Ralph Waldo Emerson will undoubtedly be forever remembered as a quintessentially American author; his prose works rank among the most excellent from any century of American literature. Unfortunately, due ironically to the excellence and originality of his transcendental philosophy, his poetry is often forgotten. This volume of his collected poems seeks to rectify that. This is Volume 1 of the Great American Poets Series.

Ralph Waldo Emerson: The Major Poetry, like its companion prose volume, presents a selection of definitively edited texts drawn chiefly from the multivolume Collected Works. Accompanying each poem is a headnote prepared by Albert von Frank for the student and general reader, which serves as an entryway to the poem, offering critical and historical contexts. Detailed annotations provide further guidance. A master of the essay form, a philosopher of moods and self-reliance, and the central figure in the American romantic movement, Emerson makes many claims on our attention. Ralph Waldo Emerson: The Major Poetry reminds us exactly why his poetry also matters and why he remains one of our most important theoreticians of verse. Emerson saw his poetry and philosophy as coordinate ways of seeing the world. “It is not metres,” he once declared, “but a metre-making argument, that makes a poem,—a thought so passionate and alive, that, like the spirit of a plant or an animal, it has an architecture of its own, and adorns nature with a new thing.” All the major poems published in Emerson’s lifetime—chosen from Poems (1847), May-Day and Other Pieces (1867), and Selected Poems (1876) as well as uncollected poems—are represented here. Also included in an appendix is the first selection ever made of the poems and poetic fragments that Emerson addressed to his first wife, Ellen, during their courtship and marriage and concluding with the anguish of bereavement following her death on February 8, 1831, at the age of nineteen.

A collection of newly commissioned essays provides a critical introduction to pastor and poet, Ralph Waldo Emerson.

Published here in full are Ralph Waldo Emerson's nine poetry notebooks, the single greatest source of information about his creative habits in poetry. Emerson kept rough drafts, revised versions, and fair copies of hundreds of poems in these notebooks, so that the genesis and development of poems both famous and obscure can be traced closely. The notebooks have been remarkably little consulted, primarily because their unedited textual condition makes them difficult to use. This edition makes them accessible to scholars by presenting a faithful transcription of each notebook, a detailed analysis of the history of each poem, an introduction, and a cross-referenced index. For this edition, the editors have followed the high standards of textual practice developed for Harvard University Press's edition of The Journals and Miscellaneous Notebooks of Ralph Waldo Emerson. That editorial approach makes possible a logical, clear presentation of material that Emerson often jotted down in segments or with multiple erasures and insertions. Because it will allow scholars to examine as never before the many facets of Emerson the poet, The Poetry Notebooks of Ralph Waldo Emerson will be a major impetus to study of the man considered by many to be America's greates thinker.

Emerson’s incomparable brilliance as a prose writer has often overshadowed his remarkable gifts as a poet. Gathering both published and unpublished work, this Library of America edition makes available for the first time to general readers the full range of Emerson’s poetry, including many poems left in manuscript at his death that have hitherto been available only in drastically edited versions or specialized scholarly texts. Displacing all previous editions in its comprehensiveness and textual authority, this volume reveals the ecstatic, mystical, and private meditative sides of one of the greatest of all American writers. All the poetry Emerson published during his lifetime is included in this single volume. His collections, Poems (1847), May-Day and Other Pieces (1867), and Selected Poems (1876), as well as other pieces written for magazines, fuse close observations of the New England landscape with far-reaching spiritual explorations. His familiarity with botany and geology, Greek philosophy, Persian poetry, and anti-slavery politics gives his writing an intellectual breadth, and a challenging, continuing modernity unique among American poets of his time. More than half the volume is devoted to a generous selection of poetry from Emerson’s journals and notebooks, ranging from his childhood to his final years as a writer. This work—printed here as Emerson wrote it, without the revisions imposed by earlier editors—is a revelation: a bounty of formal experimentation and speculative thought that displays, as in a painter’s sketchbook, the creative process at work. Also included are Emerson’s little-known poetic translations, chiefly from the Persian poets Hafiz and Saadi, whose fusion of sensuality and mysticism so profoundly influenced his poetic thinking. With them is the complete La Vita Nuova (The New Life), Dante’s meditation on love that Emerson translated into English for the first time. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.