The Texas Panhandle-its eastern edge descending sharply from the plains into the canyons of Palo Duro, Tule, Quitaque, Casa Blanca, and Yellow House-is as rich in history as it is in natural beauty. Long considered a crossroads of ancient civilizations, the twenty-six northernmost Texas counties lie on the southern reaches of the Great Plains, w...

Frank Reaugh (1860-1945; pronounced "Ray") was called "the Dean of Texas artists" for good reason. His pastels documented the wide-open spaces of the West as they were vanishing in the late nineteenth century, and his plein air techniques influenced generations of artists. His students include a "Who's Who" of twentieth-century Texas painters: Alexandre Hogue, Reveau Bassett, and Lucretia Coke, among others. He was an advocate of painting by observation, and encouraged his students to do the same by organizing legendary sketch trips to West Texas. Reaugh also earned the title of Renaissance man by inventing a portable easel that allowed him to paint in high winds, and developing a formula for pastels, which he marketed. A founder of the Dallas Art Society, which became the Dallas Museum of Art, Reaugh was central to Dallas and Oak Cliff artistic circles for many years until infighting and politics drove him out of fashion. He died isolated and poor in 1945. The last decade has seen a resurgence of interest in Reaugh, through gallery shows, exhibitions, and a recent documentary. Despite his importance and this growing public profile, however, Rounded Up in Glory is the first full-length biography. Michael Grauer argues for Reaugh's importance as more than just a "longhorn painter." Reaugh's works and far-reaching imagination earned him a prominent place in the Texas art pantheon.

Loneliness pervaded the lives of pioneers on the American plains, including the empty expanses of West Texas. Most settlers lived in isolation broken only by occasional community gatherings such as funerals and religious revivals. In The Lonesome Plains, Louis Fairchild mines the letters and journals of West Texas settlers, as well as contemporary fiction and poetry, to record the emotions attending solitude and the ways people sought relief. Hungering for neighborliness, people came together in times of misfortune--sickness, accident, and death--and at annual religious services. In fascinating detail, Fairchild describes the practices that grew up around these two focal points of social life. He recounts the building of coffins and preparation of a body for burial, the conflicting emotions of the pain of death and the hope of heaven, the funeral rite itself, the lost and lonely graves. And he tells the story of yearly outdoor revivals: the choice of the meeting site and construction of the arbor or other shelter, the provision of food, the music and emotionally-charged services, and tangential courting and mischief. Loneliness is most recognized as a feature of life in the time of the early West Texas cattle industry, a period of sprawling cattle ranches and legendary cattle drives, roughly from 1867 to 1885. But Fairchild shows that it also characterized the lives of settlers who lived in West Texas from the beginning of permanent settlement of the Texas Panhandle (around 1876) through the population shift that occured around the turn of the century, as farmers and their families supplanted ranchers and their cattle. Fairchild draws on primary materials of the early residents to give voice to the settlers themselves and skillfully weaves a moving picture of life in the open spaces of West Texas during the frontier-rural period of the late nineteenth and early twentieth centuries.

Charles Goodnight was a pioneer of the early range cattle industry—an opinionated and profane but energetic and well-liked rancher. Goodnight’s story is now re-examined by William T. Hagan in this brief, authoritative account that considers the role of ranching in general—and Goodnight in particular—in the development of the Texas Panhandle. The first major reassessment of his life in seventy years, Charles Goodnight: Father of the Texas Panhandle traces its subject’s life from hardscrabble farmer to cattle baron, giving close attention to lesser-known aspects of his last thirty years. Goodnight came up in the days when much of Texas was free range and open to occupancy by any cattleman brave enough to stake a claim. Hagan shows how Goodnight learned the cattle business and became one of the most famous ranchers of the Southwest. Hagan also presents a clearer picture than ever before of Goodnight’s business arrangements and investments, including the financial setbacks of his later life. As entertaining as it is informative, Hagan’s account takes readers back to the Palo Duro Canyon and the Staked Plains to share insights into the cattleman’s life—riding the range, fighting grass fires, driving cattle to the nearest railhead—the very stuff of cowboy legend and lore. This fascinating biography enriches our understanding of a Texas icon.

A tool for scholars working in the field of Indian studies. This title covers the topic of Indian-white relations with breadth and depth.

A biography of the Texas cowboy who was one of the first permanent settlers of the Panhandle, developed the chuck wagon and the sidesaddle, and experimented with plants and animals.