This book uses art photography as a point of departure for learning about physics, while also using physics as a point of departure for asking fundamental questions about the nature of photography as an art. Although not a how-to manual, the topics center around hands-on applications, sometimes illustrated by photographic processes that are inexpensive and easily accessible to students (including a versatile new process developed by the author, and first described in print in this series). A central theme is the connection between the physical interaction of light and matter on the one hand, and the artistry of the photographic processes and their results on the other. One half of Energy and Color focuses on the physics of energy, power, illuminance, and intensity of light, and how these relate to the photographic exposure, including a detailed example that follows the emission of light from the sun all the way through to the formation of the image in the camera. These concepts are described in both their traditional manner, but also using very-low sensitivity photography as an example, which brings the physical concepts to the fore in a visible way, whereas they are often hidden with ordinary high-speed photographic detectors. Energy and Color also considers color in terms of the spectrum of light, how it interacts with the subject, and how the camera's light detector interacts with the image focused upon it. But of equal concern is the only partially-understood and sometimes unexpected ways in which the human eye/brain interprets this spectral stimulus as color. The volume covers basic photographic subjects such as shutter, aperture, ISO, metering and exposure value, but also given their relations to the larger themes of the book less familiar topics such as the Jones-Condit equation, Lambertian versus isotropic reflections, reflection and response curves, and the opponent-process model of color perception. Although written at a beginning undergraduate level, the topics are chosen for their role in a more general discussion of the relation between science and art that is of interest to readers of all backgrounds and levels of expertise.

This book uses art photography as a point of departure for learning about physics, while also using physics as a point of departure for asking fundamental questions about the nature of photography as an art. Although not a how-to manual, the topics center around hands-on applications, sometimes illustrated by photographic processes that are inexpensive and easily accessible to students (including a versatile new process developed by the author, and first described in print in this series). A central theme is the connection between the physical interaction of light and matter on the one hand, and the artistry of the photographic processes and their results on the other. This is the third volume in this three-part series that uses art photography as a point of departure for learning about physics, while also using physics as a point of departure for asking fundamental questions about the nature of photography as an art. It focuses on the physics and chemistry of photographic light-sensitive materials, as well as the human retina. It also considers the fundamental nature of digital photography and its relationship to the analog photography that preceded it.

This book uses art photography as a point of departure for learning about physics, while also using physics as a point of departure for asking fundamental questions about the nature of photography as an art. Although not a how-to manual, the topics center around hands-on applications, most-often illustrated by photographic processes that are inexpensive and easily accessible to students (including a versatile new process developed by the author, and herein first described in print). A central theme is the connection between the physical interaction of light and matter on the one hand, and the artistry of the photographic processes and their results on the other. Geometry and the Nature of Light focuses on the physics of light and the optics of lenses, but also includes extended discussions of topics less commonly covered in a beginning text, including symmetry in art and physics, different physical processes of the scattering of light, photograms (photographic shadow prints) and the nature of shadows, elements of 2-dimensional design, pinhole photography and the view camera. Although written at a beginning undergraduate level, the topics are chosen for their role in a more general discussion of the relation between science and art that is of interest to readers of all backgrounds and levels of expertise.

Of all the arts, photography has perhaps the closest association with science and technology: the physics of light and colour combined with chemistry to capture images. Lo-Fi Photography is an ideal introduction to the science that lies behind photography and the array of simple methods that can be used to capture light and create images. From making homemade cameras to accessible techniques, the goal of this book is to provide all readers with access to this interesting form of creative photography via how-to guides, plans and some tips and tricks. In addition to the theory and hands-on guidance, this book also explores Lo-Fi photography as a distinct art form and provides further reading and excellent sources for diving even deeper into the world of experimental photography. Lo-Fi Photography is both a superb introduction to anyone curious about the science of photography and a first-rate guide to the world of experiemental photography for inquisitive photographers.

A brief overview of astronomy and cosmology is presented in five different ways, through the lenses of space, time, evolution, process, and structure. Specific topics are chosen for their contribution to a "big picture" understanding of the interconnectedness of knowledge in astronomy and cosmology. Thus, many topics (stellar astronomy for example) are treated in multiple sections, but from different viewpoints—for example, sizes and distances of stars (space); when stars appeared in the history of the universe (time); stellar evolution (evolution); hydrostatic equilibrium and stellar spectra (process); and stellar structure (structure). Some topics traditional to the introductory astronomy curriculum—eclipses and lunar phases, for example—are omitted altogether as they are inessential for the big-picture goals of the book, and excellent summaries are easily available elsewhere. On the other hand, the book treats some topics not usually covered in an introductory astronomy course, for example the roles played by equilibrium processes and symmetry in our understanding of the universe. The level is for the beginning undergraduate, with only basic skills in rudimentary algebra assumed. But more advanced students and teachers will also find the book useful as both a set of practical tools and a point of departure for taking stock (in five different ways) of the current state of knowledge in astronomy and cosmology.

