Reprint of the original, first published in 1876.

On the bicentennial of his death, this beautifully illustrated volume pays tribute to the Scot who became the father of American ornithology. Alexander Wilson made unique contributions to ecology and animal behavior. His drawings of birds in realistic poses in their natural habitat inspired Audubon, Spencer Fullerton Baird, and other naturalists.

When talking about the Enlightenment, ornithology is seldom the first topic of conversation. Still, Enlightenment and ornithology converge in one important respect, that of abundance. In our time, new-wave ornithologists have renewed their faith in eighteenth-century expectations for the discovery of a gigantic number of bird species. It is at this intersection between abundant modern science and ambitious Enlightenment ideology that this remarkable collection of five essays on Alexander Wilson (1766-1813), the father of American ornithology, makes its original and delightful contribution. Alexander Wilson: Enlightened Naturalist recovers Wilson’s literary, artistic and musical pursuits, and the cultural contexts of his life in the Scotland of Robert Burns. It also explores Wilson’s scientific and philosophic contribution to American ornithology in American Ornithology; or The Natural History of the Birds of theUnited States, published in Philadelphia between 1808 and 1814. Alexander Wilson is richly illustrated, links to a web site of audio readings of Wilson’s Scots poems– links that are embedded in the ebook–and includes a tribute to the late Edward H. Burtt, Jr., who died shortly before publication.

Whether male or female, loyalist or radical, urban or rural, literati or autodidacts, Scottish Lowland poets in the age of Burns adamantly refuse to imagine a single British nation. Instead, they pose the question of "Scotland" as a revolutionary category, always subject to creative destruction and reformation.

Alexander Wilson, expatriate Scotsman, poet, & reformer, has been called "the Father of American Ornithology." This collection of his letters, many of them new & many complete for the first time, captures a splendid & stimulating time in American history. Wilson was a confidant of William Bartram, a correspondent of Thomas Jefferson, a sensitive personality who set out as he said to make "a collection of all our finest birds." In pursuit of this goal he traveled through much of the eastern part of the U.S., often on foot. His letters well document the joy he felt at each new discovery as well as the terrible physical harships he endured. Though later overshadowed by J.J. Audubon, Wilson deserves much credit for being one of the pioneers in American ornithology. Includes an intro. by Clark Hunter, ed. of the letters.

This provocative and timely volume examines the activity of seeking justice through literature during the 'age of revolutions' from 1750 to 1850 - a period which was marked by efforts to expand political and human rights and to rethink attitudes towards poverty and criminality. While the chapters revolve around legal topics, they concentrate on literary engagements with the experience of the law, revealing how people perceived the fairness of a given legal order and worked with and against regulations to adjust the rule of law to the demands of conscience. The volume updates analysis of this conflict between law and equity by drawing on the concept of 'epistemic injustice' to describe the harm done to personal identity and collective flourishing by the uneven distribution of resources and the wish to punish breaches of order. It shows how writing and reading can foment inquiries into the meanings of 'justice' and 'equity' and aid efforts to humanise the rule of law.

In 1887, a year after founding the Audubon Society, explorer and conservationist George Bird Grinnell launched Audubon Magazine. The magazine constituted one of the first efforts to preserve bird species decimated by the women’s hat trade, hunting, and loss of habitat. Within two years, however, for practical reasons, Grinnell dissolved both the magazine and the society. Remarkably, Grinnell’s mission was soon revived by women and men who believed in it, and the work continues today. In this, the only comprehensive history of the first Audubon Society (1886–1889), Carolyn Merchant presents the exceptional story of George Bird Grinnell and his writings and legacy. The book features Grinnell’s biographies of ornithologists John James Audubon and Alexander Wilson and his editorials and descriptions of Audubon’s bird paintings. This primary documentation combined with Carolyn Merchant’s insightful analysis casts new light on Grinnell, the origins of the first Audubon Society, and the conservation of avifauna.

This cultural history of American federalism argues that nation-building cannot be understood apart from the process of industrialization and the making of the working class in the late-eighteenth-century United States. Citing the coincidental rise of federalism and industrialism, Laura Rigal examines the creations and performances of writers, collectors, engineers, inventors, and illustrators who assembled an early national "world of things," at a time when American craftsmen were transformed into wage laborers and production was rationalized, mechanized, and put to new ideological purposes. American federalism emerges here as a culture of self-making, in forms as various as street parades, magazine writing, painting, autobiography, advertisement, natural history collections, and trials and trial transcripts. Chapters center on the craftsmen who celebrated the Constitution by marching in Philadelphia's Grand Federal Procession of 1788; the autobiographical writings of John Fitch, an inventor of the steamboat before Fulton; the exhumation and museum display of the "first American mastodon" by the Peale family of Philadelphia; Joseph Dennie's literary miscellany, the Port Folio; the nine-volume American Ornithology of Alexander Wilson; and finally the autobiography and portrait of Philadelphia locksmith Pat Lyon, who was falsely imprisoned for bank robbery in 1798 but eventually emerged as an icon for the American working man. Rigal demonstrates that federalism is not merely a political movement, or an artifact of language, but a phenomenon of culture: one among many innovations elaborated in the "manufactory" of early American nation-building.