This book of inspirations was more likely dictated by the Lord in its most contents. It is a book to help the youth, the elders, the kids likewise, the ministers, the Christians to know Jah' better, and penetrate his presence filled of reverence to come out with power and visions. This book is to lift up the guts of humanity, to open, and show the importance that human shares in living on this planet. It is to encourage, to appreciate life, to consider the future with light, and site of wisdom, freedom, liberty, and wealth. This is to learn while we're sharing the existence, to learn that your real world isn't here, but you are not to die but to live eternal life in your world to come. To show that we came on Earth, each one of us, for special mission or missions well determined and expect to report our passes as well as our future. You came nicked, you're here for a special purpose, and you're going back nicked, broken, off guts, humiliated, and sad. Sometimes, filled of regret, nostalgia, and agony. This book will explain how we've been made by Jah', our Creator, and His different names according to the miraculous circumstances. It will also open how bad human behavior stands for; how obligated, unfaithful we remain. It will make the youth acting sensitively righteous,conscientious, well stand, loyal, and honest. It will identify mankind protection as a responsibility of his neighbor like vice versa mutually to make a balance in between creatures of different spices, and of humanity. To be wise enough, to be faithful and recognize to teach humankind humility, to reach to the puzzle of their needs, to learn our Creator's duty, to know His value in our lives, to avoid being envious, jealous, and criminals. Before you judge, you should penetrate the facts and the essence of knowledge. Sometimes, you need the filling of thoughts that was occasionally announced the circumstance of the manner of saying. You need a spirit of compassion and mercy to encourage the thinker while at the same time your critics can built expertism. This book will make you develop your senses of value to think your destiny's parallelogram to the others destiny's. Though we may be born, and raised from different parents, different countries, different climates, different cultures, and uses; we are all children of the same Jah' from different mothers. In one word we are brothers, and sisters of different mothers. Our signatures remain the same. We breathe the same, we eat, we drink, we grow ,and we flush the same way. We behave the same, we act, we emotion, we ambition, we share the same, and we partage the same envy realistically. Therefore, we come to realize that we are human, no matter what color, height, weight, and educations. We are all thesame minks, so let's minx!

This book is a printed edition of the Special Issue "Inward Being and Outward Identity: The Orthodox Churches in the 21st Century" that was published in Religions

Istanbul’s Hagia Sophia (‘Holy Wisdom’), or Ayasofya, is one of the world’s most visited buildings. Yet, few visitors have any idea of its long and complex story, or why it has always been a place where history, religion and politics collide. In July 2020, Turkish President Erdoğan set off an explosive controversy by announcing that Hagia Sophia would now be modified into a mosque. This decision provoked fierce criticism from UNESCO because Hagia Sophia was enjoying World Heritage Site benefits. The United States, the European Union, Russia and Greece all chimed in. However, Erdoğan’s action was wildly popular in Turkey, with its 99% Muslim population. Why is Hagia Sophia so important to modern Turkey? Why this provocative decision, and why now? How could all the international critics be ignored? Why does the world care so much about this old building? Why should it continue to care? This book explains President Erdoğan’s controversial decision in terms of Turkey’s national, independent and Islamic politics, and as a response to the mosque massacre in Christchurch in March 2019 when his life was threatened by the gunman. Any consideration of Hagia Sophia’s present and future also requires appreciation of the almost 1,500-year old story of this architectural marvel, from its inception as a church in 537 to its configuration as a mosque in 2020 and beyond. Because all world heritage sites depend on national management, Hagia Sophia will remain Turkey’s responsibility, but the international community is watching to ensure Turkey honours Hagia Sophia’s entire heritage, from the 6th century to the 21st century.

Neo-Victorian Villains is the first edited collection to examine the afterlives of such Victorian villains as Dracula, Svengali, Dorian Gray and Jekyll and Hyde, exploring their representation in neo-Victorian drama and fiction. In addition, Neo-Victorian Villains examines a number of supposedly villainous types, from the spirit medium and the femme fatale to the imperial ‘native’ and the ventriloquist, and traces their development from Victorian times today. Chapters analyse recent theatre, films and television – from Ripper Street to Marvel superhero movies – as well as classic Hollywood depictions of Victorian villains. In a wide-ranging opening chapter, Benjamin Poore assesses the legacy of nineteenth-century ideas of villains and villainy in the twentieth and twenty-first centuries. Contributors are: Sarah Artt, Guy Barefoot, Jonathan Buckmaster, David Bullen, Helen Davies, Robert Dean, Marion Gibson, Richard Hand, Emma James, Mark Jones, Emma V. Miller, Claire O’Callaghan, Christina Parker-Flynn, Frances Pheasant-Kelly, Natalie Russell, Gillian Piggott, Benjamin Poore and Rob Welch.

