Finalist for the HWA’s Bram Stoker Award for Best Anthology Named one of the Best Books of the Year by Slate and the San Francisco Chronicle From across strange aeons comes the long-awaited annotated edition of “the twentieth century’s greatest practitioner of the classic horror tale” (Stephen King). "With an increasing distance from the twentieth century…the New England poet, author, essayist, and stunningly profuse epistolary Howard Phillips Lovecraft is beginning to emerge as one of that tumultuous period’s most critically fascinating and yet enigmatic figures," writes Alan Moore in his introduction to The New Annotated H. P. Lovecraft. Despite this nearly unprecedented posthumous trajectory, at the time of his death at the age of forty-six, Lovecraft's work had appeared only in dime-store magazines, ignored by the public and maligned by critics. Now well over a century after his birth, Lovecraft is increasingly being recognized as the foundation for American horror and science fiction, the source of "incalculable influence on succeeding generations of writers of horror fiction" (Joyce Carol Oates). In this volume, Leslie S. Klinger reanimates Lovecraft with clarity and historical insight, charting the rise of the erstwhile pulp writer, whose rediscovery and reclamation into the literary canon can be compared only to that of Poe or Melville. Weaving together a broad base of existing scholarship with his own original insights, Klinger appends Lovecraft's uncanny oeuvre and Kafkaesque life story in a way that provides context and unlocks many of the secrets of his often cryptic body of work. Over the course of his career, Lovecraft—"the Copernicus of the horror story" (Fritz Leiber)—made a marked departure from the gothic style of his predecessors that focused mostly on ghosts, ghouls, and witches, instead crafting a vast mythos in which humanity is but a blissfully unaware speck in a cosmos shared by vast and ancient alien beings. One of the progenitors of "weird fiction," Lovecraft wrote stories suggesting that we share not just our reality but our planet, and even a common ancestry, with unspeakable, godlike creatures just one accidental revelation away from emerging from their epoch of hibernation and extinguishing both our individual sanity and entire civilization. Following his best-selling The New Annotated Sherlock Holmes, Leslie S. Klinger collects here twenty-two of Lovecraft's best, most chilling "Arkham" tales, including "The Call of Cthulhu," At the Mountains of Madness, "The Whisperer in Darkness," "The Shadow Over Innsmouth," "The Colour Out of Space," and others. With nearly 300 illustrations, including full-color reproductions of the original artwork and covers from Weird Tales and Astounding Stories, and more than 1,000 annotations, this volume illuminates every dimension of H. P. Lovecraft and stirs the Great Old Ones in their millennia of sleep.

A New York Times Book Review Editors' Choice Selection "The most exciting and definitive collection of Lovecraft's work out there." –Danielle Trussoni, New York Times Book Review No lover of gothic literature will want to be without this literary keepsake, the final volume of Leslie Klinger’s tour-de-force chronicle of Lovecraft’s canon. In 2014, The New Annotated H. P. Lovecraft was published to widespread acclaim— vaunted as a “treasure trove” (Joyce Carol Oates) for Lovecraft aficionados and general readers, alike. Hailed by Harlan Ellison as an “Olympian landmark of modern gothic literature,” the volume included twenty-two of Lovecraft’s original stories. Now, in this final volume, best- selling author Leslie S. Klinger reanimates twenty-five additional stories, the balance of Lovecraft’s significant fiction, including “Rats in the Wall,” a post– World War I story about the terrors of the past, and the newly contextualized “The Horror at Red Hook,” which recently has been adapted by best- selling novelist Victor LaValle. In following Lovecraft’s own literary trajectory, readers can witness his evolution from Rhode Island critic to prescient literary genius whose titanic influence would only be appreciated decades after his death. Including hundreds of eye- opening annotations and dozens of rare images, Beyond Arkham finally provides the complete picture of Lovecraft’s unparalleled achievements in fiction.

