From the moment Adam and Eve were expelled from Paradise, exile has been a part of the human experience. The circumstances in which individuals or entire peoples are compelled to leave their homeland are as various as they are numerous, and in this book John Simpson has brought together examples of exile from all over the world, and from all periods of history. The emphasis is on personal experience, with writers from Ovid to Solzhenitsyn describing their exile, their emotions, their struggle and their despair. For those who have chosen a life in exile, the response is more mixed: ambivalence about the country they have left and the country they have chosen suffuses the writing of intellectuals seeking freedom of speech, as of ex-pats living in India or Australia. Those persecuted for their faith or their politics rub shoulders with those fleeing from war, or from debt, or even from the weather. Castaways and spies, premiers and princes describe their departure, their reception and sometimes their return, in an anthology that is by turns inspiring, moving, and deeply thought-provoking. With sources ranging from police records, newspaper articles, interviews, letters and memoirs, as well as verse and fiction, and settings as remote as Iran and Russia, China and Palestine, The Oxford Book of Exile provides a fascinating insight into an experience that touches so many, and captures the imagination of us all.

The current state of scholarship on the book of Ezekiel, one of the three Major Prophets, is robust. Ezekiel, unlike most pre-exilic prophetic collections, contains overt clues that its primary circulation was as a literary text and not a collection of oral speeches. The author was highly educated, the theology of the book is "dim," and its view of humanity is overwhelmingly negative. In The Oxford Handbook of Ezekiel, editor Corrine Carvalho brings together scholars from a diverse range of interpretive perspectives to explore one of the Bible's most debated books. Consisting of twenty-seven essays, the Handbook provides introductions to the major trends in the scholarship of Ezekiel, covering its history, current state, and emerging directions. After an introductory overview of these trends, each essay discusses an important element in the scholarly engagement with the book. Several essays discuss the history of the text (its historical context, redactional layers, text criticism, and use of other Israelite and near eastern traditions). Others focus on key themes in the book (such as temple, priesthood, law, and politics), while still others look at the book's reception history and contextual interpretations (including art, Christian use, gender approaches, postcolonial approaches, and trauma theory). Taken together, these essays demonstrate the vibrancy of Ezekiel research in the twenty-first century.

Exiles have long been transformative actors in their homelands: they foment revolution, sustain dissent, and work to create renewed political institutions and identities back home. Ongoing waves of migration ensure that they will continue to play these vital roles. Rather than focus on what exiles mean for the countries they enter—a perspective that often treats them as passive victims—The Ethics of Exile recognises their political and moral agency, and explores their rich and vital relationship to the communities they have left. It offers a rare view of the other side of the migration story. Engaging with a series of case studies, this book identifies the responsibilities and rights exiles have and the important roles they play in homeland politics. It argues that exile politics performs two functions: it can correct defective political institutions back home, and it can counter asymmetries of voice and power abroad. In short, exiles can act both as a linchpin and a buffer between political communities in crisis and the international actors who seek to, variously, aid and exploit them. When we think about the duties we owe to those forced to leave their homes, we should consider how to enable rather than thwart these roles.

In his book Josef Hrdlička opens the question of what exactly constitutes Exile Poetry, and indeed whether it amounts to a category as fundamental as Romantic or Bucolic lyricism. He covers the intricately complex and diverse topic of exile by exploring selected literary texts from antiquity to the present, giving due attention to writers that have influenced the exile discourse; from Ovid, Goethe and Baudelaire to the thinkers and poets of the 20th century like Adorno or Saint-John Perse. Against this backdrop of exile poetics, he turns his attention to Czech poets who left their homeland after the Communist Coup of 1948 and were notable contributors to Czech literature abroad. Hrdlička considers the works of Ivan Blatný, Milada Součková, Ivan Diviš and Petr Král, to show the continuity and changes in the western poetic tradition and expressions of exile.

This volume presents for the first time a study of the interface between exile and travel within the context of exile from Nazi Germany. The nineteen essays share the overarching aim to compare the tropes of travel and exile as generators of a critical discourse and as central categories within German exile, in particular literature, music and film. The essays are guided by powerful questions: How does travel compare to exile, and how much overlap is there between these two categories? How do exiles travel, as practitioners of displacement? Or rather, to what extent does the concept of travel apply to the exilic predicament? Do the terms “exile” and “travel” still have validity in our postmodern era of cosmopolitanism, ever increasing mobility, the embrace of otherness, and tourism? How does exile literature in which travel is thematized compare to the tradition(s) of travel writing? And how are the critical moments of leavetaking, re-membering home, and return imagined and narrated? The essays feature numerous German and Austrian authors, musicians, and filmmakers and lend fresh insights into German Exile and the field of Exile Studies at large.

