Xerxes, the Great King of Persia invades Greece in 480 B.C. at the head of a massive army. Three hundred Spartans and King Leonidas die heroically blocking the Persian advance at the pass of Thermopylae. The Persians are poised to conquer all of Greece. The only one standing in their way is a woman – Gorgo, Queen of Sparta. Though history has relegated her role to that of a bystander, what if she played a central role in the Greek resistance to the Persian invasion. What if she kept her true role a secret in order to play it more effectively? What if she was hiding other secrets too – dark secrets of murder and vengeance? What if the only person who truly appreciated her genius was an enemy prisoner whom she has vowed to kill? What if after their victory, the Greeks started to turn on each other? What if, eventually, Gorgo had to choose between the security of Sparta and safety of her son? And what if the only one who could find a way out is the same prisoner who had once fought against the Spartans?

Historical women who have been misrepresented are now re-examined with a greater appreciation for their situations.

This book provides a taxonomy of prologues and epilogues with a corresponding appendix, and demonstrates through case studies of Anne Bracegirdle and Anne Oldfield how the study of prologues and epilogues enriches Restoration theater scholarship.

THE GRIPPING ADVENTURE BASED ON AN EPIC TRUE STORY FROM THE BESTSELLING AUTHOR, PERFECT FOR FANS OF BERNARD CORNWELL 'HIS FINEST NOVEL TO DATE . . . THE BATTLE SCENES ARE THRILLING' SUNDAY EXPRESS __________ In the Ancient World, one army was feared above all others. 401 BC. The Persian king Artaxerxes rules an empire stretching from the Aegean to northern India. As many as fifty million people are his subjects. His rule is absolute. But the sons of Sparta are eager to play the game of thrones . . . Battles can be won - or lost - with a single blow. Princes fall. And when the dust of civil war settles, the Spartans are left stranded in the heart of an enemy's empire, without support, without food and without water. Far from home, surrounded by foes, it falls to the young soldier Xenophon to lead the survivors against Artaxerxes' legendary Persian warriors . . . __________ 'The pace is nail-biting' THE TIMES Praise for Conn Iggulden: 'Here is a master at work. There is no one better at this' GILES KRISTIAN 'Brings war in the ancient world to vivid, gritty and bloody life. I'm blown away' ANTHONY RICHES 'Iggulden tells an absolutely cracking story...the pace is nail-biting and the set dressing magnificent' THE TIMES 'An epic piece of historical fiction, full of political intrigue and vivid action' ROBERT FABBRI 'Iggulden is in a class of his own when it comes to epic, historical fiction' DAILY MIRROR Author's novel, Empire was a Sunday Times bestseller May 2023

Focusing in turn on history, powerful individuals, under-represented voices and the arts, the essays in this collection cover a wide variety of modern and contemporary narrative fiction from Jo Walton and L. Sprague De Camp to T. S. Chaudhry and Catherynne M. Valente. Chapters look into the question of chance versus determinism in the unfolding of historical events, the role individuals play in shaping a society or occasion, and the way art and literature symbolise important messages in counterfactual histories. They also show how uchronic narratives can take advantage of modern literary techniques to reveal new and relevant aspects of the past, giving voices to marginalised minorities and suppressed individuals of the ancient world. Counterfactual fiction and uchronic narratives have been largely up until now the domain of literary critics. However, these modes of literature are here analysed by scholars of Ancient History, Egyptology and Classics, shedding important new light on how cultures of the ancient world have been (and still are) perceived, and to what extent our conceptions of the past are used to explore alternate presents and futures. Alternate history entices the imagination of the public by suggesting hypothetical scenarios that never occurred, underlining a latent tension between reality and imagination, and between determinism and contingency. This interest has resulted in a growing number of publications that gauge the impact of what-if narratives, and this one is the first to give scholars of the ancient world centre-stage.