Losing their father was the worst thing that ould happen to James and Robert Lane. Or so they thought. When their mother takes them to live in isolated Bethesda they find their problems are only just beginning. Terror has gripped the village. Two children have vanished, others will soon follow. Police patrol Bethesda's snow-bound streets, searching for the abductor. James and Robert discover that the answer lies deep in the woods that surround the village, in the old slate quarry abandoned for the winter. But something ancient and evil has seen them. And now it wants them, too. The Quarry is a fast-paced horror thriller for young adult readers. It will chill you to the bone.

Give yourself up. Whatever you've done. They'll find you. In the end. A man with no name staggers down a lonely stretch of road that cuts through the simmering veld of rural South Africa. He is exhausted and hungry yet dives for the long grass whenever cars approach. He is on the run. When a minister on his way to a new congregation offers help - at a price - the fugitive's desperation boils over. Stealing the minister's identity, he is successfully taken in by the township. But when a body is discovered in a nearby quarry, and the local police captain's suspicions grow, the hunt reignites with devastating consequences. 'One of South Africa's great literary voices' Economist 'Galgut's prose feels as if it's been fired through a crucible, burning away all the comfortable excess until only a hard, concentrated purity remains' Daily Telegraph

"A warm, moving book, a touch old-fashioned, and very American."-New Yorker. "A satisfying piece of work, well constructed and well written. As a regional novel, it gives a convincing delineation of upstate Vermont in the period between the Civil War and World War One, and it also leaves the reader with the pleasing consciousness that maintaining a standard of conduct-such things as tolerance, integrity, and loyalty-can make good fiction material."-Christian Science Monitor. "Walker has done a fine bit of documentation on what might be called the deflowering of New England."-New York Times. In this family saga, generations mine the Vermont earth and come to rest in it. Lyman Converse is too young to fight in the Civil War, but he lives to see his own son enlist in World War I. Through all the years his closest friend is Easy, an escaped black slave who took refuge in his father's house. Everything Converse values most is gradually lost to time, including the family-owned soapstone quarry. The Quarry invites readers to escape into private lives worth caring about-and to feel the national history that they could not escape. Originally published in 1947 and considered one of Mildred Walker's richest novels, The Quarry is introduced by Ripley Hugo, Walker's daughter. Hugo edited, with James Welch, The Real West Marginal Way: A Poet's Autobiography by Richard Hugo.

Was Donald Glover really what he seemed--a handsome, dedicated, and clever African-American star of the Harlem Renaissance, whose looks made him the "quarry" of a variety of women? Or could the secrets of his birth change his destiny entirely? Focusing on the culture of Harlem in the 1920s, Charles Chesnutt's final novel dramatizes the political and aesthetic life of the exciting period we now know as the Harlem Renaissance. Mixing fact and fiction, and real and imagined characters, The Quarry is peopled with so many figures of the time--including Booker T. Washington, W. E. B. DuBois, and Marcus Garvey--that it constitutes a virtual guide to this inspiring period in American history. Protagonist Glover is a light-skinned man whose adoptive black parents are determined that he become a leader of the black people. Moving from Ohio to Tennessee, from rural Kentucky to Harlem, his story depicts not only his conflicted relationship to his heritage but also the situation of a variety of black people struggling to escape prejudice and to take advantage of new opportunities. Although he was the first African-American writer of fiction to gain acceptance by America's white literary establishment, Charles W. Chesnutt (1858-1932) has been eclipsed in popularity by other writers who later rose to prominence during the Harlem Renaissance. Recently, this pathbreaking American writer has been receiving an increasing amount of attention. Two of his novels, Paul Marchand, F.M.C. (completed in 1921) and The Quarry (completed in 1928), were considered too incendiary to be published during Chesnutt's lifetime. Their publication now provides us not only the opportunity to read these two books previously missing from Chesnutt's oeuvre but also the chance to appreciate better the intellectual progress of this literary pioneer. Chesnutt was the author of many other works, including The Conjure Woman & Other Conjure Tales, The House Behind the Cedars, The Marrow Tradition, and Mandy Oxendine. Princeton University Press recently published To Be an Author: Letters of Charles W. Chesnutt, 1889-1905 (edited by Joseph R. McElrath, Jr., and Robert C. Leitz, III). Originally published in 1999. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

