Alexander Korda's masterpiece "The Private Life of Henry VIII" was arguably the most important British film of the pre-war period and a phenomenal, critical and box-office success. Greg Walker's accessible and thoroughly researched book examines the film itself, its makers and its place in the cinematic and cultural history of the period. He examines Korda's subtle treatment of national and "international" identity, his representation of British history, use of modern stereotypes, and discusses the representation of gender and sexuality in the film, including that of Henry's wives and Laughton's award-winning central performance.

200 striking photographs, in-depth commentaries, plot synposes, contemporary reviews, and more — about 50 British classics from yesterday and today. Preface. Text. Alphabetical list of films. Bibliography.

A new biography revealing the personal story of the powerful, doomed minister to Henry VIII. Thomas Cromwell was King Henry VIII’s most faithful servant, the only man the king ever openly regretted executing. But Cromwell came to royal prominence late in life, and had forty-five years of family, friends, and experiences behind him before catching Henry’s eye. Born a commoner at a time of significant change in England, Cromwell grew up in a happy, close-knit family before heading to Europe for dramatic adventures. Returning a decade later, he emerged with the skills of a lawyer and merchant, with the European language skills and connections to match. Marriage, children, friends, family, and manor homes all furnished Cromwell’s life, a man happy and settled in London. But more beckoned for the Italian-Englishman when a special friendship with Cardinal Thomas Wolsey grew, along with the attention of the king. This book delves into the life beyond the historic role in Reformation England—a life marked by tragic personal loss; by friendships that endured through changes in allegiance and even religion; and of aspirations for his son Gregory. Far from the seemingly dour, black-clad, serious man, Cromwell lavished those around him with gifts, parties, extravagant games, entertainments, animals, and outfits. But the glamour and beauty of Cromwell’s life would come to a sudden end, leaving a trail of devastated men and women, and an extraordinary manor home, Austin Friars, scattered to the wind. Using a wide variety of primary material, this exciting biography weaves a new narrative on the indefatigable Thomas Cromwell, illustrating him more vividly than we’ve known him before.

This ground-breaking book takes as its focal point director Ken Loach's view that 'The only reason to make films that are a reflection on history is to talk about the present.' In the first book to take on this major genre in all its complexity, James Chapman argues that historical films say as much about the times in which they are made as about the past they purport to portray. Through in-depth case studies of fourteen key films spanning the 1930s up to the turn of the twenty first century, from The Private Life of Henry VIII and Zulu to Chariots of Fire and Elizabeth, Chapman examines the place of historical films in British cinema history and film culture. Looking closely at the issues that they present, from gender, class and ethnicity to militarism and imperialism, he also discusses controversies over historical accuracy, and the ways in which devices such as voice overs, title captions, and visual references to photographs and paintings assert a sense of historical verisimilitude. Exploring throughout the book the dialectical relationship between past and present, Chapman reveals how such films promote British achievements - but also sometimes question them - and how they project images of 'Britishness' to audiences both in the UK and internationally.

With its mix of family drama, sex and violence, Britain's Tudor dynasty (1485-1603) has long excited the interest of filmmakers and moviegoers. Since the birth of movie-making technology, the lives and times of kings Henry VII, Henry VIII, and Edward VI and queens Mary I, Jane Grey and Elizabeth I have remained popular cinematic themes. From 1895's The Execution of Mary Stuart to 2011's Anonymous, this comprehensive filmography chronicles every known movie about the Tudor era, including feature films; made-for-television films, mini-series, and series; documentaries; animated films; and shorts. From royal biographies to period pieces to modern movies with flashbacks or time travel, this work reveals how these films both convey the attitudes of Tudor times and reflect the era in which they were made.

Elizabeth I is one of England's most admired and celebrated rulers. She is also one of its most iconic: her image is familiar from paintings, film and television. This wide-ranging interdisciplinary collection of essays examines the origins and development of the image and myths that came to surround the Virgin Queen. The essays question the prevailing assumptions about the mythic Elizabeth and challenge the view that she was unambiguously celebrated in the literature and portraiture of the early modern era. They explain how the most familiar myths surrounding the queen developed from the concerns of her contemporaries and yet continue to reverberate today. Published to mark the 400th anniversary of the queen's death, this volume will appeal to all those with an interest in the historiography of Elizabeth's reign and Elizabethan, and Jacobean, poets, dramatists and artists.

Each age produces its own Henry(s). This innovative study in popular culture examines how novels, films, TV-series and historiography shape new versions of Henry VIII for the twenty-first century. From The Other Boleyn Girl to The Tudors, 2009’s quint-centenary celebrations of Henry’s coronation and Wolf Hall, (hi)stories are produced, distributed and used in very different ways. In each case, the producers’ intentions, the narrative and the targeted audiences all contribute to the discourses on Henry VIII. However, there no longer exists a universally accepted popularization of Tudor history, so certain representations can lead to intense debates, for instance in case of the TV-show The Tudors. Detailed studies of how audiences appropriate the narratives complement a thorough analysis of each text. In this manner, the monograph examines how different sense-resources are shaped into histories in various new subgenres and how the audiences, too, actively compare these histories. All of this takes place within an increasingly diverse historical culture. Simple notions of history as a top-down process are refuted as the role of the consumers and the use which they make of the individual histories is highlighted.

"The private life of Henry Maitland: A record dictated by J. H" by Morley Roberts. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.

An intimate look at James II and VII, exploring his romantic escapades, tumultuous life, and the personal struggles that shaped his controversial reign. The personal side of James II and VII has long been obscured by the propaganda storm emanating from the “Glorious Revolution” of 1688, one of the great founding myths of modern Britain. Justine Brown unveils James the man, teasing out a fresh dimension. The Private Life of James II details the romantic adventures of a true Cavalier—handsome, courageous, loyal, pleasure-seeking, lusty, determined and soulful. The Stuart “spare” briefly experienced a golden childhood before, aged nine, he was flung headlong into the English Civil Wars of 1642-1649. After escaping England in disguise, he endured the execution of his adored father, Charles I, and years of exile on the Continent. In 1660 the Duke of York returned to his native land in triumph. He rode into the capital at the right hand of his brother, Charles II. James fully embraced the role of Restoration rake, headed up the Royal Navy, fought the Fire of London with gusto, and was a great patron of theater, painting, and music. “The darling of the people” until his dramatic conversion to Roman Catholicism transformed him into England’s scapegoat, the heir to the Crown had a turbulent road ahead. Come to understand what truly drove James, and learn about his complex relationships with his children, his two remarkable wives, Anne Hyde and Mary of Modena; his many mistresses, as well as the extraordinary friends and rivals who helped shape the fate of this consequential Stuart monarch of England, Scotland and Ireland.

Oscar-winning actor, translator of Bertolt Brecht's Galileo, and director of the iconoclastic The Night of the Hunter, Charles Laughton's name alone commanded box office and theatre acclaim. This book is the first to offer an intimate examination of his 54 films produced in Britain and Hollywood from 1928 to 1962. Each has technical credits and cast lists, as well as publicity taglines, a plot synopsis, selected dialogue, Oscars won or nominated, and production commentaries. Also provided are listings of Laughton's miscellaneous shorts and feature films, abandoned film projects, amateur and professional stage appearances, select radio broadcasts, television broadcasts, and audio recordings. Appendices detail the studios, performers and cinematographers of the Laughton films.