The Wisden Collector's Guide is the definitive companion to one of the world's most important sporting publications. It begins with an overview of Wisden Cricketers' Almanack, introducing the original John Wisden and describing the history of the publication. The next section contains highlights and information from each of the 147 editions, including bibliographic details (page extent, price, reprints etc), excerpts from the best articles, cricketers of the year, obituaries, and noteworthy events and matches. There is also additional information of interest to collectors and historical context in the form of news 'headlines' from each year. The guide concludes with a section dedicated to the serious collector. Covering everything from reprints to rebinds and from pagination to publishers, it is a vital resource for collectors. Affording a glimpse of the cricketing and historical landscape of the last 147 years, this is an accessible and fascinating volume for cricketing fans generally and a must-have item for Wisden collectors.

'A touch of Margaret Millar . . . worth watching' Sunday Telegraph San Francisco artist Roxanne Gautier's startling paintings of male prostitutes has sent shock waves throughout the art world - and in her personal life. When Taylor Adams, her favourite model, commits suicide - or so it appears - her husband is frightened she may be connected with the death and asks ex-policeman Kevin Bryce to investigate. Taylor's fellow prostitutes, including the beautiful and dangerous Angel, and the revealing pages of Roxanne's diary take Bryce into a psychosexual nightmare world of corruption, blackmail and moral decay.

What at first appears to be an online hoax launches retired PI Alan Swansea into an investigation exposing a gang of sex traffickers. Once it becomes clear that Polina and several other young Eastern European girls have been abducted and forced to take part in a deranged artist's bizarre project, Swansea is engaged in a harrowing race to find the girls before they are thrust into an even more unthinkable situation. Throughout his investigation, Swansea becomes increasingly aware of the devastating effects sex trafficking has had on the lives of the victims and what little is being done by law enforcement to stop it. As the toll of victims rises, so does his resolve to bring the villains to justice. But as time runs out, Swansea discovers that the trail of his investigation may very well have gone cold. Will he be able to save Polina and the others before it's too late?

A giant art collector's guide featuring 75 fine art nude photographs of alluring and confident women. Essay sections include About the Artist, Creative Process, Technical Process, About Limited Editions, Black and White, Poolside, and Art Buying Strategies.

“After twenty-eight years of desire and determination, I have visited Africa, the land of my forefathers.” So wrote Lida Clanton Broner (1895–1982), an African American housekeeper and hairstylist from Newark, New Jersey, upon her return from an extraordinary nine-month journey to South Africa in 1938. This epic trip was motivated not only by Broner’s sense of ancestral heritage, but also a grassroots resolve to connect the socio-political concerns of African Americans with those of black South Africans under the segregationist policies of the time. During her travels, this woman of modest means circulated among South Africa’s Black intellectual elite, including many leaders of South Africa’s freedom struggle. Her lectures at Black schools on “race consciousness and race pride” had a decidedly political bent, even as she was presented as an “American beauty specialist.” How did Broner—a working class mother—come to be a globally connected activist? What were her experiences as an African American woman in segregated South Africa and how did she further her work after her return? Broner’s remarkable story is the subject of this book, which draws upon a deep visual and documentary record now held in the collection of the Newark Museum of Art. This extraordinary archive includes more than one hundred and fifty objects, ranging from beadwork and pottery to mission school crafts, acquired by Broner in South Africa, along with her diary, correspondence, scrapbooks, and hundreds of photographs with handwritten notations. Published by the Newark Museum. Distributed worldwide by Rutgers University Press.

'A beguiling author who interweaves past and present' The Times Lilith Benley and her mother, rumoured to be witches, were convicted of the brutal murder of two teenage girls eighteen years ago. Shortly after Lilith is released from prison, a young woman is found dead at a farm close to Lilith's old home in South Devon, and DI Wesley Peterson is called in to investigate. As Wesley tries to establish whether Lilith Benley could have killed again, archaeologist Neil Watson discovers a gruesome wax doll at a house that once belonged to a woman hanged for witchcraft in the seventeenth century. Wesley must banish dark shadows of the past and supernatural suspicions in order to bring a dangerous killer to justice - a killer who will stop at nothing to dispense vengeance. Whether you've read the whole series, or are discovering Kate Ellis's DI Wesley Peterson novels for the first time, this is the perfect, gripping mystery if you love reading Elly Griffiths and Ann Cleeves. PRAISE FOR KATE ELLIS: 'I loved this novel . . . a powerful story of loss, malice and deception' Ann Cleeves 'Haunting' Independent 'Unputdownable' Bookseller 'The chilling plot will keep you spooked and thrilled to the end' Closer 'A gripping read' Best 'A fine storyteller, weaving the past and present in a way that makes you want to read on' Peterborough Evening Telegraph

