As an author, Henry Miller (1891–1980) was infamous for his explicit descriptions of sex, and many of his novels, from The Tropic of Cancer to Black Spring, were banned in the United States on grounds of obscenity. But his books—frequently smuggled into his native country—became a major influence on the Beat Generation of American writers and would eventually lead to a groundbreaking series of obscenity trials that would change American laws on pornography in literary works. In this new critical biography, David Stephen Calonne goes beyond Miller’s notoriety to take an innovative look at the way in which the author’s writings and lifestyle were influenced by his spiritual quests. Charting Miller’s cultivation of his esoteric ideas from boyhood and adolescence to later in his career, Calonne examines how Miller remained deeply engaged with a variety of philosophies, from astrology and Gnosticism to Eastern thinkers. Calonne describes not only the effects this had on Miller’s work, but also to his complex and volatile life—his marriages and love affairs with Beatrice Wickens, June Mansfield, and Anaïs Nin; his years in Paris; and the journey to Greece that resulted in the travelogue The Colossus of Maroussi, the book Miller considered to be his greatest work. After discussing Miller’s final residences in Big Sur and the Pacific Palisades in California, Calonne considers the author’s involvement in the arts, love of painting and music, and friendships with a number of classical musicians. Miller, Calonne reveals, was a quirky, charismatic man of genius who continues to influence popular culture today. Highlighting many areas of the author’s life that have previously been neglected, Henry Miller takes a fascinating revisionary approach to the work of one of American’s most controversial and iconic writers.

Against skeptics, Männiste argues that Miller does indeed have a philosophy of his own, which underpins most of his texts. It is demonstrated that this philosophy, as a metaphysical sense of life, forms a system the understanding of which is necessary to adequately explain even some of the most basic of Miller's ideas. Building upon his notion of the inhuman artist, Miller's philosophical foundation is revealed through his literary attacks against the metaphysical design of the modern age. It is argued that, by repudiating some of the most potent elements of late modernity such as history, modern technology and an aesthetisized view of art, Miller paves the way for overcoming Western metaphysics. Finally it is showed that, philosophically, this aim is governed by Miller's idiosyncratic concept of art, in which one is led towards self-liberation through transcending the modern society and its dehumanizing pursuits.

A collection of works spanning the entire career of great 20th-century American writer Henry Miller, edited and introduced by Lawrence Durrell.

An engaging invitation to rediscover Henry Miller—and to learn how his anarchist sensibility can help us escape “the air-conditioned nightmare” of the modern world The American writer Henry Miller's critical reputation—if not his popular readership—has been in eclipse at least since Kate Millett's blistering critique in Sexual Politics, her landmark 1970 study of misogyny in literature and art. Even a Miller fan like the acclaimed Scottish writer John Burnside finds Miller's "sex books"—including The Rosy Crucifixion, Tropic of Cancer, and Tropic of Capricorn—"boring and embarrassing." But Burnside says that Miller's notorious image as a "pornographer and woman hater" has hidden his vital, true importance—his anarchist sensibility and the way it shows us how, by fleeing from conformity of all kinds, we may be able to save ourselves from the "air-conditioned nightmare" of the modern world. Miller wrote that "there is no salvation in becoming adapted to a world which is crazy," and in this short, engaging, and personal book, Burnside shows how Miller teaches us to become less adapted to the world, to resist a life sentence to the prison of social, intellectual, emotional, and material conditioning. Exploring the full range of Miller's work, and giving special attention to The Air-Conditioned Nightmare and The Colossus of Maroussi, Burnside shows how, with humor and wisdom, Miller illuminates the misunderstood tradition of anarchist thought. Along the way, Burnside reflects on Rimbaud's enormous influence on Miller, as well as on how Rimbaud and Miller have influenced his own writing. An unconventional and appealing account of an unjustly neglected writer, On Henry Miller restores to us a figure whose searing criticism of the modern world has never been more relevant.

