Winner of The Hillman Prize for Book Journalism - 2019 When the people of Flint, Michigan, turned on their faucets in April 2014, the water pouring out was poisoned with lead and other toxins. Through a series of disastrous decisions, the state government had switched the city’s water supply to a source that corroded Flint’s aging lead pipes. Complaints about the foul-smelling water were dismissed: the residents of Flint, mostly poor and African American, were not seen as credible, even in matters of their own lives. It took eighteen months of activism by city residents and a band of dogged outsiders to force the state to admit that the water was poisonous. By that time, twelve people had died and Flint’s children had suffered irreparable harm. The long battle for accountability and a humane response to this man-made disaster has only just begun. In the first full account of this American tragedy, Anna Clark's The Poisoned City recounts the gripping story of Flint’s poisoned water through the people who caused it, suffered from it, and exposed it. It is a chronicle of one town, but could also be about any American city, all made precarious by the neglect of infrastructure and the erosion of democratic decision making. Places like Flint are set up to fail—and for the people who live and work in them, the consequences can be fatal.

As the ongoing Flint water crisis marks its tenth anniversary, Chariton reveals shocking new evidence of the major government cover-up that resulted in the poisoning of Flint—and shatters what you think you know about what caused the water crisis. From crooked Wall Street financial schemes to political payoffs, destruction of evidence, witness tampering, falsified water data, threatened whistle blowers, and panicked phone calls, We the Poisoned: Exposing the Flint Water Crisis Cover Up and the Poisoning of 100,000 Americans reveals, for the first time, the real story behind how the government poisoned a major American city—and how they are still getting away with it. As the cover-up continues a decade later, innocent residents have been arrested, surveilled, threatened, and gaslit to feel like they are crazy. With more and more sick residents slowly dying every year, Flint’s lead levels again on the rise, and cancer rates surging across the city, it is time for the true, sinister story of the Flint water cover-up to be told. Based on eight years of reporting, thousands of confidential documents from the criminal investigation, and the former governor of Michigan’s own words under oath, Jordan Chariton takes readers on the road to crisis before the Flint River switch—when government officials blew through all stop signs and orchestrated a financial scheme that allowed a nearly bankrupt Flint to borrow $100 million for a controversial new water system. As brown, smelly water flowed through Flint homes and residents grew sick, politicians intentionally and knowingly allowed Americans to drink poison as they prioritized their own political ambitions and survival. Just when you think the levels of callousness and disregard for the people can’t drop any lower, Chariton digs even deeper to expose one of the biggest government cover-ups of the twenty-first century. We the Poisoned is a cautionary tale about “run-government-like-a-business” leaders who champion privatization and economic development at the expense of the environment, public health, and vulnerable citizens. Perhaps even more important, with water and environmental contamination surging across the US, Chariton’s revelations provide a road map for how to fight back and prevent similar tragedies from happening to other communities.

Based on original reporting by a Pulitzer Prize finalist and an industry veteran, the first book for young adults about the Flint water crisis In 2014, Flint, Michigan, was a cash-strapped city that had been built up, then abandoned by General Motors. As part of a plan to save money, government officials decided that Flint would temporarily switch its water supply from Lake Huron to the Flint River. Within months, many residents broke out in rashes. Then it got worse: children stopped growing. Some people were hospitalized with mysterious illnesses; others died. Citizens of Flint protested that the water was dangerous. Despite what seemed so apparent from the murky, foul-smelling liquid pouring from the city's faucets, officials refused to listen. They treated the people of Flint as the problem, not the water, which was actually poisoning thousands. Through interviews with residents and intensive research into legal records and news accounts, journalist Candy J. Cooper, assisted by writer-editor Marc Aronson, reveals the true story of Flint. Poisoned Water shows not just how the crisis unfolded in 2014, but also the history of racism and segregation that led up to it, the beliefs and attitudes that fueled it, and how the people of Flint fought-and are still fighting-for clean water and healthy lives.

Ex-spy ‘Belle Boyd’ is retired – more or less. Retired from spying on the Confederacy anyway. Her short-lived marriage to a Union navy boy cast suspicion on those Southern loyalties, so her mid-forties found her unemployed, widowed and disgraced. Until her life-changing job offer from the staunchly Union Pinkerton Detective Agency. When she’s required to assist Abraham Lincoln himself, she has to put any old loyalties firmly aside – for a man she spied against twenty years ago. Lincoln’s friend Gideon Bardsley, colleague and ex-slave, is targeted for assassination after the young inventor made a breakthrough. Fiddlehead, Bardsley’s calculating engine, has proved the world is facing an extraordinary threat. Meaning it's not the time for civil war. Now Bardsley and Fiddlehead are in great danger as forces conspire to keep this potentially unifying secret, the war moving and the money flowing. With spies from both camps gunning for her, can even the notorious Belle Boyd hold the war-hawks at bay? Cherie Priest has been hailed as 'the High Priestess of Steampunk' - and you can see why in this latest wonderfully written adventure.

