Download for FREE at revisionfairy.com What makes something "art"? If an object falls under the category of “art,” then you'd suspect it has something in common with other items in this category. Art forms, however, produce strikingly different manifestations of art. For example, sculpture produces three-dimensional art, painting and drawing produce two-dimensional art, and performance art produces a time frame in which the art exists. How do these distinct practices have the possibility of producing creations that are acknowledged as “art?” The Philosophical Functionality of the Tattoo focuses on tattoos, a traditionally unaccepted type of art, to help understand the properties attributed to art. If tattoos are not “art,” why not? If tattoos are “art,” why so? Figuring out these characteristics about tattoos, specifically, contributes to the general ontology of art. [To continue reading, download the rest of the book for FREE at revisionfairy.com]

Covering philosophical issues ranging from tattooed religious symbols to a feminist aesthetics of tattoo, Tattoos and Philosophy offers an enthusiastic analysis of inking that will lead readers to consider the nature of the tattooing arts in a new and profound way. Contains chapters written by philosophers (most all with tattoos themselves), tattoo artists, and tattoo enthusiasts that touch upon many areas in Western and Eastern philosophy Enlightens people to the nature of tattoos and the tattooing arts, leading readers to think deeply about tattoos in new ways Offers thoughtful and humorous insights that make philosophical ideas accessible to the non-philosopher

The essential companion to Stieg Larsson's bestselling trilogy and director David Fincher's 2011 film adaptation Stieg Larsson's bestselling Millennium Trilogy—The Girl with the Dragon Tattoo, The Girl Who Played with Fire, and The Girl Who Kicked the Hornet's Nest—is an international phenomenon. These books express Larsson's lifelong war against injustice, his ethical beliefs, and his deep concern for women's rights. The Girl with the Dragon Tattoo and Philosophy probes the compelling philosophical issues behind the entire trilogy. What philosophies do Lisbeth Salander and Kant have in common? To catch a criminal, can Lisbeth and Mikael be criminals themselves? Can revenge be ethical? Drawing on some of history's greatest philosophical minds, this book gives fresh insights into Larsson's ingeniously plotted tale of crime and corruption. Looks at compelling philosophical issues such as a feminist reading of Lisbeth Salander, Aristotelian arguments for why we love revenge, how Kant can explain why so many women sleep with Mikael Blomkvist, and many more Includes a chapter from a colleague of Larsson's—who worked with him in anti-Nazi activities—that explores Larsson's philosophical views on skepticism and quotes from never-before-seen correspondence with Larsson Offers new insights into the novels' key characters, including Lisbeth Salander and Mikael Blomkvist, and investigates the author, Stieg Larsson As engrossing as the quest to free Lisbeth Salander from her past, The Girl with the Dragon Tattoo and Philosophy is ideal reading for anyone interested in unraveling the subtext and exploring the greater issues at work in the story.

The essays collected in Tattooed Bodies draw on a range of theoretical paradigms and empirical knowledge to investigate tattoos, tattooing, and our complex relations with marks on skin. Engaging with diverse disciplinary perspectives in art history, continental philosophy, media studies, psychoanalysis, critical theory, literary studies, biopolitics, and cultural anthropology, the volume reflects the sheer diversity of meanings attributed to tattoos throughout history and across cultures. Essays explore conceptualizations of tattoos and tattooing in Derrida, Deleuze and Guattari, Lacan, Agamben, and Jean-Luc Nancy, while utilizing theoretical perspectives to interpret tattoos in literary works by Melville, Beckett, Kafka, Genet, and Jeff VanderMeer, among others. Tattooed Bodies prompts readers to explore a few significant questions: Are tattoos unique phenomena or an art medium in need of special theoretical exploration? If so, what conceptual paradigms and theories might best shape our understanding of tattoos and their complex ubiquity in world cultures and histories?

As a director, writer, and producer, Christopher Nolan has substantially impacted contemporary cinema through avant garde films, such as Following and Memento, and his contribution to wider pop culture with his Dark Knight trilogy. His latest film, Interstellar, delivered the same visual qualities and complex, thought-provoking plotlines his audience anticipates. The Philosophy of Christopher Nolan collects sixteen essays, written by professional philosophers and film theorists, discussing themes such as self-identity and self-destruction, moral choice and moral doubt, the nature of truth and its value, whether we can trust our perceptions of what’s “real,” the political psychology of heroes and villains, and what it means to be a “viewer” of Nolan’s films. Whether his protagonists are squashing themselves like a bug, struggling to create an identity and moral purpose for themselves, suffering from their own duplicitous plots, donning a mask that both strikes fear and reveals their true nature, or having to weigh the lives of those they love against the greater good, there are no simple solutions to the questions Nolan’s films provoke; exploring these questions yields its own reward.

