In addition to poems like "A Visit from St. Nicholas," this anthology covers lyrics by Cole Porter & Stephen Sondheim.

Compiled by the award-winning poet and author of children's books, Donald Hall, this delightful anthology follows in the tradition of Iona and Peter Opie's classic Oxford Book of Children's Verse. Hall brings together poems written specifically for children and also those written for anyone and enjoyed by children and adults alike. He presents over two hundred fifty poems written by over one hundred different American poets--including anonymous works, ballads, and recitation pieces--that range from the Calvinist verses of the seventeenth century to the fabulous nonsense poems of the present. Drawing on literally thousands of sources--including Sunday School magazines, Christmas annuals for children, and such wonderful children's periodicals as St. Nicholas and Youth's Companion--Hall gives the modern reader a rich sampling of many poems never before anthologized. He includes everyone's favorites, from Clement Clarke Moore's "A Visit from St. Nicholas" (a.k.a. "The Night Before Christmas") to the classic lines of Longfellow and Whittier. Along with Sarah Josepha Hale's famous poem, "Mary's Lamb," we find poetry by Emily Dickinson, Mary Mapes Dodge, Palmer Cox, Sarah Orne Jewett, Laura E. Richards, and Gelett Burgess. He also covers the twentieth-century with verse by T.S. Eliot, Edna St. Vincent Millay, Langston Hughes, Ogden Nash, Dr. Seuss (Theodore Geisel), and Randall Jarrell, just to name a few. Hall concludes with the poetry of present-day writers such as Shel Silverstein and Nancy Willard. A testament to a captivating tradition in American literature, this anthology will encourage many hours of nostalgic browsing and reading aloud to children.

Redefines the great canon of American poetry from its origins in the 17th century right up to the present.

In this pathbreaking book, Allen Forte uses modern analytical procedures to explore the large repertoire of beautiful love songs written during the heyday of American musical theater, the Big Bands, and Tin Pan Alley. Covering the work of such songwriters as Jerome Kern, Irving Berlin, Cole Porter, George Gershwin, Richard Rodgers, and Harold Arlen, he seeks to illuminate this extraordinary music indigenous to America by revealing its deeper organizational characteristics. In so doing, he aims to establish it as a unique corpus of music that deserves more intensive study and appreciation by scholars and connoisseurs in the broader fields of American popular music and jazz. Expressing much of the traditional tonality associated with European music in the eighteenth and nineteenth centuries, the love songs of the Golden Age are shown to draw on a rich variety of elements--popular harmony, idiomatic lyric-writing, and Afro-American dance rhythms. His analyses of such songs as "Embraceable You" or "Yesterdays" in particular exemplify his ability to convey the sublime, unpretentious simplicity of this great music.

The Encyclopedia of American Poetry: The Twentieth Century contains over 400 entries that treat a broad range of individual poets and poems, along with many articles devoted to topics, schools, or periods of American verse in the century. Entries fall into three main categories: poet entries, which provide biographical and cultural contexts for the author's career; entries on individual works, which offer closer explication of the most resonant poems in the 20th-century canon; and topical entries, which offer analyses of a given period of literary production, school, thematically constructed category, or other verse tradition that historically has been in dialogue with the poetry of the United States.

Beatrix Potter, Sappho, Yeats, Alexander the Great, Montaigne, Saint Cecilia, Virginia Woolf, Liv Ullmann, and many others, Bevington finds in these lives a path that has guided her search away from solitude. Through her reflections on the ten years that followed her son's death, we become aware of how far she has traveled, how the search has brightened, how she has eloquently evolved into old age. In the end she is sitting, like the Buddha, under her own fig tree,

Children Remembered discusses the relationship between parents and children in the past. It focuses on the ways in which adults responded to the untimely deaths of children, whether and how they expressed their grief. The study engages with the hypothesis of ‘parental indifference’ associated with the French cultural historian Philippe Ariès by analysing the changing risk of mortality since the sixteenth century and assessing its consequences. It uses paintings and poems to describe feelings and emotions in ways that are not only highly original, but also challenge traditional disciplinary conventions. The circumstances of infant and child mortality are considered for France and England, while example portraits and poems are selected from England and America. While the work is firmly grounded in demography, it is especially concerned with current debates in social and cultural history, with the history of childhood, the way pictorial images can be ‘read’, and the use as historical evidence to which literature may be put. This is a wide- ranging and ambitions multi-disciplinary study that will add significantly to our understanding of demographic structures; the ways in which they have conditioned attitudes and behaviour in the past.

This volume contributes to the study of early English poetics. In these essays, several related approaches and fields of study radiate outward from poetics, including stylistics, literary history, word studies, gender studies, metrics, and textual criticism. By combining and redirecting these traditional scholarly methods, as well as exploring newer ones such as object-oriented ontology and sound studies, these essays demonstrate how poetry responds to its intellectual, literary, and material contexts. The contributors propose to connect the small (syllables, words, and phrases) to the large (histories, emotions, faiths, secrets). In doing so, they attempt to work magic on the texts they consider: turning an ordinary word into something strange and new, or demonstrating texture, difference, and horizontality where previous eyes had perceived only smoothness, sameness, and verticality.

What do “the whole kit and caboodle,” “the whole shebang,” “the whole megillah,” “the whole enchilada,” “the whole nine yards,” “the whole box and dice,” and “the full Monty” have in common? They’re all expressions that mean “the entire quantity,” and they’re all examples of the breadth and depth of the English-speaking world’s vocabulary. From the multitude of words and phrases in daily use, the author of this delightful exploration into what we say and why we say it zeroes in on those expressions and sayings and their variations that are funny, quirky, just plain folksy, or playfully dressed up in rhyme or alliteration. Some may have become clichés that, as it’s said with “tongue in cheek,” should be “avoided like the plague.” Others have been distorted, deemed politically incorrect, or shrouded in mystery and must bear some explanation. Among the topics the author delves into are expressions that shouldn’t be taken literally (“dressed to kill” and “kick the bucket”), foreign expressions that crept into English (“carte blanche,” “carpe diem,” and “que sera, sera”), phrases borrowed from print ads and TV commercials (“where there’s life, there’s Bud” and “where the rubber meets the road”), animal images (“a barrel of monkeys” and “chasing your tail”), and food and drink (“cast your bread upon the water,” “chew the fat,” “bottom’s up!”, and “drink as a lord”). Here’s a book for everyone who delights in the mysteries of language and the perfect gift for all the “wordies” in your life.

This catalogue revises our understanding of glamour in the fields of fashion, industrial design, and architecture. Tracing glamour's trajectory from Hollywood's golden age to its present-day connotations of affluence, this illustrated volume presents an array of postwar couture, jewelry, automobile, furniture, and built and unbuilt architecture - all of which share an affinity for richly decorative patterning, complex layering, and sumptuous materials.