Devotes considerable attention to Cardenio (the collaboration between Shakespeare and Fletcher) and its notional offspring (works by Greenblatt and Mee, Doran, Armenteros, et al.), discussing all these texts' relations to Cervantes's work and the nature of the various kinds of borrowings and influences.

A volume on the readership and reception of Amadis de Gaula, an influential Spanish chivalric novel dating from the fourteenth century, from Tudor England to the twentieth century.

How is it possible for six men to take a Liberian-flagged oil tanker hostage and negotiate a huge pay out for the return of its crew and 2.2 million barrels of crude oil? In his gripping new book, Jatin Dua answers this question by exploring the unprecedented upsurge in maritime piracy off the coast of Somalia in the twenty-first century. Taking the reader inside pirate communities in Somalia, onboard multinational container ships, and within insurance offices in London, Dua connects modern day pirates to longer histories of trade and disputes over protection. In our increasingly technological world, maritime piracy represents not only an interruption, but an attempt to insert oneself within the world of oceanic trade. Captured at Sea moves beyond the binaries of legal and illegal to illustrate how the seas continue to be key sites of global regulation, connectivity, and commerce today.

What did the Edwardians know about Spain and what was that knowledge worth? This book explores a vast store of largely unstudied primary source material to trace Spain's transformation in the British popular and economic imagination during the decades either side of the turn of the twentieth century.

This Open Access book, Crisis and Legitimacy in Atlantic American Narratives of Piracy: 1678-1865, examines literary and visual representations of piracy beginning with A.O. Exquemelin’s 1678 Buccaneers of America and ending at the onset of the US-American Civil War. Examining both canonical and understudied texts—from Puritan sermons, James Fenimore Cooper’s The Red Rover, and Herman Melville’s “Benito Cereno” to the popular cross-dressing female pirate novelette Fanny Campbell, and satirical decorated Union envelopes, this book argues that piracy acted as a trope to negotiate ideas of legitimacy in the contexts of U.S. colonialism, nationalism, and expansionism. The readings demonstrate how pirates were invoked in transatlantic literary production at times when dominant conceptions of legitimacy, built upon categorizations of race, class, and gender, had come into crisis. As popular and mobile maritime outlaw figures, it is suggested, pirates asked questions about might and right at critical moments of Atlantic history.

Piracy, Pillage, and Plunder in Antiquity explores appropriation in its broadest terns in the ancient world, from brigands, mercenaries and state-sponsored "piracy", to literary appropriation and the modern plundering of antiquities. The chronological extent of the studies in this volume, written by an international group of experts, ranges from about 2000 BCE to the 20th century. The geographical spectrum in similarly diverse, encompassing Africa, the Mediterranean, and Mesopotamia, allowing readers to track this phenomenon in various different manifestations. Predatory behaviour is a phenomenon seen in all walks of life. While violence may often be concomitant it is worth observing that predation can be extremely nuanced in its application, and it is precisely this gradation and its focus that occupies the essential issue in this volume. Piracy, Pillage, and Plunder in Antiquity will be of great interest to those studying a range of topics in antiquity, including literature and art, cities and their foundations, crime, warfare, and geography.

Authority, Piracy, and Captivity in Colonial Spanish American Writing examines the intricate bond between poetry and history writing that shaped the theory and practice of empire in early colonial Spanish-American society. The book explores from diverse perspectives how epic and heroic poetry served to construe a new Spanish-American elite of original explorers and conquistadors in Juan de Castellanos’s Elegies of Illustrious Men of the Indies. Similarly, this book offers an interpretation of Castellanos’s writings that shows his critical engagement with the reformist project postulated in Alonso de Ercilla’s LaAraucana, and it elucidates the complex poetic discourse Castellanos created to defend the interests of the early generation of explorers and conquistadors in the aftermath of the promulgation of the New Laws and the mounting criticism of the institution of the encomienda. Within the larger context of a new poetics of imperialistic expansion, this book shows how the Elegies offers one of the earliest examples of the reconfiguration of some of the main tenets of Petrarchism/Garcilacism, as well as the bold transmutation of dominant poetic discourses that had until then been typically associated with the nobility. Focusing on the practice of poetic imitation (imitatio) and the themes of authority, piracy, and captivity, this book shows the transformation undergone by heroic poetry owing to Europe’s encounter with America and illustrates the contribution of learned heroic verse to the emergence of a Spanish-American literary tradition.

The first volume devoted to literary pirates in the nineteenth century, this collection examines changes in the representation of the pirate from the beginning of the nineteenth century through the late Victorian period. Gone were the dangerous ruffians of the eighteenth-century novel and in their place emerged a set of brooding and lovable rogues, as exemplified by Byron's Corsair. As the contributors engage with acts of piracy by men and women in the literary marketplace as well as on the high seas, they show that both forms were foundational in the promotion and execution of Britain's imperial ambitions. Linking the pirate's development as a literary figure with the history of piracy and the making of the modern state tells us much about race, class, and evolving gender relationships. While individual chapters examine key texts like Treasure Island, Dickens's 1857 'mutiny' story in Household Words, and Peter Pan, the collection as a whole interrogates the growth of pirate myths and folklore throughout the nineteenth century and the depiction of their nautical heirs in contemporary literature and culture.

Worldmaking takes many forms in early modern literature and thus challenges any single interpretive approach. The essays in this collection investigate the material stuff of the world in Spenser, Cary, and Marlowe; the sociable bonds of authorship, sexuality, and sovereignty in Shakespeare and others; and the universal status of spirit, gender, and empire in the worlds of Vaughan, Donne, and the dastan (tale) of Chouboli, a Rajasthani princess. Together, these essays make the case that to address what it takes to make a world in the early modern period requires the kinds of thinking exemplified by theory.

1650-1850 combines fresh considerations of prominent authors and artists with searches for overlooked or offbeat elements of the Enlightenment legacy. Volume 27 expands around a landmark special feature on worlds and worldmaking--on the imagining of new, exotic, unexplored, ideal, and utopian worlds ranging from south sea islands to polar utopias to zones of intercultural encounter to the conjectural territories of interpretive cartography. Enlivening the volume is a cavalcade of full-length book reviews.