Miller as a writer whose work does something more profound and violent to literary conventions than produce novel effects: it announces the possibility of difference and instability within language itself. Henry Miller is a cult figure in the world of fiction, in part due to having been banned for obscenity for nearly thirty years. Alongside the liberating effect of his explicit treatment of sexuality, however, Miller developed a provocative form of writing that encourages the reader to question language as a stable communicative tool and to consider the act of writing as an ongoing mode of creation, always in motion, perpetually establishing itself and creating meaning through that very motion. Katy Masuga provides a new reading of Miller that is alert to the aggressively and self-consciously writerly form of his work. Critiquing the categorization of Miller into specific literary genres through an examination of the small body of critical texts on his oeuvre, Masuga draws on Deleuze and Guattari's concept of a minor literature, Blanchot's "infinite curve," and Bataille's theory of puerile language, while also considering Miller in relation to other writers, including Proust, Rilke, and William Carlos Williams. She shows how Miller defies conventional modes of writing, subverting language from within. Katy Masuga is Adjunct Professor of British and American literature, cinema, and the arts in the Cultural Studies Department at the University of Paris III: Sorbonne Nouvelle.

In celebration of the centennial of his birth, Into the Heart of Life: Henry Miller at One Hundred gathers a captivating selection of writings from ten of his books. The delights of his prose are many, not the least of which is Miller's comic irony, which as The London Times noted, can be "as stringent and urgent as Swift's." Frederick Turner has organized the whole to highlight the autobiographical chronology of Miller's life, and along the way places the author squarely where he belongs––in the great tradition of American radical individualism, as a child of Emerson, Thoreau, and Whitman. Miller, who joyously declared "I am interested––like God––only in the individual," would have been pleased. The keynotes here are self-liberation and the pleasures of Miller's "knotty, cross-grained" genius, as Turner describes it––"defying classification, ultimately unamenable to any vision, any program not [his] own." Or, as Henry Miller himself put it: "I am the hero and the book is myself."

Scholarly responses to Henry Miller's works have never been numerous and for many years Miller was not a fashionable writer for literary studies. In fact, there exist only three collections of essays concerning Henry Miller's oeuvre. Since these books appeared, a new generation of international Miller scholars has emerged, one that is re-energizing critical readings of this important American Modernist. Henry Miller: New Perspectives presents new essays on carefully chosen themes within Miller and his intellectual heritage to form the most authoritative collection ever published on this author.

Henry Miller was one of the most distinctive voices in twentieth-century literature, yet he remains misunderstood. Better known in Europe than in his native America for most of his career, he achieved international success and celebrity during the 1960s when his banned “Paris” books—beginning with Tropic of Cancer—were published here and judged by the Supreme Court not to be obscene. The Unknown Henry Miller recounts Miller’s career from its beginnings in Paris in the 1930s but focuses on his years living in Big Sur, California, from 1944 to 1961, during which he wrote many of his most important books, including The Rosy Crucifixion trilogy, married and divorced twice, raised two children, painted watercolors, and tried to live out a credo of self-realization. Written with the cooperation of the Henry Miller and Anaïs Nin estates, The Unknown Henry Miller draws on material previously unavailable to biographers, including interviews with Lepska Warren, Miller’s third wife. Behind the “bad boy” image, Arthur Hoyle finds a man whose challenge of literary sexual taboos was part of a broader assault on the dehumanization of man and commercialization during the postwar years, and he makes the case for restoring this groundbreaking writer to his rightful place in the American literary canon. Skyhorse Publishing, along with our Arcade, Good Books, Sports Publishing, and Yucca imprints, is proud to publish a broad range of biographies, autobiographies, and memoirs. Our list includes biographies on well-known historical figures like Benjamin Franklin, Nelson Mandela, and Alexander Graham Bell, as well as villains from history, such as Heinrich Himmler, John Wayne Gacy, and O. J. Simpson. We have also published survivor stories of World War II, memoirs about overcoming adversity, first-hand tales of adventure, and much more. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to books on subjects that are sometimes overlooked and to authors whose work might not otherwise find a home.

This is the first installment of a fully illustrated catalogue of the Academy's priceless collection of paintings and sculptures.