Percy Bysshe Shelley (1792-1822) was one of the major Romantic poets, and wrote what is critically recognised as some of the finest lyric poetry in the English language. This is the third volume of the five-volume The Poems of Shelley, which presents all of Shelley’s poems in chronological order and with full annotation. Date and circumstances of composition are provided for each poem and all manuscript and printed sources relevant to establishing an authoritative text are freshly examined and assessed. Headnotes and footnotes furnish the personal, literary, historical and scientific information necessary to an informed reading of Shelley’s varied and allusive verse. Most of the poems in the present volume were composed between autumn 1819 and autumn 1820. The poems written in response to the political crisis in England following the ‘Peterloo’ massacre in August 1819 feature largely, among them The Mask of Anarchy and 'An Ode (Arise, arise, arise!)'. The popular songs, which Shelley intended to gather into a volume to inspire reformers from the labouring classes, several accompanied by significantly new textual material recovered from draft manuscripts, are included, as are the important political works 'Ode to Liberty', 'Ode to Naples' and Oedipus Tyrannus, Shelley's burlesque Greek tragedy on the Queen Caroline affair. Other major poems featured include 'The Sensitive-Plant', 'Ode to the West Wind', 'Letter to Maria Gisborne', an exuberant translation from the ancient Greek of the Homeric 'Hymn to Mercury', and the brilliantly inventive 'The Witch of Atlas'. In addition to accompanying commentaries, there are extensive bibliographies, a chronology of Shelley’s life, and indexes to titles and first lines. Leigh Hunt's informative Preface of 1832 to The Mask of Anarchy is also included as an Appendix. The volumes of The Poems of Shelley form the most comprehensive edition of Shelley's poetry available to students and scholars.

The Poems of Browning is a multi-volume edition of the poetry of Robert Browning (1812 -1889) resulting from a completely fresh appraisal of the canon, text and context of his work. The poems are presented in the order of their composition and in the text in which they were first published, giving a unique insight into the origins and development of Browning's art. Annotations and headnotes, in keeping with the traditions of Longman Annotated English Poets, are full and informative and provide details of composition, publication, sources and contemporary reception. Volumes one (1826-1840) and two (1841-1846) presented the poems from his early years up to his marriage to Elizabeth Barrett, including the dramatic poem Paracelsus (1835), which first brought him to wide attention, and Sordello (1840), which confirmed him as a poet of ambition and imagination. Volume three (1847-1861) of The Poems of Browning covers the years of Browning's life in Italy with his wife Elizabeth Barrett Browning. During the fifteen years of his marriage and self-imposed exile, Browning produced Christmas-Eve and Easter Day (1850), a major statement of his religious philosophy, and Men and Women (1855), his greatest collection of shorter poems. The poems of Men and Women, like all Browning's work, are steeped in his wide and idiosyncratic knowledge of literature, music, art, history, and popular culture, but a new and distinctive touch comes from the sights, sounds and textures of ordinary life in Italy. Based on a comprehensive study of textual and contextual sources, including a significant amount of hitherto undiscovered or unpublished manuscripts of poems and letters, this volume offers the most complete and informative edition of works that are central to Browning's achievement. In addition, Browning's most important work of critical prose, the Essay on Shelley, is presented in an appendix with full annotation, and poems which refer to specific works of painting or sculpture are illustrated with colour plates. Volumes four presents the poetry Browning produced during the decade following the death of his wife, including Dramatis Personae, which heralded a re-evaluation of his critical reputation, and The Ring and the Book, which many consider to be his greatest work. The Poems of Browning represents the most informative and up-to-date edition of the works of one of England's greatest poets.