The Latter Prophets--Isaiah, Jeremiah, Ezekiel, and the Book of the Twelve--comprise a fascinating collection of prophetic oracles, narratives, and vision reports from ancient Israel and Judah. Spanning centuries and showing evidence of compositional growth and editorial elaboration over time, these prophetic books offer an unparalleled view into the cultural norms, theological convictions, and political disputes of Israelite communities caught in the maelstrom of militarized conflicts with the empires of ancient Egypt, Babylonia, and Persia. Instructive for scholar and student alike, The Oxford Handbook of the Prophets features wide-ranging discussion of ancient Near Eastern social and cultic contexts; exploration of focused topics such as the persona of the prophet and the problem of violence in prophetic rhetoric; sophisticated historical and literary analysis of key prophetic texts; issues in reception history, from these texts' earliest reinterpretations at Qumran to Christian appropriations in contemporary homiletics; feminist, materialist, and postcolonial readings engaging the insights of influential contemporary theorists; and more. The diversity of interpretive approaches, clarity of presentation, and breadth of expertise represented here will make this Handbook indispensable for research and teaching on the Latter Prophets.

The Book of Jeremiah is one of the longest, most complex and influential writings in the Hebrew Bible. It comprises poetic oracles, prose sermons, and narratives of the prophet, as well as laments, symbolic actions, and utterances of hope from one of the most turbulent periods in the history of ancient Judah and Israel. Written by some of the most influential contemporary biblical interpreters today, The Oxford Handbook of Jeremiah offers compelling new readings of the text informed by a rich variety of methodological approaches and theoretical frameworks. In presenting discussions of the Book of Jeremiah in terms of its historical and cultural contexts of origins, textual and literary history, major internal themes, reception history, and significance for a number of key political issues, The Handbook examines the fascinating literary tradition of the Book of Jeremiah while also surveying recent scholarship. The result is a synthetic anthology that offers a significant contribution to the field as well as an indispensable resource for scholars and non-specialists alike.

The Oxford Handbook of Dante contains forty-four specially written chapters that provide a thorough and creative reading of Dante's oeuvre. It gathers an intergenerational and international team of scholars encompassing diverse approaches from the fields of Anglo-American, Italian, and continental scholarship and spanning several disciplines: philology, material culture, history, religion, art history, visual studies, theory from the classical to the contemporary, queer, post- and de-colonial, and feminist studies. The volume combines a rigorous reassessment of Dante's formation, themes, and sources, with a theoretically up-to-date focus on textuality, thereby offering a new critical Dante. The volume is divided into seven sections: 'Texts and Textuality'; 'Dialogues'; 'Transforming Knowledge'; Space(s) and Places'; 'A Passionate Selfhood'; 'A Non-linear Dante'; and 'Nachleben'. It seeks to challenge the Commedia-centric approach (the conviction that notwithstanding its many contradictions, Dante's works move towards the great reservoir of poetry and ideas that is the Commedia), in order to bring to light a non-teleological way in which these works relate amongst themselves. Plurality and the openness of interpretation appear as Dante's very mark, coexisting with the attempt to create an all-encompassing mastership. The Handbook suggests what is exciting about Dante now and indicate where Dante scholarship is going, or can go, in a global context.

The book of Isaiah is without doubt one of the most important books in the Hebrew Bible/Old Testament, as evidenced by its pride of place in both Jewish and Christian traditions as well as in art and music. Most people, scholars and laity alike, are familiar with the words of Isaiah accompanied by the magnificent tones of Handel's 'Messiah'. Isaiah is also one of the most complex books due to its variety and plurality, and it has accordingly been the focus of scholarly debate for the last 2000 years. Divided into eight sections, The Oxford Handbook of Isaiah constitutes a collection of essays on one of the longest books in the Bible. They cover different aspects regarding the formation, interpretations, and reception of the book of Isaiah, and also offer up-to-date information in an attractive and easily accessible format. The result does not represent a unified standpoint; rather the individual contributions mirror the wide and varied spectrum of scholarly engagement with the book. The authors of the essays likewise represent a broad range of scholarly traditions from diverse continents and religious affiliations, accompanied by comprehensive recommendations for further reading.

This study rehabilitates Tsvetaeva as a serious, innovative ethical thinker who developed an ethics for the poet that could dispense with universal value guarantees. For Tsvetaeva, ethical judgements had to be individual rather than universal, open to revision rather than permanent. Examining her ideational background, the study sheds new light on the pre-exile years, when Tsvetaeva suffered from a profound uncertainty about the moral nature and duty of the poet. It identifies the experience of exile as a catalyst for the development of her ethical thought that culminated in 'Iskusstvo pri svete sovesti'. Considering Tsvetaeva's application of her ethics in her life, this study reveals her emphasis on the personal to be the direct result of her ethical belief in individual judgements. Her conscious effort persistently to counteract dominant political ideologies similarly stems from her ethical suspicion of any kind of claim on universal truth. Finally the study assesses the significance of Tsvetaeva's suicide, revealing it to be the inevitable, terrifying consequence of her ethical self-definition, her commitment to individual freedom, and the pursuit of higher truths.