This 1995 book examines the work of David Hare including screenplays and the plays he has written for the Royal National Theatre.

This is a new collection of some of David Hare's finest work, including Skylight (Winner of the Laurence Olivier Award for Best New Play, 1996), Amy's View, The Judas Kiss and My Zinc Bed.

This second volume of plays by David Hare contains work from the 1970s and 1980s which confirmed him as one of the major contemporary playwrights in the English language. It includes Fanshen, his remarkable 1975 play which focused on the Chinese Revolution with Brechtian subtlety, his screenplay for Saigon: Year of the Cat, The Secret Rapture, his biting portrait of a family in crisis, and the plays A Map of the World and The Bay at Nice. The collection is introduced by the author.

This first volume of David Hare's plays contains his work from the 1970s, including his landmark play of that decade, Plenty, charting the development of 'one of the great post-war British playwrights' ( Independent on Sunday). The volume also includes the plays Slag, Teeth 'n' Smiles, Knuckle and Licking Hitler, and is introduced by the author.

Learning that David Hare has written sixteen stage plays, eight collaborations, and eleven screenplays for film and television, one might be surprised by the fact that this leading English artist is not yet fifty years old. He was only twenty-two when his first play was performed by the Portable Theatre, and he was a major voice on the British stage before he was thirty. The present volume is the first major collection of essays devoted to Hare, and its editor, Hersh Zeifman, who is a professor at York University, Toronto, is well-qualified to assemble and supervise such a significant undertaking. As co-editor of the prestigious journal, Modern Drama, he has been exposed to all the major authors and topics of modem theatre and is ideally positioned to discern Hare's pivotal role on the contemporary stage.

A Study Guide for David Hare's "The Secret Rapture," excerpted from Gale's acclaimed Drama For Students. This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Drama For Students for all of your research needs.

This analysis of twenty published texts by David Hare employs definitions from contemporary semiotic literary theory as a means of describing typologies of political drama. By tracing the incorporation of stylistic devices from agitational propaganda (caricature, self-referentiality, the frisson between oral and visual signification) throughout the typologies, the study illustrates how each text subverts audience expectation based on established dramatic genres. The collection of texts is seen as inherently self-referential and politically subversive. At the centre of each typology is a protagonist who functions as a martyr to or parodic emblem of contemporary society. Consistently, the hermeticism of public institutions which represent the political status quo makes them immune from any form of individual protest from the Left or Right. In the satirical anatomy, the emblem of political dissent is coopted by involvement within the institution, or the stage is dominated by a conservative who controls the action. In the demythology, private individuals are seen as incapable of altering the public frame of history; but here private suffering subverts the collective mythology of the historical construct. In the martyrology, the emblem of dissent is associated with a moral virtue which is inimical to contemporary society, the audience's expectation of the triumph of the individual being subverted when he/she is expelled from the onstage world on the grounds of political ideology. It is only in the final typology, the conversion, that a conservative emblem is seen as directly influenced by such martyrdom, and the audience is provided with an actual example of political change. Thus, the study describes how each typology builds on the construction of the previous, and all generate from agitational propaganda.

A Study Guide for David Hare's "Plenty," excerpted from Gale's acclaimed Drama For Students. This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Drama For Students for all of your research needs.

Seminar paper from the year 2004 in the subject English - Literature, Works, grade: sehr gut, University of Innsbruck (Translationswissenschaft), language: English, abstract: In this play Hare not only mentions how difficult it is for the establishment to give up their idealistic vision of the continuation of the Empire but he also portrays the partnership between England and America. By describing personal experiences of his characters he reflects the political mood of the time. The disillusion and the lack of direction of his characters who can't cope with their situation is comparable to the political conditions. "Within the context of English political history these events are not extraneous, coincidental happenings; they have a direct bearing on and relationship to the characters' actions and thoughts. We do not see the events take place, but we see their impact on English lives" 8 . But Hare's work is not only a historical play but also somehow a tragedy. Critics claim that the dramas hero is destructive and that the play is "essentially tragic" 9 . Susan belongs to one of Hare's characters that share "a tragic sense of life ...against the odds, they defy the repression and inhumanity around them even if it means self-destruction. 10 "