In this account, a journalist traces the course of the infectious disease known as yellow fever, “vividly [evoking] the Faulkner-meets-Dawn of the Dead horrors” (The New York Times Book Review) of this killer virus. Over the course of history, yellow fever has paralyzed governments, halted commerce, quarantined cities, moved the U.S. capital, and altered the outcome of wars. During a single summer in Memphis alone, it cost more lives than the Chicago fire, the San Francisco earthquake, and the Johnstown flood combined. In 1900, the U.S. sent three doctors to Cuba to discover how yellow fever was spread. There, they launched one of history's most controversial human studies. Compelling and terrifying, The American Plague depicts the story of yellow fever and its reign in this country—and in Africa, where even today it strikes thousands every year. With “arresting tales of heroism,” (Publishers Weekly) it is a story as much about the nature of human beings as it is about the nature of disease.

As our ideas of the human have come under increasing challenges – from technological change, from medical advances, from the existential threat of climate crisis, from an ideological decentering of the human, amongst many other things – the 'posthuman' has become an increasingly central topic in the Humanities. Bringing together leading scholars from across the world and a wide range of disciplines, this is the most comprehensive available survey of cutting edge contemporary scholarship on posthumanism in literature, culture and theory. The Bloomsbury Handbook of Posthumanism explores: - Central critical concepts and approaches, including transhumanism, new materialism and the Anthropocene - Ethical perspectives on ecology, race, gender and disability - Technology, from data and artificial intelligence to medicine and genetics - A wide range of genres and forms, from literary and science fiction, through film, television and music, to comics, video games and social media.

KIDS' BOOK CHOICE AWARDS finalist! Kids will get an expert understanding of the science behind climate crisis, plus engage with lots of do-able self-guided activities, journaling prompts, and useful resources. Readers will also hear about other kids around the world who have made a difference that just may inspire them to practice eco-justice and combat global climate injustice themselves, by putting their own eco-values into action. All the Feelings Under the Sun is bound to help kids find just want they need to manage stress, anxiety, and all those big emotions about climate, the environment, and ecosystems, and become better equipped to take an eco-wise approach to life and make their own part of the world a little healthier and happier, too. All the Feelings Under the Sun: How to Deal with Climate Change is a timely, thoughtful book that will help kids work through your feelings of anxiety and stress relating to climate change. They'll discover all the ways that nature is beautiful, powerful, delicate, fierce, mysterious, and awesome, but also learn how rising temperatures are affecting everything—plants, animals, people, and the environment—and what they can do about it.

This book explores the representation of real-life serial murders as adapted for the screen and popular culture. Bringing together a selection of essays from international scholars, Serial Killing on Screen: Adaptation, True Crime and Popular Culture examines the ways in which the screen has become a crucial site through which the most troubling of real-life crimes are represented, (re)constructed and made accessible to the public. Situated at the nexus of film and screen studies, theatre studies, cultural studies, criminology and sociology, this interdisciplinary collection raises questions about, and implications for, thinking about the adaptation and representation of true crime in popular culture, and the ideologies at stake in such narratives. It discusses the ways in which the adaptation of real-life serial murder intersects with other markers of cultural identity (gender, race, class, disability), as well as aspects of criminology (offenders, victims, policing, and profiling) and psychology (psychopathy, sociopathy, and paraphilia). This collection is unique in its combined focus on the adaptation of crimes committed by real-life criminal figures who have gained international notoriety for their plural offences, including, for example, Ted Bundy, Ian Brady and Myra Hindley, Aileen Wuornos, Jack the Ripper, and the Zodiac, and for situating the tales of these crimes and their victims’ stories within the field of adaptation studies.

The story of water in the United States is one of ecosystemic disruption and social injustice. From the Standing Rock Indian Reservation and Flint, Michigan, to the Appalachian coal and gas fields and the Gulf Coast, low-income communities, Indigenous communities, and communities of color face the disproportionate effects of floods, droughts, sea level rise, and water contamination. In Hydronarratives Matthew S. Henry examines cultural representations that imagine a just transition, a concept rooted in the U.S. labor and environmental justice movements to describe an alternative economic paradigm predicated on sustainability, economic and social equity, and climate resilience. Focused on regions of water insecurity, from central Arizona to central Appalachia, Henry explores how writers, artists, and activists have creatively responded to intensifying water crises in the United States and argues that narrative and storytelling are critical to environmental and social justice advocacy. By drawing on a wide and comprehensive range of narrative texts, historical documentation, policy papers, and literary and cultural scholarship, Henry presents a timely project that examines the social movement, just transition, and the logic of the Green New Deal, in addition to contemporary visions of environmental justice.

This book examines the myth of the journey from the village to the city and shows how this myth and the changes it has undergone provide rich insight on India's ambivalent affair with the modern city. The first section looks at the vicissitudes of the metaphor of journey, especially the imagination of the hero as it intersects with the imagined city. The next two sections profile various heroes as they negotiate the transitions from the village to the city and back to the village. The final section focuses on the psychopathological journey from a poisoned village into a self-annihilating city, and the narrative draws parallels with the violence in 1946-8, the period which saw the birth of modern India and Pakistan.