In Georg Wilhelm Friedrich Hegel's monumental work, 'The Philosophy of Fine Art' (Vol. 1-3), readers are taken on a profound journey through the realm of art and aesthetics. Hegel's intricate exploration of the philosophy of art delves into the symbolic, classical, and romantic forms of art, providing a comprehensive analysis of the essence of beauty and artistic creation. His writing style is both eloquent and systematic, reflecting the philosophical rigor for which he is renowned. The book not only serves as a key text in the history of aesthetics but also offers valuable insights into the role of art in human culture and society. Hegel's work is essential for anyone interested in the intersection of philosophy and art. Georg Wilhelm Friedrich Hegel, a prominent German philosopher of the 19th century, was deeply influenced by his predecessors such as Kant and Schelling. His philosophical background and intellectual curiosity led him to investigate the nature of art and aesthetics in his ambitious 'The Philosophy of Fine Art'. Hegel's keen analytical skills and profound understanding of metaphysics are evident throughout his exploration of art's inherent meaning and significance. For readers seeking a comprehensive and thought-provoking study of art and aesthetics, 'The Philosophy of Fine Art' by Hegel is a must-read. Whether you are a student of philosophy, a lover of art, or simply curious about the nature of beauty, this groundbreaking work offers a unique perspective on the role of art in shaping human experience and culture.

This book is the first collection of essays to discuss Oscar Wilde’s love and vast knowledge of philosophy. Over the past few decades, Oscar Wilde scholars have become increasingly aware of Wilde’s love and intimate knowledge of philosophy. Wilde’s “Oxford Notebooks” and his soon-to-be-published “Notebook on Philosophy” all point to Wilde not just as an aesthete, but also as a serious philosophical thinker. The aim of this collection is not to make the statement that Wilde was a philosopher, or that his works were philosophical tracts. Rather, it provides a space to explore any and all linkages between Wilde’s works and philosophical thought. Addressing a broad spectrum of philosophical matter, from classical philology to Daoism, ethics to aestheticism, this collection enriches the literature on Wilde and philosophy alike.

Hegel's Introduction to the Philosophy of History remains one of the most profound and influential books on the philosophy of history. In clear and cogent terms this book: * examines the ideas and arguments of the Introduction to the Philosophy of History * explains key concepts of Hegel's system, a knowledge of which is essential for fully understanding his philosophy of history * assesses the continuing relevance of Hegel to the contemporary debate about the nature of history.

Contrary to previous studies of Tillie Olsen’s writing, Tillie Olsen and the Dialectical Philosophy of Proletarian Literature analyzes the impact of one of the most important philosophies of the last century, dialectical materialism, on the form and content of Olsen’s fiction. By revealing the unconceptualized dialectics of Olsen’s work and its appreciation by scholars and casual readers, this study achieves a dialectical synthesis that incorporates and extends the insights of and about Olsen in terms of dialectical materialism. By foregrounding Olsen’s dialectical approach, it explains and largely resolves apparent contradictions between her Marxism and feminism; her depictions of class, race, and gender; the literature of her earlier and later periods; and her use of realist and modernist literary forms and techniques. Consequently, this project makes a case for the importance of Olsen’s Marxist education during the “Red Decade” of the 1930s and within the U.S. proletarian literary movement.

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Illustrates how the notion of an ecological society remains a decisively political question. The global ecological crisis is upon us. From global warming to the long-term implications of ocean acidification, air and water pollution, deforestation, and the omnipresent dangers of nuclear technology the future of our planetary home is threatened. Yet in the midst of the unfolding crisis, the conventional ideologies of the twentieth century and their representations of nature remain unchallenged by both the defenders of capitalism and capitalism’s most radical critics. The Distortion of Nature’s Image illustrates how the anti-naturalism of late capitalist society, in which nature is reified into the emptiness of mere matter, simply a thing to be dominated, is subtly complemented by the failure of the Left to go both beyond the historic limitations of Marx’s nineteenth-century viewpoint and beyond anarchism’s blind faith in “natural law.” However, an alternative for comprehending nature and the ecological crisis as historical and socialphenomena remains open in the dialectical naturalism of Western Marxism and Murray Bookchin’s social ecology. By examining in closer detail how Bookchin’s social ecology politicizes the concept of nature, as well as how precursory models in Western Marxist thought provide a foundation for this, Damian Gerber illustrates how the notion of an ecological society remains a decisively political question. “There are very few studies that bring anarchism into conversation with an ecological focus. Gerber’s book does this in extraordinary form, offering a critical but balanced overview.” — Simon Springer, author of The Anarchist Roots of Geography: Toward Spatial Emancipation

This collection of 15 essays by celebrated authors in Shakespeare studies and in continental philosophy develops different aspects of the interface between continental thinking and Shakespeare's plays.

This book attempts to reinstate the importance of authorial intention by examining arguments against it from a variety of sources - American New Criticism, European Structuralism and various kinds of postmodernist theory. It enlists the aid of Kantian aesthetics and contemporary philosophy of language and action, as well as studying the play on intention in the manipulation of character and action in the work of Shakespeare and other English writers from 1600 to the present day.