The Politics of Love explores the entanglement of emotions, social movements, and science in reconfiguring human and nonhuman relations. As Darwin's evolutionary theory informed the development of sexual science and the sex reform movement between the 1890s and the 1920s, sex reformers emerged as a group of diverse and culturally influential professionals—doctors, psychologists, artists, political activists, novelists, and academics—who shared a profound commitment to changing the world by changing the practice of sex. Sex reformers reinvented love as a scientific practice of sex that brought humans and nonhumans into the fold of early-twentieth-century racial, gender, and sexual politics. Carla Christina Hustak illuminates how sex reformers' insistence that love can shift human and nonhuman relations is more than just a historical narrative—it is a moment in time interconnected with urgent contemporary concerns over the global implications of our emotional relationships to other humans, animals, the earth, and atmospheric and technological forces.

What would love be if heterosexual couples were no longer assigned gender and sexual norms? Maxime Foerster examines the Òheterosexual troubleÓ between men and women in nineteenth-century French Romantic and Decadent literature. Key works by authors ranging from George Sand to Charles Baudelaire persistently demonstrate that heterosexuality did not work: these authors, and many others, investigated the struggle that men and women alike waged against patriarchal norms. Whereas Romantic fiction dedicated itself to the reinvention of love, Decadence promoted sexual and gender deviance. In expertly evaluating the discord afflicting fictional heterosexual couples, male and female dandies, and doctors and their female patients, Foerster shows the crucial role that literature played in the fashioning of alternative identities. A concluding look at ProustÕs Ë la recherche du temps perdu traces the legacy of heterosexual trouble in the twentieth century.

Dramatic miniseries are the primary arena for the expression of postcolonial Syrian culture and artistic talent, an arena that unites diverse aspects of artisanship in a struggle over visions of the past, present, and future of the nation. As the tour de force of the television medium, blossoming amidst persisting authoritarianism, these miniseries serve as a crucial and complex artistic avenue through which political and social opposition manifests. Scholars have tried to come to terms with a highly critical culture produced within attempted state co-optation, and argue that politically critical culture operates as a “safety valve” to release frustrations so that dissenters are less likely to mobilize against the government. Through research fueled by a viewing of over two hundred and fifty miniseries ranging from the 1960s to the present—as well as an examination of hundreds of press reports, Facebook pages, and extensive interviews with drama creators—this book turns away from the dominant paradigm that focuses on regime intent. When turning attention instead to the drama creators themselves we witness the polyphony of voices employing love and marriage metaphors and gender (de)constructions to explore larger issues of nationalism, self-identity, and political critique. At the heart of constructions of femininity are the complications that arise with the symbiosis of pure femininity with authentic national identity. Deconstructing masculinity as political critique has been less complicated since it is not implicated in Western identity issues; on the contrary, illustrations of subservient masculinity serve to subtly denounce government corruption and oppression. Miniseries from the 1960s demonstrate that the focus of the qabaday (tough man) on female sexuality comes from his own political alienation vis-à-vis the state, and is part of a vicious cycle of state violence vis-à-vis the citizen. In recent years, and in particular after the uprising, we can see the emerging definition of the true qabaday as one who does not suppress a woman’s sexuality, thereby allowing for full equality in relationships as the basis of a truly free society.

Governor Sandra Murphy is rethinking the sanity of allowing her mother to talk her into considering becoming the democratic party’s choice for the presidential nominee. Sandra has enough to contend with after surviving a bomb attack, thanks to the brave border control agent working alongside the clever undercover FBI agent. Now she has to worry about a pesky reporter who seems to be everywhere scoping stories Sandra would prefer Wynter Holmes steer far away from. Wynter admires the charismatic governor. After all, she voted for the woman. But that doesn’t give Governor Murphy a free pass. A breaking story is what Wynter lives for, and she isn’t about to stop digging just because the engaging governor is attractive, single, and an out lesbian. Reporting for the famously biased, right-wing media conglomerate is not exactly making Wynter a friend of the enigmatic leader. Will repeated attempts on Governor Murphy’s life where Wynter might be collateral damage bring them closer together or tear them apart from what might be a perfect match?