The previous two volumes of this acclaimed anthology set forth a globally decentered revision of twentieth-century poetry from the perspective of its many avant-gardes. Now editors Jerome Rothenberg and Jeffrey C. Robinson bring a radically new interpretation to the poetry of the preceding century, viewing the work of the romantic and post-romantic poets as an international, collective, often utopian enterprise that became the foundation of experimental modernism. Global in its range, volume three gathers selections from the poetry and manifestos of canonical poets, as well as the work of lesser-known but equally radical poets. Defining romanticism as experimental and visionary, Rothenberg and Robinson feature prose poetry, verbal-visual experiments, and sound poetry, along with more familiar forms seen here as if for the first time. The anthology also explores romanticism outside the European orbit and includes ethnopoetic and archaeological works outside the literary mainstream. The range of volume three and its skewing of the traditional canon illuminate the process by which romantics and post- romantics challenged nineteenth-century orthodoxies and propelled poetry to the experiments of a later modernism and avant-gardism.

Drawing especially on the many scholarly discoveries of recent years, this biography examines the life – and death ‒ of one of the greatest Romantic poets. Based on sceptical historical investigation and featuring an in-depth look at Shelley’s personal, financial and familial situation, it builds a compelling narrative about a controversial writer and thinker whose personal and philosophical convictions caused much turmoil during his short yet extraordinarily influential life. The Life of Percy Bysshe Shelley reveals sides of the author not often studied. It looks at Shelley as an intensely loving, thoughtful and responsible man and father, who (except in one case) took exemplary care of the women he loved and who fell in love with him. It shows how significant his status as a gentleman was; it examines his poetry, letters, notebooks and discursive prose so that readers can comprehend the most important concerns of his life; it explores the financial and medical grounds for his years of exile; it is also the first biography to take account of his recently discovered early long poem the Poetical Essay on the Existing State of Things. This biography offers readers a unique look at a famous poet, scholar, gentleman, democrat, atheist and tragic icon of English Romanticism.

A major new anthology of Percy Bysshe Shelley's work, edited by Jack Donovan and Cian Duffy. 'My name is Ozymandias, King of Kings: Look on my works, ye mighty, and despair!' Percy Bysshe Shelley was one of the leading English Romantics and is critically regarded among the finest lyric poets in the English language. His major works include the long visionary poems 'Prometheus Unbound' and 'Adonais', an elegy on the death of John Keats. His shorter, classic verses include 'To a Skylark', 'Mont Blanc' and 'Ode to the West Wind'. This important new edition collects his best poetry and prose, revealing how his writings weave together the political, personal, visionary and idealistic. This Penguin Classics edition includes a fascinating introduction, notes and other materials by leading Shelley scholars, Jack Donovan and Cian Duffy.

This volume argues that mountaineering developed as a pursuit in Britain during the Romantic era, earlier than is generally recognised, and shows how writers including William and Dorothy Wordsworth, Ann Radcliffe, Samuel Taylor Coleridge, John Keats, and Walter Scott were central to the activity's evolution.

Gale Researcher Guide for: Percy Bysshe Shelley, a Poetic Radical is selected from Gale's academic platform Gale Researcher. These study guides provide peer-reviewed articles that allow students early success in finding scholarly materials and to gain the confidence and vocabulary needed to pursue deeper research.

This volume explores literary censorship from 1660 to 1820 and examines the relationship between pervasive literary modes of the long eighteenth century and the control of seditious libel and punishment in the public pillory.

Coleridge's Dejection Ode completes J.C.C. Mays’ analysis of Coleridge’s poetry, following Coleridge’s Ancient Mariner (Palgrave 2016) and Coleridge’s Experimental Poetics (Palgrave 2013). "Dejection: An Ode" stands alone in Coleridge's oeuvre: written at a time of personal crisis, it reaches far back and deeply into his thinking in an attempt to find a poematic solution to ideas and problems he had mulled over for a long time. Mays reveals how the poem also marks the opening of the second half of Coleridge's career as both poet and thinker. In three central chapters Mays examines the new style that evolved in the process of writing the Ode: the technical means of metrics, rhyme and grammar; language and allusion; and symbol and structure. He recounts the complex, sometimes controversial critical history of the Ode, and suggests an editorial solution to the problem created by the Letter to Sara Hutchinson; re-evaluates the position of Wordsworth in the poem apropos the political statement it makes; clarifies the distinction between the views on Imagination expressed and those contained in Biographia Literaria; and traces the links of the concept "dejection" as it underpins Coleridge's late poems.