The werewolf is an increasingly popular subject of academic study, and several monographs have been published in recent years. Of these, the closest in format and subject matter (e.g. the contemporary werewolf in popular fiction) are as follows: Chantal Bourgault Du Coudray, The Curse of the Werewolf: Fantasy, Horror, and the Beast Within (New York: I.B. Tauris & Co Ltd, 2006) Brent A. Stypczynski, The Modern Literary Werewolf: A Critical Study of the Mutable Motif (Jefferson, NC and London: McFarland, 2013) Kimberly McMahon-Coleman and Rosalyn Weaver, Werewolves and Other Shapeshifters in Popular Culture (Jefferson NC: McFarland, 2012)

Douglas Petty is a man who enjoys his reputation as an unreconstructed male with a penchant for too much wine and too many women. Inheriting his father's eccentric estate and dog sanctuary quietened him a little, and marriage to Amy a little more. Even so, it seemed out of character for him a sue a tabloid newspaper for libel when it printed a scurrilous story about him. His lawyers told him he had a good chance of winning the case, mainly because Amy's testimony would clearly refute the story. But then Amy is involved in a horrendous train crash and while the authorities assume she died in the resulting fire, there is no body to prove it. And if she wasn't killed why has she disappeared and, with no money and no other family, where is she? In a story of mesmerising suspense, Amy slowly reveals why she cannot return to her beloved home, and why she can never escape from the lies she was told as a child.

It is widely known that such Western institutions as the museum, the university, and the penitentiary shaped Japan’s emergence as a modern nation-state. Less commonly recognized is the role played by the distinctly hybrid institution—at once museum, laboratory, and prison—of the zoological garden. In this eye-opening study of Japan’s first modern zoo, Tokyo’s Ueno Imperial Zoological Gardens, opened in 1882, Ian Jared Miller offers a refreshingly unconventional narrative of Japan’s rapid modernization and changing relationship with the natural world. As the first zoological garden in the world not built under the sway of a Western imperial regime, the Ueno Zoo served not only as a staple attraction in the nation’s capital—an institutional marker of national accomplishment—but also as a site for the propagation of a new “natural” order that was scientifically verifiable and evolutionarily foreordained. As the Japanese empire grew, Ueno became one of the primary sites of imperialist spectacle, a microcosm of the empire that could be traveled in the course of a single day. The meaning of the zoo would change over the course of Imperial Japan’s unraveling and subsequent Allied occupation. Today it remains one of Japan’s most frequently visited places. But instead of empire in its classic political sense, it now bespeaks the ambivalent dominion of the human species over the natural environment, harkening back to its imperial roots even as it asks us to question our exploitation of the planet’s resources.

A journey about a teen meeting life in the rawest form. Valiantly striving to find a meaning to it all, he finds himself falling through catharsis with nothing but a journal as his escape. The lurking tendencies of lust and art evade the young mind into many adventures that could never be imagined. Question the questions and seeking in the unknown realms to find love?

Cover -- Title -- Copyright -- Dedication -- Contents -- List of figures -- List of plates -- Acknowledgements -- 1 Critical practice as reconciliation -- 2 Changing hands: ethical stewardship of collections -- 3 'Temple swapping': hybridity and social justice -- 4 Platforms: negotiating and renegotiating the terms of democracy -- 5 Reconciliation and the discursive museum -- Bibliography -- Index