For more than a century readers have found Herman Melville’s writing rich with philosophical ideas, yet there has been relatively little written about what, exactly, is philosophically significant about his work and why philosophers are so attracted to Melville in particular. This volume addresses this silence through a series of essays that: (1) examine various philosophical contexts for Melville’s work, (2) take seriously Melville’s writings as philosophy, and (3) consider how modern philosophers have used Melville and the implications of appropriating Melville for contemporary thought. Melville among the Philosophers is ultimately an intervention across literary studies and philosophy that carves new paths into the work of one of America’s most celebrated authors, a man who continues to enchant and challenge readers well into the twenty-first century.

The unique compendium re-assesses the value of future and emergent computing technologies via artistic and philosophical means. The book encourages scientists to adopt inspiring thinking of artists and philosophers to reuse scientific concepts in their works.The useful reference text consists of non-typical topics, where artistic and philosophical concepts encourage readers to adopt unconventional approaches towards computing and immerse themselves into discoveries of future emerging landscape.Related Link(s)

This book presents a collection of academic essays that take a fresh look at content and body transformation in the new media, highlighting how old hierarchies and canons of analysis must be revised. The movement of narratives and characterisations across forms, conventionally understood as adaptation, has commonly involved high-status classical forms (drama, epic, novel) being transformed into recorded and broadcast media (film, radio and television), or from the older recorded media to the newer ones. The advent of convergent digital platforms has further transformed hierarchies, and the formation of global conglomerates has created the commercial conditions for ever more lucrative exchanges between different media. Now source texts can move in any direction and take up any configuration, as emerging interacting fan bases drive innovation and new creative and commercial possibilities are deployed. Moreover, transformation may be not just a technology-driven creative practice and response, but at the very centre of the thematic worlds developed in those forms of story-telling which are currently popular: television series, video games, films and novels. The magic transformation of “your” money into “their” money is paralleled in contemporary media and culture by the centrality of transformation of one product to another as a media industry practice, as well as the transformation of bodies as a major theme both in the ensuing media products and in people’s identity practices in daily life.

Discover the fundamentals of tattoo art and discover your unique style! Tattooing isn't just a craft—it's a legacy, evolving daily as passionate artists push the boundaries of imagination with every drop of ink. Traditionally, this art form is handed down from one generation to the next, with masters relying on verbal explanations and hands-on demonstrations to pass on their expertise. If you're anything like me—an eager artist hungry to gather up knowledge and keep pace with the expectations of the modern tattoo world—you've probably felt the frustration of trying to find solid answers to your burning questions. I've been there, diving into countless online and in-person tattoo courses, only to find myself unsatisfied with the lack of depth and detail. It wasn't until I started my own apprenticeship that I truly grasped the empirical nature behind mastering this craft and the challenge of passing down that wisdom. That's why I've put my heart and soul into this book. Drawing from the teachings of various masters I met along the way, supplemented by my own research into books and digital resources, filling the gaps left by my own journey in the industry. Because let's face it—we all learn differently, at our own pace, and with our own interests driving us forward. This isn't just another tattoo book—it's your personal roadmap through the defying world of tattooing. Tear it apart, scribble in the margins, and explore its contents on your own terms. Inside, you'll find pages full of history, techniques, styles, and insider tips from professional artists who've walked the same path. I'm still that eager artist hungry for knowledge, and this book is my contribution to fellow apprentices like you. Consider it a compendium of everything I've learned—the first step in what I know will be a lifelong journey. Welcome to Inkclopedia: A Journey into the Tattoo Apprentice's World—let's ink together.

The philosophy of religion is a discipline that explores a wide range of issues related to religious beliefs and practices. However, the field has historically exhibited a narrow focus, predominantly centreing on the Christian tradition and lacking substantial interaction between philosophers from distinct religious and cultural backgrounds. To address this, Global Dialogues in the Philosophy of Religion includes contributions from eminent scholars that address the world's five major religious traditions: Buddhism, Christianity, Hinduism, Islam, and Judaism. These dialogues delve into the philosophical aspects of religion, covering significant topics, including revelation and religious experience, analysis of faith, science and religion, the foundations of morality, and life and the afterlife. In each section, one of these critical issues is examined by three distinguished philosophers, each specializing in a particular religious tradition. These authors not only present their own perspectives on the subject matter but also respond to the viewpoints of philosophers from other traditions. This dynamic exchange gives readers valuable insight into how philosophical inquiries can be approached from various religious standpoints. This unique collection offers a rich tapestry of ideas and fosters a greater understanding of the philosophical dimensions of religion across diverse cultural and religious contexts. An open access title available under the terms of a CC BY-NC-ND 4.0 licence.