The Oxford Handbook of Berkeley is a compendious examination of a vast array of topics in the philosophy of George Berkeley (1685-1753), Anglican Bishop of Cloyne, the famous idealist and most illustrious Irish philosopher. Berkeley is best known for his denial of the existence of material substance and his insistence that the only things that exist in the universe are minds (including God) and their ideas; however, Berkeley was a polymath who contributed to a variety of different disciplines, not well distinguished from philosophy in the eighteenth century, including the theory and psychology of vision, the nature and functioning of language, the debate over infinitesimals in mathematics, political philosophy, economics, chemistry (including his favoured panacea, tar-water), and theology. This volume includes contributions from thirty-four expert commentators on Berkeley's philosophy, some of whom provide a state-of-the-art account of his philosophical achievements, and some of whom place his philosophy in historical context by comparing and contrasting it with the views of his contemporaries (including Mandeville, Collier, and Edwards), as well as with philosophers who preceded him (such as Descartes, Locke, Malebranche, and Leibniz) and others who succeeded him (such as Hume, Reid, Kant, and Shepherd).

The Oxford Handbook of Berkeley is a compendious examination of a vast array of topics in the philosophy of George Berkeley (1685-1753), Anglican Bishop of Cloyne, the famous idealist and most illustrious Irish philosopher. Berkeley is best known for his denial of the existence of material substance and his insistence that the only things that exist in the universe are minds (including God) and their ideas; however, Berkeley was a polymath who contributed to a variety of different disciplines, not well distinguished from philosophy in the eighteenth century, including the theory and psychology of vision, the nature and functioning of language, the debate over infinitesimals in mathematics, political philosophy, economics, chemistry (including his favoured panacea, tar-water), and theology. This volume includes contributions from thirty-four expert commentators on Berkeley's philosophy, some of whom provide a state-of-the-art account of his philosophical achievements, and some of whom place his philosophy in historical context by comparing and contrasting it with the views of his contemporaries (including Mandeville, Collier, and Edwards), as well as with philosophers who preceded him (such as Descartes, Locke, Malebranche, and Leibniz) and others who succeeded him (such as Hume, Reid, Kant, and Shepherd).

The Oxford Handbook on Early China brings 30 scholars together to cover early China from the Neolithic through Warring States periods (ca 5000-500BCE). The study is chronological and incorporates a multidisciplinary approach, covering topics from archaeology, anthropology, art history, architecture, music, and metallurgy, to literature, religion, paleography, cosmology, religion, prehistory, and history.

A team of leading scholars survey the development of philosophy in the period of extraordinary intellectual change from the mid-16th century to the early 18th century. They cover metaphysics and natural philosophy; the mind, the passions, and aesthetics; epistemology, logic, mathematics, and language; ethics and political philosophy; and religion.

Publishing is one of the oldest and most influential businesses in the world. It remains an essential creative and knowledge industry, worth over $140 billion a year, which continues to shape our education and culture. Two trends make this a particularly exciting time. The first is the revolution in communications technology that has transformed what it means to publish; far from resting on their laurels and retreating into tradition, publishers are doing as they always have - staying on the cutting edge. The second is the growing body of academic work that studies publishing in its many forms. Both mean that there has never been a more important time to examine this essential practice and the current state of knowledge. The Oxford Handbook of Publishing marks the coming of age of the scholarship in publishing studies with a comprehensive exploration of current research, featuring contributions from both industry professionals and internationally renowned scholars on subjects such as copyright, corporate social responsibility, globalizing markets, and changing technology. This authoritative volume looks at the relationship of the book publishing industry with other media, and how intellectual property underpins what publishers do. It outlines the complex and risky economics of the industry and examines how marketing, publicity, and sales have become ever more central aspects of business practice, while also exploring different sectors in depth and giving full treatment to the transformational and much discussed impact of digital publishing. This Handbook is essential reading for anyone interested in publishing, literature, and the business of media, entertainment, culture, communication, and information.

Although the emergence of the English novel is generally regarded as an eighteenth-century phenomenon, this is the first book to be published professing to cover the 'eighteenth-century English novel' in its entirety. This Handbook surveys the development of the English novel during the 'long' eighteenth century-in other words, from the later seventeenth century right through to the first three decades of the nineteenth century when, with the publication of the novels of Jane Austen and Walter Scott, 'the novel' finally gained critical acceptance and assumed the position of cultural hegemony it enjoyed for over a century. By situating the novels of the period which are still read today against the background of the hundreds published between 1660 and 1830, this Handbook not only covers those 'masters and mistresses' of early prose fiction-such as Defoe, Richardson, Fielding, Sterne, Burney, Scott and Austen-who are still acknowledged to be seminal figures in the emergence and development of the English novel, but also the significant number of recently-rediscovered novelists who were popular in their own day. At the same time, its comprehensive coverage of cultural contexts not considered by any existing study, but which are central to the emergence of the novel, such as the book trade and the mechanics of book production, copyright and censorship, the growth of the reading public, the economics of culture both in London and in the provinces, and the re-printing of popular fiction after 1774, offers unique insight into the making of the English novel.

Anthology of English poetry from all ages translated from the classics.

To which is prefixed a concise history of English and American Short horns, compiled from the best authorities.