This long-awaited companion serves as a vital reference on the creation, the language, and the hymns of The New Century Hymnal. It presents hymn profiles by Robert L. Anderson, who offers four different background notes with engaging information on each hymn. This unique format covers the hymn text and circumstances of its creation, biographical data on the hymn writer, origins of the hymn tune, and biography of the composer or arranger. Permission is included for the notes to be read aloud or reproduced for worship, enhancing the congregation's understanding and appreciation of the hymns.

Includes orders of worship, hymns, psalms and canticles, service music, and worship resources.

valuable gift from other cultures to our own 7 sung prayers that can broaden the ways we pray and sing together in corporate worship. His extensive research leads to some intriguing proposals, with Hawn encouraging diverse expressions of worship, endorsing the church musician as a worship 3enlivener,4 and making a case for 3polyrhythmic worship4 in our churches. A unique resource, Gather into One demonstrates the spiritual riches to be gained through multicultural worship and makes a

xiv + 172 pp., includes facsimile pages

Assembly Song Companion to All Creation Sings will be an essential reference resource for church musicians, pastors, and others who help plan assembly song. This accessible manual gives the context, origins, and character of the texts and tunes in All Creation Sings as well as practical guidance for musical leaders. It is especially useful when paired with the Hymnal Companion to ELW and the Musicians Guide to ELW.

"The shape-note tradition first flourished in the small towns and rural areas of early America. Church-sponsored "singing schools" taught a form of musical notation in which the notes were assigned different shapes to indicate variations in pitch; this method worked well with congregants who had little knowledge of standard musical notation. Today many enthusiasts carry on the shape-note tradition, and The New Harp of Columbia (recently published in a "restored edition" by the University of Tennessee Press) is one of five shape-note singing-manuals still in use."--Jacket.

Women have made an amazing, creative, and prolific contribution to hymnody through the centuries of Christian worship. Excluded from liturgical commissions and denied other opportunities for involvement in the worship of the churches, women were able to express and influence spirituality in the writing of hymns. This influence spreads across the whole range of hymn-writing, including writing for children, which was at one time seen as women's natural place, but also the introduction of new voices through translations; engagement in social campaigns such as temperance and the abolition of slavery; mission and evangelism; and the general development of worshipping life. However, with the exception of the nineteenth century, the voices of women have been largely silenced or marginalized. The "Hymn Explosion" of the 1960s onward almost completely ignored women's writing, and there has only recently been something of a recovery. There is much more to Our Song than people think! This book opens up women's writing from the beginnings of Christianity, through the Middle Ages, the development of printing and the rise of popular hymnody to the present day. Living hymn-writers add their voices in a series of biographical "stories," which complete the overarching story of Our Song.

Annotation. Patrick Miller is widely known as an educator, editor, President of the Society of Biblical Literature, and academic who is concerned to ensure that academics and the life of the church are not torn asunder in this era of fragmentation. This volume honors him for his life's work, presenting 24 essays by students and colleagues on themes dear to Miller: (1) the Psalms and God's nearness to his people, and (2) Torah (Deuteronomy, in particular) and God's connection with his people in their lives together.