Originally published in 1906 as part of the Artistic Crafts Series of Technical Handbooks. Contains many period photographs and illustrations.Contents Include: Embroidery Tools, Appliances and Materials Pattern Designing Stitches Canvas work and Stitches Methods of Work Embroidery with Gold and Silver Threads Lettering, Heraldry and Emblems The Garniture of Work Practical Directions Tapestry Weaving Necessary appliances and Materials Preparations for Work The Technique of Weaving Notes on the Collotype Plates The Collotype Plates Keywords: Embroidery Tools Technical Handbooks Stitches Tapestry Weaving Canvas Work Artistic Crafts Appliances Period Photographs Silver Threads Gold And Silver Heraldry Emblems Lettering Illustrations

This is the only work in one volume that covers the chinaware of all countries. It is a complete compendium for the collector and all in search of information, fully setting forth the essential facts, systematically arranged for easy and ready consultation, and with many cross references and comparisons. -- Foreword.

This exquisite volume beautifully reproduces and insightfully examines the most important illuminations found in French history manuscripts.

The theme of Echoes of Two Cultures is the transmission of two cultures through legend, how the ideals and moralities of ancient Greece and Rome have inspired and informed successive civilizations to the present day. The legends of Cyrus the Great, from the early Greek world, and Lucretia, of early Rome, recount stories of transgression of rights; the first against a people, the second against an individual. The Greeks of the time of Cyrus, in the 5th century BC, believed that history taught them about an inexorable and divinely ordained law of ethics meant to punish the overweening transgressor. The citizens of Lucretia's Rome were motivated by a solemn respect for the sanctity of women and of the home. In both legends, it is an individual woman's courage and determination that brings the offender to his rightful doom, although, in the process of this retribution, both women suffer great loss. Young shows how the telling of these great legends, which have gathered strength and beauty from each retelling, echo down through the centuries and throughout the Western World, influencing and enlightening societies and individuals.

Tapestry making flourished in the major centers of western Europe from the fourteenth through the nineteenth centuries. Thousands of tapestries were woven as special commissions for church, crown, and nobility. This publication is a comprehensive catalogue of the Museum's collection of tapestries and allied works made after the Middle Ages.-- Metropolitan Museum of Art website.

Just when the art of weaving originated is an uncertainty, but there seems to be a consensus of opinion among archæologists in general that it was in existence earlier than the 24th century before Christ. The first people which we have been able with certainty to associate with this art were the ancient Egyptians. Monuments of ancient Egypt and of Mesopotamia bear witness that the products of the hand loom date a considerable time prior to 2400 B.C., and on the tombs of Beni-Hassan are depicted women weaving rugs on looms very much like those of the Orient at the present time. From ancient literature we learn that the palaces of the Pharaohs were ornamented with rugs; that the tomb of Cyrus, founder of the ancient Persian monarchy, was covered with a Babylonian carpet and that Cleopatra was carried into the presence of Cæsar wrapped in a rug of the finest texture. Ovid vividly described the weaver's loom. In Homer's Iliad we find these words: "Thus as he spoke he led them in and placed on couches spread with purple carpets o'er." The woman in the Proverbs of Solomon said, "I have woven my bed with cords, I have [Pg. 18] covered it with painted tapestry from Egypt." Job said: "My days are swifter than the weaver's shuttle and are spent without hope." Other places in the Bible where reference is made to the art of weaving are, Ex. 33, 35, Sam. 17, 7, and Isa. 38, 12. Besides Biblical writers, Plautus, Scipio, Horace, Pliny and Josephus all speak of rugs. The Egyptian carpets were not made of the same material and weave as are the so-called Oriental rugs of to-day. The pile surface was not made by tying small tufts of wool upon the warp thread. The Chinese seem to have been the first to have made rugs in this way. Persia acquired the art from Babylon many centuries before Christ, since which time she has held the foremost place as a rug weaving nation.

Capturing the essence of life in great civilizations of the past, each volume in the