Just as a potter uses a "rib" to exert pressure and give shape to clay vessels spinning on a wheel, so God has used the practice of mentoring to shape leaders from the times of ancient Israel to the modern church. This book provides a theological and historical foundation for the practice, inviting the modern supervisor and seminarian to step into the church's rich heritage of mentors and mentees by offering selected vignettes of these relationships in the lives of such influential leaders as Gregory the Great, St. Augustine, John Newton and Dietrich Bonhoeffer. By tracing out the spiritual formation of some of the most influential leaders in church history, Brian Williams shows how certain patterns of mentoring relationships have been pivotal for the people of God in ages past. He then combines the wisdom of the classical discipline of spiritual direction with the tradespractice of apprenticeship to offer us a practical model for mentoring today. The book concludes with a number of tools, forms, and practical suggestions to help shape and guide this demanding but rewarding practice. The Potter's Rib will challenge experienced pastors and seminary students alike to take seriously the role of mentoring in becoming the pastors they are called to be. Brian A. Williams, a graduate of Regent College, is involved in local ministry in Vancouver, British Columbia.

"A book of advances wheel techniques and inspiration for potters who have basic skills but would like to learn more about throwing large forms, lids, handles, darting, and more"--

Pottery making and wheel throwing is a timeless craft, perfect for beginner crafters and artisans who don't mind getting their hands dirty. The Potter's Complete Studio Handbook is the perfect guide for all levels to enjoy and master the art of pottery. The book is a compilation of the best features from The Potter's Studio Handbook and The Potter's Studio Clay and Glaze Handbook, bringing the best of hand-building and wheel-throwing techniques together with comprehensive instruction for clays and glazes. Inside, you'll find: —expert tips and tricks for selecting and preparing your clay, constructing slab projects, throwing and centering clay on the wheel, firing your project to perfection —16 beautiful and functional projects with step-by-step photos using wheel-throwing, hand-building, and slipcasting techniques that can be done at home —more than 40 formulas for unique clays and glazes with instructions on how to use them plus troubleshooting tips from the experts —behind-the-scenes access to production and mining facilities . . . and much more!

V.5: CD-ROM contains additional information related to the book The Neolithic pottery from Lerna, as well as software, for which rights have been cleared.

A new pottery tradition has been developing along the border of northern Indiana and southern Michigan. Despite the fact that this region is not yet an established destination for pottery collectors, Michiana potters are committed to pursuing their craft thanks to the presence of a community of like-minded artists. The Michiana Potters, an ethnographic exploration of the lives and art of these potters, examines the communal traditions and aesthetics that have developed in this region. Author Meredith A. E. McGriff identifies several shared methods and styles, such as a preference for wood-fired wares, glossy glaze surfaces, cooler colors, the dripping or layering of glazes on ceramics that are not wood-fired, the handcrafting of useful wares as opposed to sculptural work, and a tendency to borrow forms and decorative effects from other regional artists. In addition to demonstrating a methodology that can be applied to studies of other emergent regional traditions, McGriff concludes that these styles and methods form a communal bond that inextricably links the processes of creating and sharing pottery in Michiana.

This comprehensive guide covers the materials, tools, methods, and techniques for making original ceramic pieces in a wide range of forms. From hand sculpting to pinching, wheel throwing to slip casting, here you’ll ?nd easy-to-follow instructions accompanied by beautiful photographs to make the world of ceramics clear and exciting. Readers will also learn about glazes, ?ring techniques, decorating tips, and much more.

In Wachovia, the various trash pits or middens associated with early Moravian inhabitants, as well as the potters' waster dumps, both in Bethabara and Salem, have provided us with significant insights into an incredibly complex eighteenth-and early nineteenth-century earthenware production. Although local antiquarians and collectors have been aware for many years that pottery constituted one of the largest early industries carried on by the Moravians in North Carolina, it was for the most part only the well-kept archival records that testified to this fact. Fine examples of slip-decorated pottery, as wekk as some utilitarian forms, existed in local collections and in the Wachovia Museum in Old Salem, but it was not until the excavations at Bethabara were begun that anyone became aware of the real significance of the tradition in which local potters were working. -- pg. 4.

This anthology is a collection of works from the Europa Postmediaevalis conference held in Prague in the spring of 2018. As the name of the conference suggests, the subject of interest is the Early Modern period (15th to 18th century) and the manner in which this relatively young discipline in the field of archaeology is approached in Europe.

The day Jason Lawson’s stress reached a tipping point, he found himself shaking so badly he couldn’t even pour orange juice into a blender for his family’s breakfast. He felt like his world was falling around him, and he was afraid of losing his family, his job, and his mind. But that was the day Jason met the Potter. Not the cartoon God on nursery walls, or the religious God preached about in many churches. That day, Jason began a journey with the Potter to learn Who He really is and why He created man, and this journey is compiled in his new devotional The Potter’s Hands: A 366-Day Journey to Knowing God. The Potter’s Hands tackles questions such as: If the Potter is so good, then why did He create me to hurt and struggle? Why am I so cracked and flawed? Why does He fill me with so much pain? …and many more. The answer Jason found was simple—He is the Potter and we are the clay. He formed us for His glory, not our comfort. He decides our size and shape, He chooses what to pour into us, and He is the One Who determines where He places us. Our role in this is to trust Him as the Potter, the Savior, the Counselor, the Servant, the Commander, the Spirit, the Creator, the Father, the Rabbi, the Redeemer, the Healer, and the Shepherd. The heartbeat of The Potter’s Hands is to remind readers that the clay can do nothing apart from the Potter’s hands, but in the Potter’s hands, He can create a masterpiece for His glory. What more could we ask for? Come along for one year and walk with Him. Let the Potter reveal to you Who He really is.