which underpins this book is breathtaking. The great merit of Verity's approach is that he quotes lavishly throughout, not only from the poems themselves, but also from a variety of critics ... The chapter on poetry's figurative element is a model of lucid definition and telling illustration, showing how many layers of meaning may lie behind a single word' LIBRARY REVIEWS The author writes:'The intention of this book is to examine and analyse the essential nature of the phenomenon we call poetry; to seek an understanding of the power this art form exerts over mind and heart; to comprehend its potency; and to explain its perennial ability to command the respect of mankind'. Almost a library in one volume, this unusual book, written by an accomplished poet, examines the 4000 years old phenomenon of poetry.