'A quietly incendiary piece of writing, at times heartbreaking, at other times really wonderfully funny... a profoundly humane, funny and smart novel' Independent A dying man and his only son. Six old friends. A missing videotape. And a reunion in a crumbling house on the edge of The Quarry. Praise for Iain Banks: 'The most imaginative novelist of his generation' The Times 'His verve and talent will always be recognised, and his work will always find and enthral new readers' Ken MacLeod, Guardian 'His work was mordant, surreal, and fiercely intelligent' Neil Gaiman 'An exceptional wordsmith' Scotsman

“A lyrical celebration . . . This engaging portrait of the Catskill wilderness will appeal to nature enthusiasts of all stripes.” —Library Journal (starred review) A red fox stands poised at the edge of a woodchuck den, his ears perked for danger as two pudgy fox cubs frolic nearby. A mother black bear and her cubs hibernate beneath a felled tree. A barred owl snags a hapless cottontail from a meadow with its precise talons. In The Quarry Fox and Other Tales of the Wild Catskills, Leslie T. Sharpe trains her keen eye and narrative gifts on these and other New York wildlife through her tales of close observations as a naturalist living in the Great Western Catskills. The Quarry Fox is the first in-depth study of Catskill wildlife since John Burroughs invented the genre of nature writing, in which Sharpe weaves her experiences of the seasons, plants, and creatures with the natural history of each organism, revealing their sensitivity to and resilience against the splendor and cruelty of Nature. Sharpe's frank, scientific observations join with her deeply felt connection to these creatures to instill an appreciation of the undaunted and variegated beauty of the Catskills and camaraderie with its animals. From contemplating the importance of milkweed for monarchs to lay their eggs to reveling in the first steps of a wobbly fawn, The Quarry Fox is a celebration of the natural world and our place in it. “A poignant and modern reminder of untamed creatures so close to home.” —The New York Times

The Quarry presents new and pivotal Susan Howe prose pieces. A powerful selection of Susan Howe's previously uncollected essays, The Quarry moves backward chronologically, from her brand-new "Vagrancy in the Park" (about Wallace Stevens) through such essential texts as "The Disappearance Approach," "Personal Narrative," "Sorting Facts," "Frame Structures," and "Where Should the Commander Be," and ending with her seminal early criticism, "The End of Art." The essays of The Quarry map the intellectual territory of one of America's most important and vital avant-garde poets.

Reprint of the original, first published in 1875.

Once or twice in a generation a poet comes along who captures the essential spirit of the American Midwest and gives name to the peculiar nature that persists there. Like James Wright, Robert Bly, Ted Kooser, and Jared Carter before him, Dan Lechay reshapes our imagination to include his distinct and profound vision of this undersung region. The poetry of Dan Lechay, collected in The Quarry, constructs a myth of the Midwest that is at once embodied in the permanence of the landscape, the fleeting nature of the seasons, and the eternal flow of the river. Lechay writes of memory and the mutability of memory, of the change brought on a person by the years lived and lost, and of the stoic attempts made by those around him to elicit an order and rationale to their lives. The Quarry is the first full-length collection from this seasoned poet. Final judge Alan Shapiro in writing about The Quarry said: “If Dan Lechay’s poems often begin with the ordinary details and circumstances of life in a small Midwestern town or city, they always end by reminding us that no moment of life is ever ordinary, that ‘Nothing is more mysterious than the way things are.’ The Quarry is a marvelous, disquieting, extraordinarily beautiful book that meditates on fundamental questions of time and change in and through a clear-eyed yet loving evocation of everyday existence. Under Lechay’s soulful gaze, the backyards, neighborhoods, animals, and landscapes he describes dramatize the often wrenching connection between beauty and loss, evanescence and memory. The Quarry is a thoroughly mature and accomplished book.”