Lowentahal looks at the benefits and burdens of the past, how we study the past, and how we change it.

An international bestseller and winner of Italy's prestigious Premio Bancarella prize—an intense psychological thriller in the vein of The Talented Mr. Ripley As world-weary Lieutenant Chiti spends sleepless nights hunting for the serial rapist terrorizing his city, trainee lawyer Giorgio is befriended by dangerously charismatic Francesco. Slowly the innocent Giorgio is lured into a corrupt world of beautiful women and casual violence. Then one terrifying night Giorgio is forced to realize just how far he has left his past behind. "Set largely in the southern Italian city of Bari, this stylish psychological thriller from Carofiglio (A Walk in the Dark) fuses Jack Kerouac's On the Road with hard-edged crime fiction à la Henning Mankell's Inspector Wallander saga." - Publishers Weekly

A completely updated new edition of David Lowenthal's classic account of how we reshape the past to serve present needs.

"Tracing the story of Red Lodge from the 1880s to the present, Christensen tells how a mining town managed to endure the vagaries of the West's unpredictable extractive-industries economy. She connects Red Lodge to a myriad of larger events and historical forces to show how national and regional influences have contributed to the development of local identities, exploring how and why westerners first rejected and then embraced "western" images, and how ethnicity, wilderness, and historic preservation became part of the identity that defined one town."--BOOK JACKET.

Those personal accounts resurrect the essential experience of children's work, play, education, family relations, and coming of age from their own perspectives. Steering a middle path between the myth of wholesome farm life and the reality of work that was often extremely dangerous, Riney-Kehrberg shows both the best and the worst that a rural upbringing had to offer midwestern youth a time before mechanization forever changed the rural scene and radio broke the spell of isolation. Down on the farm, truancy was not uncommon and chores were shared across genders. Yet farm children managed to indulge in inventive play---much of it homemade---to supplement store-bought toys and to get through the long spells between circuses.

This annotated source publication detailing the first genocide of the twentieth century, provides interested readers with African voices and perspectives on German colonial rule in Namibia.

An invaluable handbook, How to Write Art History enables students to get the most from their art history course. In a clear and engaging style, Anne D'Alleva empowers readers to approach their coursework with confidence and energy. The book introduces two basic art historical methods – formal analysis and contextual analysis – and this second edition provides even more step-by-step guidance about how these methods can be used in class discussion and in writing essays and papers. The common strengths and weaknesses of an art history essay are highlighted by using real examples of written work, and at each stage of the writing process D'Alleva offers valuable advice on developing an argument convincingly. Providing a fascinating view of the study of art history within its historical context, this book will be particularly helpful for those considering a career in this rewarding discipline.