In this innovative re-casting of the genre and its received canon, Emily Horton explores fictional investments in the Gothic within contemporary British literature, revealing how such concepts as the monstrous, spectral and uncanny work to illuminate the insecure, uneven and precarious experience of 21st-century life. Reading contemporary works of Gothic fiction by Helen Oyeyemi, Kazuo Ishiguro, Sarah Moss, Patrick McGrath and M.R. Carey alongside writers not previously grouped under this umbrella, including Brian Chikwava, Chloe Aridjis and Mohsin Hamid, Horton illuminates the way the Gothic has been engaged and reread by contemporary writers to address the cultural anxieties invoked living under neocolonial and neoliberal governance, including terrorism, migration, homelessness, racism, and climate change. Marshalling new modes of diasporic and cross-disciplinary critical theory concerned with the violent dimensions of contemporary life, this book sets the Gothic aesthetics in such works as White is for Witching, Double Vision, Never Let Me Go, The Wasted Vigil and Ghost Wall against a backdrop of key events in the 21st-century. Drawing connections between moments of anxiety, such as 9/11, the wars in Afghanistan and Iraq, ecological disaster, the refugee crisis, Brexit, the pandemic, and the Gothic, Horton demonstrates how British literature mediates transnational experiences of trauma and horror, while also addressing local and national insecurities and preoccupations. As a result, 21st-Century British Gothic can tests geographical, psychological, cultural, and aesthetic borders to expose an often spectralised experience of human and planetary vulnerability and speaks back against the brutality of global capitalism.

This unique book investigates the complex transformation of Turkey's foreign policy, focusing on changing threat perceptions and the reformulation of its Western identity. This transformation cannot be explained solely in terms of strategic choices or agency driven policies but encompasses power shifts and systemic transformations. Is Turkey shifting its axis? Will this affect its traditional Western-oriented foreign policy? The book begins by discussing the relationship between security and globalization, using examples of Turkey's regional positioning. It then focuses on to what extent the 'traditional' discourse on security in Turkish politics, which prevailed during the Cold War era and beyond, has undergone a change in the new era. This timely book is a much needed account of how pragmatism rather than ideology is the main determinant in Turkey's current foreign policy and should be read by all looking for a fresh and stimulating take on Turkey's response to globalization and the internationalization of security in the 21st Century.

In the face of the contested legacy of engagement in the Francophone context, this interdisciplinary collection demonstrates that French and Francophone writers, artists, intellectuals and film-makers are using their work to confront unforeseen and unprecedented challenges, campaigns and causes in a politically uncertain post-9/11 world. Composed of eleven essays and a contextualising introduction, this volume is interdisciplinary in its treatment of engagement in a variety of forms, as it reassesses the relationship between different types of cultural production and society as it is played out in the twenty-first century. With a focus on both the development of different cultural forms (Part 1) and on the particular crises that have attracted the attention of cultural practitioners (Part 2), this volume maps and analyses some of the ways in which cultural texts of all kinds are being used to respond to, engage with and challenge crises in the contemporary Francophone world.

What theologies are popular and formative of Christian thinking in the present day? How should they be assessed by those Christians who want to be "in the world" without being "of the world"? Theologies of the 21st Century begins with an overview of the historical roots from which current theological thinking has developed, and then moves on to a detailed evaluation of the chief doctrinal and practical emphases, taking an evangelical biblical perspective that seeks to be at once both critical and irenic.

Why do professionals keep attending face-to-face industry gatherings when digitization offers cheap, fast and time-saving technological solutions for professional interactions? This book sets out to explain such a phenomenon by analysing the reasons why professionals go to professional events, the role of events on individual careers and the way events can be instrumental in structuring emerging professions and (re)affirming stable, shared professional identities.

Selected by a poll of more than 180 Gothic specialists (creative writers, professors, critics, and Gothic Studies program developers at universities), the fifty-three original works discussed in 21st-Century Gothic represent the most impressive Gothic novels written around the world between 2000-2010. The essays in this volume discuss the merits of these novels, highlighting the influences and key components that make them worthy of inclusion. Many of the pioneer voices of Gothic Studies, as well as other key critics of the field, have all contributed new essays to this volume, including David Punter, Jerrold Hogle, Karen F. Stein, Marie Mulvey-Roberts, Mary Ellen Snodgrass, Tony Magistrale, Don D'Ammassa, Mavis Haut, Walter Rankin, James Doig, Laurence A. Rickels, Douglass H. Thomson, Sue Zlosnik, Carol Margaret Davision, Ruth Bienstock Anolik, Glennis Byron, Judith Wilt, Bernice Murphy, Darrell Schweitzer, and June Pulliam. The guide includes a preface by one of the world's leading authorities on the weird and fantastic, S. T. Joshi. Sharing their knowledge of how traditional Gothic elements and tensions surface in a changed way within a contemporary novel, the contributors enhance the reader's dark enjoyment, emotional involvement, and appreciation of these works. These essays show not only how each of these novels are Gothic but also how they advance or change Gothicism, making the works both irresistible for readers and establishing their place in the Gothic canon.