This edited volume offers a contemporary rethinking of the relationship between love and care in the context of neoliberal practices of professionalization and work. Each of the book's three sections interrogates a particular site of care, where the affective, political, legal, and economic dimensions of care intersect in challenging ways. These sites are located within a variety of institutionally managed contexts such as the contemporary university, the theatre hall, the prison complex, the family home, the urban landscape, and the care industry. The geographical spread of the case studies stretches across India, Vietnam, Sweden, Brazil, South Africa, the UK and the US and provides broad coverage that crosses the divide between the Global North and the Global South. To address this transnational interdisciplinary field of study, the collection utilises insights from across the humanities and social sciences and includes contributions from literature, sociology, cultural and media studies, philosophy, feminist theory, theatre, art history, and education. These inquiries build on a variety of conceptual tools and research methods, from data analysis to psychoanalytic reading. Love and the Politics of Care delivers an attentive and widely relevant examination of the politics of care and makes a compelling case for an urgent reconsideration of the methods that currently structure and regulate it.

Love and the Politics of Intimacy articulates the concept of love within the relationship between the intimate and the social, rethinking how intimacy is conceived and experienced in the context of 21st-century neoliberalism. Reflecting on experiences of intimate, romantic and sexual love, and the role of individual identity, these essays explore historical trajectories that have culminated in particular, contemporary experiences of intimate love. Politically, this work links identity and articulation of the self to liberatory practices in the arenas of friendship, romance and sex. This interdisciplinary exploration of what love means in the 21st century incorporates academic writing and original creative work from established and emerging scholars around the globe. Essays from across the humanities and social sciences – including literary studies, sociology, psychology, philosophy and gender studies – interrogate the role of relational intimacy on topics of 'Love and Romance', 'Love and Liberation' and 'Love and Technologies of Intimacy'. The volume looks at the past, present and future in search of inspiration for transforming and re-charting the pathways of love, seeking a more diverse and emancipatory model of social life and what it would take to restore love to social and institutional spaces.

With the publication of his ambitious new work Victorian Poets and the Politics of Culture, Antony H. Harrison continues his exploration of poetry as a significant force in the construction of English culture from 1837-1900. In chapters focusing on Victorian medievalist discourse, Alfred Tennyson, Elizabeth Barrett Browning, Matthew Arnold, and Christina Rossetti, Harrison examines a range of Victorian poems in order to show the cultural work they accomplish. He illuminates, for example, such culturally prominent Victorian mythologies as the exaltation of motherhood, the Romanic appropriation of transcendent art, and the idealization of the gypsy as a culturally alien, exotic Other. His investigation of the ways in which the authors intervene in the discourses that articulate such mythologies and thereby accrue cultural power--along with his analysis of what constitutes "cultural power"--are original contributions to the field of Victorian studies. "The power of Victorian poetry by midcentury was enhanced by the institutionalization of particular channels through which it circulated," Harrison writes. "poetry was 'consumed' in more varied forms than was other literature." Victorian Poets and the Politics of Culture has implications for both cultural studies and the study of literature outside the Victorian period.

This book provides an in-depth exploration and analysis of marriages between Japanese nationals and migrants from three broad ethnic/cultural groups - spouses from the former Soviet Union countries, the Philippines, and Western countries. It reveals how the marriage migrants navigate the intricacies and trajectories of their marriages with Japanese people while living in Japan. Seen from the lens of ‘gendered geographies of power’, the book explores how state-level politics and policies towards marriage, migration, and gender affect the personal power politics in operation within the relationships of these international couples. Overall, the book discusses how ethnic identity intersects with gender in the negotiation of spaces and power relations between and amongst couples; and the role states and structural inequalities play in these processes, resulting in a reconfiguration of our notions of what international marriages are and how powerful gender and the state are in understanding the power relations in these unions.

Jacques Derrida was one of most influential philosophers of the 20th century. In The Politics of Friendship he explores the idea of friendship and its political consequences, past and future in order to explore invention of a radically new friendship, of a deeper and more inclusive democracy.

A bold exploration of the relationship between emotions and politics, through case studies on international terrorism, asylum, migration, reconciliation and reparation. Develops a theory of how emotions work and their effects on our daily lives.