She lies in a pool of her own blood. More blood decorates one wall in macabre finger paintings. The victim is a fortune-teller from the Little Saigon community of Westminster, California—it’s a seemingly random murder. Detective Seven Bushard wonders cynically if she saw it coming. When local artist Gia Moon shows up at the precinct with visions of another murder yet to happen, Seven doesn’t buy it. Some say Gia’s paintings give a glimpse into the next world, but all Seven knows is cold, hard evidence. Then when her prediction comes true, he’s left looking six ways from incompetent, and worse—now it’s a serial killer he’s after. But Gia is not all that she seems. A link to her past points to a deranged lunatic whose desire to complete a bizarre collection has become an obsession. Now Seven is locked in a game of greed and murder with a woman he can’t entirely trust, and a killer who will silence anyone who gets in the way.

The comprehensive biography of the iconic twentieth-century American photographer Berenice Abbott, a trailblazing documentary modernist, author, and inventor. Berenice Abbott is to American photography as Georgia O’Keeffe is to painting or Willa Cather to letters. She was a photographer of astounding innovation and artistry, a pioneer in both her personal and professional life. Abbott’s sixty-year career established her not only as a master of American photography, but also as a teacher, writer, archivist, and inventor. Famously reticent in public, Abbott’s fascinating life has long remained a mystery—until now. In Berenice Abbott: A Life in Photography, author, archivist, and curator Julia Van Haaften brings this iconic public figure to life alongside outlandish, familiar characters from artist Man Ray to cybernetics founder Norbert Wiener. A teenage rebel from Ohio, Abbott escaped first to Greenwich Village and then to Paris—photographing, in Sylvia Beach’s words, "everyone who was anyone." As the Roaring Twenties ended, Abbott returned to New York, where she soon fell in love with art critic Elizabeth McCausland, with whom she would spend thirty years. In the 1930s, Abbott began her best-known work, Changing New York, in which she fearlessly documented the city’s metamorphosis. When warned by an older male supervisor that "nice girls" avoid the Bowery—then Manhattan’s skid row—Abbott shot back, "I’m not a nice girl. I’m a photographer…I go anywhere." This bold, feminist attitude would characterize all Abbott’s accomplishments, including imaging techniques she invented in her influential, space race–era science photography and her tenure as The New School’s first photography teacher. With more than ninety stunning photos, this sweeping, cinematic biography secures Berenice Abbott’s place in the histories of photography and modern art, while framing her incredible accomplishments as a female artist and entrepreneur.

Over the last several decades, the number of people who are actively involved in the hobby or science of mineral collecting has grown at an increasing pace. In response to the growing demand for informa tion which this large and active group has created, a number of books have been published dealing with mineralogy. As a result, the reader now has a choice among mineral locality guides, field handbooks, photo collections, or books dedicated to the systematic description of minerals. However, as interest in mineralogy has grown, as collectors have become increasingly knowledgeable and aware of mineralogy in its many facets, the need for more specialized information has also grown. Nowhere is this need greater than in the subject of the fluorescence of minerals. The number of collectors who now main tain a fluorescent collection is substantial, interest is constantly increasing, and manufacturers have recently responded by the intro duction of new ultraviolet equipment with major improvements in utility and performance. Yet when the collector searches for any information on this subject, little will be found. He or she will seek in vain for the answers to questions which present themselves as in terest in fluorescent minerals grows and matures. Which minerals fluoresce? Where are fluorescent minerals found? What makes a mineral fluoresce? Why does ultraviolet light produce fluorescence? What is an activator, and how does it contribute to fluorescence? On these matters, the available mineralogy books are largely silent.