This book examines the depiction of the Delta region of Nigeria through literature and other cultural art forms. The Niger Delta has been thrust into the global limelight due to resource extraction and conflict, but it is also a region with a rich culture, environment, and heritage. The creative imagination of the area’s artists has been fuelled by the area’s pressing concerns of indigenous peoples, minority discourse, environmental degradation, climate change, multinational corporations' greed, dictatorship, and people’s struggle for control of their resources. Taking a holistic approach to the Niger Delta experience, this book showcases artistic responses from literature, visual arts, and performances (such as masquerades, dances, and festivals). Chapters cover authors, artists, and performers such as Ben Okri, Ken Saro-Wiwa, Isidore Okpewho, J.P. Clark, and Bruce Onobrakpeya, as well as topics like the famous Benin bronze figures and Urhobo Udje dance. Affirming the wealth and diversity of the region which continues to inspire creative artistic productions, The Literature and Arts of the Niger Delta will be of interest to researchers of African literature, arts, and other cultural productions.

In 1975, the Nigerian authorities decided to construct a new postcolonial capital called Abuja, and together with several internationally renowned architects these military leaders collaborated to build a city for three million inhabitants. Founded five years after the Civil War with Biafra, which caused around 1.7 million deaths, the city was envisaged as a place where justice would reign and where people from different social, religious, ethnic, and political backgrounds would come together in a peaceful manner and work together to develop their country and its economy. These were all laudable goals, but they ironically mobilized certain forces from around the country in opposition against the Federal Government of Nigeria. The international and modernist style architecture and the fact that the government spent tens of billions of dollars constructing this idealized capital ended up causing more strife and conflict. For groups like Boko Haram, a Nigerian Al-Qaida affiliate organization, and other smaller ethnic groups seeking to have a say in how the country’s oil wealth is spent, Abuja symbolized everything in Nigeria they sought to change. By examining the creation of the modernist national public spaces of Abuja within a broader historical and global context, this book looks at how the successes and the failures of these spaces have affected the citizens of the country and have, in fact, radicalized individuals with these spaces being scene of some of the most important political events and terrorist targets, including bombings and protest rallies. Although focusing on Nigeria’s capital, the study has a wider global implication in that it draws attention to how postcolonial countries that were formed at the turn of the twentieth century are continuously fragmenting and remade by the emergence of new nation states like South Sudan.

A lyrical extravaganza, evocative of personal experiences and unique insights, CAPITALS embodies a medley of harmonious notes struck across the globe, resulting in the confluence of poignant imagery and soulful verse. A remarkable anthology to acquaint you intimately with the Capital cities of the world, it describes in exquisite detail their undulating terrains and pulsating lifelines and their cities beckon even the most seasoned traveller with promises of discovery. Embark on a journey like never before, as Kwame Dawes in his poem Green Boy takes you to a night in Accra when the crescendo of drums finally overcomes the gunshots, or accompany Mark Mcwatt as he drifts down memory lane in the suburbs of Georgetown, and feel the raw emotion as Salah Al Hamdani laments of what has become of Baghdad. From Abuja to Zagreb, Seoul to Sucre, Ottawa to Wellington and Reykjavik to Cape Town, leave behind the trepidations of the unknown and the comforts of home, discard the frivolities of journeying to the physical facade of a beloved city-and set out to experience the world anew, for what this book offers you is a journey for the soul.

Nature, Environment, and Activism in Nigerian Literature is a critical study of environmental writing, covering a range of genres and generations of writers in Nigeria. With a sustained concentration on the Nigerian experience in postcolonial ecocriticism, the book pays attention to textual strategies as well as distinctive historicity at the heart of the ecological force in contemporary writing. Focusing on nature, the environment, and activism, the author decentres African ecocriticism, affirming the eco-social vision that differentiates environmental writing in Nigeria from those of other nations on the continent. The book demonstrates how Nigerian writers, beyond connecting themselves to the natures of their communities, respond to ecological problems through indigenous literary instrumentalism. Anchored on the analytical concepts of nature, environment, and activism, the study is definitive in foregrounding the contribution of Nigerian writing to studies in ecocriticism at continental and global levels. This book will be of interest to scholars of African and Postcolonial literature, ecocriticism, and the environmental humanities.

The first edition of Architecture, Power, and National Identity, published in 1992, has become a classic, winning the prestigious Spiro Kostof award for the best book in architecture and urbanism. Lawrence Vale fully has fully updated the book, which focuses on the relationship between the design of national capitals across the world and the formation of national identity in modernity. Tied to this, it explains the role that architecture and planning play in the forceful assertion of state power. The book is truly international in scope, looking at capital cities in the United States, India, Brazil, Sri Lanka, Kuwait, Bangladesh, and Papua New Guinea.

"Refreshing..." -- African Sudies Review "The entries are knowledgeable, thorough, and clearly written.... Highly recommended... " --Choice "...an ambitious reference guide to works on African literature." - African Studies Review "This comprehensive compendium will be a handy companion for anyone working on African literatures. The entries are authoritative and up-to-date, providing reliable information on the hundreds of authors and texts that have contributed to a whole continent's literary flowering." --Bernth Lindfors A comprehensive introduction and guide to African-authored works, with over 1,000 cross-referenced entries covering classics in African writing, literary genres and movements, biographical details of authors, and wider themes linking African, Afro-Caribbean and Afro-American literatures.

The Nigerian Civil War left behind unsung heroeswomen and children. Some of them had befriended soldiers to ensure the survival of their families. These children and others born out of wedlock constitute a community of people who have identity crises rocking their lives. Also, veterans of the war, abandoned by the authorities, were left as ordinary individuals to contend with the wars destructive impact. This is the focus of the title story, Other Peoples Children. Homeless captures the helplessness of isolated communities that are ill-prepared to battle the insurgency in northern Nigeria. Habibas Triumph tells of the phenomenon of forced marriages, even in literate families. Literacy, however, offers a victim the freedom of choice, which people of previous generations did not enjoy. Broken Lives exposes the pain of broken relationships on college campuses. While a young man walks away unscathed to enter another relationship, a young woman is left to nurse the wounds for a lifetime. The Peoples Court is a reflection of peoples rush to Nigerias capital city, Abuja, in search of greener pastures. Some leave home only to compete with rodents in settlements that are constantly demolished without adequate notice or compensation by the authorities so as to ensure conformity to the citys master plan.

The turn of the twenty-first century has witnessed an expansion of critical approaches to African literature. The Routledge Handbook of African Literature is a one-stop publication bringing together studies of African literary texts that embody an array of newer approaches applied to a wide range of works. This includes frameworks derived from food studies, utopian studies, network theory, eco-criticism, and examinations of the human/animal interface alongside more familiar discussions of postcolonial politics. Every chapter is an original research essay written by a broad spectrum of scholars with expertise in the subject, providing an application of the most recent insights into analysis of particular topics or application of particular critical frameworks to one or more African literary works. The handbook will be a valuable interdisciplinary resource for scholars and students of African literature, African culture, postcolonial literature and literary analysis. Chapter 4 of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.

The Reading and Preaching of the Scriptures in the Worship of the Christian Church is a multivolume study by Hughes Oliphant Old that canvasses the history of preaching from the words of Moses at Mount Sinai through modern times. In Volume 1, The Biblical Period, Old begins his survey by discussing the roots of the Christian ministry of the Word in the worship of Israel. He then examines the preaching of Christ and the Apostles. Finally, Old looks at the development and practice of Christian preaching in the second and third centuries, concluding with the ministry of Origen.