Suffering and Evil in Nature: Comparative Responses from Ecstatic Naturalism and Healing Cultures, edited by Joseph E. Harroff and Jea Sophia Oh, provides many unique experiments in thinking through the implications of ecstatic naturalism. This collection of essays directly addresses the importance of values sustaining cultures of healing and offers a variety of perspectives inducing radical hope requisite for cultivating moral and political imaginings of democracy-to-come as a regulative ideal. Through its invocation of “healing cultures,” the collection foregrounds the significance of the active, gerundive, and processual nature of ecstatic naturalism as a creative horizon for realizing values of intersubjective flourishing, while also highlighting the significance of culture as an always unfinished project of making discursive, interpretive and ethical space open for the subaltern and voiceless. Each contribution gives voice to the tensions and contradictions felt by living participants in emergent communities of interpretation—namely those who risk replacing authoritarian tendencies and fascist prejudices with a faith in future-oriented archetypes of healing to make possible truth and reconciliation between oppressor and oppressed, victimizers and victims of violence and trauma. These essays then let loose the radical hope of healing from suffering in a ceaseless community of communication within a horizon of creative democratic interpretation.

Recent years have witnessed a growing affinity between increasingly radicalized right-wing movements in the United States and Russia, countries that only recently viewed each other as intractable foes. In Illiberal Vanguard: Populist Elitism in the United States and Russia, Alexandar Mihailovic untangles this confluence, considering ethnonationalist movements in both countries and their parallel approaches to gender, race, and performative identity. Rather than probe specific points of possible contact or political collusion, Mihailovic unveils the mirrored styles of thought that characterize far-right elitism in two erstwhile enemy nations. Mihailovic investigates notable right-wing actors like Steve Bannon and Alexander Dugin and targets of right-wing ire such as globalization, LGBTQ+ activism, and mobilizations to remove controversial statues (that honor Confederate generals and Soviet leaders, for instance), but the argument extends beyond the specifics. How and why are radical right-wing movements developing along such similar trajectories in two nominally oppositional countries? How do religious sectarianism, the construction of whiteness, and institutionalized homophobia support each other in this transnational, informal, but powerful allegiance? Despite their appeals to populism and flamboyant theatrics, Mihailovic argues, much of the answer can be found in the mutual desire to justify and organize an illiberal vanguard of elite intellectuals, one that supports and advocates for a new authoritarianism.

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Explore the marvelous complexity of Lovecraft's writing—including his use of literary allusions, biographical details, and obscure references in this rich, in-depth exploration of great horror fiction from the acknowledged master of the weird, including the stories "Herbert West—Reanimator", "Pickman's Model", "The Call of Cthulhu", "The Thing on the Doorstep", "The Horror at Red Hook" and more. Did Lovecraft believe in ghosts or paranormal phenomena? In what story does the narrator fear riding the Boston T? A pathfinder in the literary territory of the macabre, H.P. Lovecraft is one of America's giants of the horror genre. Now, in this second volume of annotated tales, Lovecraft scholars S. T. Joshi and Peter Cannon provide another rare opportunity to look into the mind of a genius. Their extensive notes lift the veil between real events in the writer's life—such as the death of his father—and the words that spill out onto the page in magnificent grotesquerie. Mansions, universities, laboratories, and dank New England boneyards appear also as the haunts where Lovecraft's characters confront the fabulous and fantastic, or—like the narrator in "Herbert West—Reanimator"—dig up fresh corpses. Richly illustrated and scrupulously researched, this extraordinary work adds exciting levels of meaning to Lovecraft's chilling tales . . . and increases our wonder at the magic that transforms life into a great writer's art.

Wizards have always been powerful iconic figures. Baker focuses on various individuals - real and mythical - and their lives, powers and impact on history. He also offers wider insights into the practical uses of magic - such as spells and talismans - and the origins of secret magical societies.

Lovecraft's 'Supernatural horror in literature', first published in 1927, is a historical survey of horror literature, with insights into the nature, development and history of the weird tale. Lovecraft discusses horror writing in the Renaissance, the first Gothic novels of the late 18th century, the revolutionary importance of Edgar Allen Poe, the work of figures such as Nathaniel Hawthorne, Ambrose Bierce and William Hope Hodgson and the four 'modern masters' of the time - Arthur Machen, Lord Dunsany, Algernon Blackwood and M.R. James. In this annotated edition, S.T. Joshi has provided commentary on many points.