1. "Complete Study Pack for Engineering Entrances" series provides Objective Study Guides 2. Objective Physics Volume-2 is prepared in accordance with NCERT Class 11th syllabus 3. Guide is divided into 14 chapter 4. complete text materials, Practice Exercises and workbook exercises with each theory 5. Includes more than 5000 MCQs, collection of Previous Years’ Solved Papers of JEE Main and Advanced, BITSAT, Kerala CEE, KCET, AP & TS EAMCET, VIT, and MHT CET. Our Objective series for Engineering Entrances has been designed in accordance with the latest 2021-2022 NCERT syllabus; Objective Physics Volume –2 is divided into 14 chapters giving Complete Text Material along with Practice Exercises and Workbook exercises. Chapter Theories are coupled with well illustrated examples helping students to learn the basics of Physics. Housed with more than 5000 MCQs and brilliant collection of Previous Years’ Solved Papers of JEE Main and Advanced BITSAT, Kerala CEE, KCET, AP & TS EAMCET, VIT, and MHT CET, which is the most defining part of this book. Delivering the invaluable pool of study resources for different engineering exams at one place, this is no doubt, an excellent book to maximize your chances to get qualified at engineering entrances. TOC Electrostatics, Current Electricity, Magnetic Effects of Current, Magnetism, Electromagnetic Induction, Alternating Current, Geometric Optics, Modern Physics, Solids and Semiconductors Devices, Basic of Communications, Electron Tubes, Universe, Theory of Relativity, JEE Advanced Solved Paper 2015, JEE Main & Advanced Solved Papers 2016, JEE Main & Advanced/BITSAT/Kerala CEE/ KCET/AP & TS EAMCET/VIT/MHT CET Solved Papers 2017, JEE Main & Advanced/BITSAT/Kerala CEE/ KCET/AP & TS EAMCET/VIT/MHT CET Solved Papers 2018, JEE Main & Advanced/BITSAT/Kerala CEE/ KCET/AP & TS EAMCET/VIT/MHT CET Solved Papers 2019-20.

*Searchable CD ROM containing the entire book (including images) *Over 450 color images, plus never before published images provided by the George Eastman House collection, as well as images from Ansel Adams, Howard Schatz, and Jerry Uelsmann to name just a few The role and value of the picture cannot be matched for accuracy or impact. This comprehensive treatise, featuring the history and historical processes of photography, contemporary applications, and the new and evolving digital technologies, will provide the most accurate technical synopsis of the current, as well as early worlds of photography ever compiled. This Encyclopedia, produced by a team of world renown practicing experts, shares in highly detailed descriptions, the core concepts and facts relative to anything photographic. This Fourth edition of the Focal Encyclopedia serves as the definitive reference for students and practitioners of photography worldwide, expanding on the award winning 3rd edition. In addition to Michael Peres (Editor in Chief), the editors are: Franziska Frey (Digital Photography), J. Tomas Lopez (Contemporary Issues), David Malin (Photography in Science), Mark Osterman (Process Historian), Grant Romer (History and the Evolution of Photography), Nancy M. Stuart (Major Themes and Photographers of the 20th Century), and Scott Williams (Photographic Materials and Process Essentials)

Apart from a few articles, no comprehensive study has been written about the learned men and women in America with Czechoslovak roots. That’s what this compendium is all about, with the focus on immigration from the period of mass migration and beyond, irrespective whether they were born in their European ancestral homes or whether they have descended from them. Czech and Slovak immigrants, including Bohemian Jews, have brought to the New World their talents, their ingenuity, their technical skills, their scientific knowhow, and their humanistic and spiritual upbringing, reflecting upon the richness of their culture and traditions, developed throughout centuries in their ancestral home. This accounts for the remarkable success and achievements of these settlers in their new home, transcending through their descendants, as this monograph demonstrates. The monograph has been organized into sections by subject areas, i.e., Scholars, Social Scientists, Biological Scientists, and Physical Scientists. Each individual entry is usually accompanied with literature, and additional biographical sources for readers who wish to pursue a deeper study. The selection of individuals has been strictly based on geographical ground, without regards to their native language or ethical background. This was because under the Habsburg rule the official language was German and any nationalistic aspirations were not tolerated. Consequently, it would be virtually impossible to determine their innate ethnic roots or how the respective individuals felt. Doing it in any other way would be a mere guessing, and, thus, less objective.

Vols. for 1853- include the transactions of the Royal Photographic Society of Great Britain.