The present volume is the work of 25 scholars who represent various specializations important to the study of the Qur'an, including Arabic language, comparative Semitic linguistics, paleography, epigraphy, history, rhetorical theory, hermeneutics, and Biblical studies. The starting point of this work was a series of five international conferences on the Qur'an at the University of Notre Dame over the academic year 2012-13, although the commentaries contributed during those conferences have been carefully edited to avoid repetition. Readers of The Qur'an Seminar Commentary will find that the 50 passages selected for inclusion in this work include many of the most important and influential elements of the Qur'an, including: - Q 1, al-Fatiha - Q 2:30-39, the angelic prostration before Adam - Q 2:255, the “Throne Verse” - Q 3:7, the muhkamat and mutashabihat - Q 4:3, polygamy and monogamy - Q 5:112-15, the table (al-ma'ida) from heaven - Q 9:29, fighting the People of the Book and the jizya - Q 12, the story of Joseph - Q 24:45, the “Light Verse” - Q 33:40, the “seal of the prophets” - Q 53, the “satanic verses” - Q 96, including the passage often described as the “first revelation” - Q 97, the “night of qadr” - Q 105, the “Companions of the Elephant” - Q 112, on God and the denial of a divine son The collaborative nature of this work, which involves a wide range of scholars discussing the same passages from different perspectives, offers readers with an unprecedented diversity of insights on the Qur'anic text.

Over the last twenty years, the rise of Qur'anic studies has been one of the most remarkable developments within the wider framework of Islamic scholarship. This evolution can be viewed from three angles: exponential growth in the accessibility of relevant primary; the use of contemporary methods for developing new analytical agendas; a renewed appreciation of diverse hermeneutical orientations. A veritable gold-rush of publications, theses, colloquia and study projects devoted to the Qur'an in the past two decades illustrates these developments. This scholarly community subsists primarily in European countries and the United States, but its effects are not limited there. The reception and dissemination of this work in Muslim-majority countries is constant and bodes as a promising opportunity to establish a real dialogue between scholars and lived community. The present book contains expert contributions emerging from this nexus, with scholars from North African, Middle Eastern and Western backgrounds who share a common ambition: to advance academic study of the Qurʾan by promoting cooperation across global boundaries.

The Routledge Companion to the Qur’an offers an impressive and comprehensive overview of the formative scripture of Islam. Including a wide number of scholarly approaches to the Qur’an by both established authorities and emergent voices, the 40 chapters in this volume represent the latest word on the academic understanding of the Muslim scripture. The Qur’an is spoken of in scholarship across disciplines; it is the beating heart of a living community of believers; it is a work of beauty and a basis for art and culture; it is a profoundly significant historical artifact; and it is a mysterious survivor from the Late Ancient Arabic-speaking world. This Handbook accompanies the reader into the many worlds that the Qur’an lives in, from its ancient settings, to its internal drama, and through the 1,400 years of discussion and debate about its meaning. Bringing diverse approaches to the Qur’an together in one volume The Routledge Companion to the Qur’an represents the vibrancy of the field of Qur’anic Studies today. This Handbook is essential reading for students and researchers in religious studies and Islamic studies. It will also be very useful for those in related fields, such as area studies, sociology, anthropology, and history.

"While the Hebrew Bible and the New Testament are understood to be related texts, the sacred scripture of Islam, the third Abrahamic faith, has generally been considered separately. Noted religious scholar Gabriel Said Reynolds draws on centuries of Qur'anic and Biblical studies to offer rigorous and revelatory commentary on how these holy books are intrinsically connected."--Dust jacket.

Is it possible to rethink the multilayered and polyvalent Christology of the Qur’ān against the intersecting of competing peripheral Christianities, anti-Jewish Christian polemics, and the making of a new Arab state in the 7th-century Near East? To what extent may this help us to decipher, moreover, the intricate redactional process of the quranic corpus? And can we unearth from any conclusions as to the tension between a messianic-oriented and a prophetic-guided religious thought buried in the document? By analysing, first, the typology and plausible date of the Jesus texts contained in the Qur’ān (which implies moving far beyond both the habitual chronology of the Qur’ān and the common thematic division of the passages in question) and by examining, in the second place, the Qur’ān’s earliest Christology via-à-vis its later (and indeed much better known) Muhamadan kerygma, the present study answers these crucial questions and, thereby, sheds new light on the Qur’ān’s original sectarian milieu and pre-canonical development.

The examination of literary genres in the Middle East opens the possibility of gaining new insights into the intellectual universe of Middle Eastern societies, the question of production of meaning, what “literature” meant in different historical periods, and the underlying epistemology of producing knowledge, and how this epistemology has changed over time. This book comprises 12 case studies from the three major Middle Eastern languages – Arabic, Persian, and Turkish – written by experts in the field. It brings together a wide range of approaches – from the study of epics to an analysis of travelogues, and from classical poetry to novels. Instead of focusing on one period or juxtaposing the classical genres and the West-induced development of “modern genres,” the studies in their totality apply a broad diachronic and synchronic perspective, with the potential to create a comparative framework for the study of the sociocultural and narratological dimensions of genre in the Middle East.

In Religious Stories in Transformation: Conflict, Revision and Reception, the editors present a collection of essays that reveal both the many similarities and the poignant differences between ancient myths in Judaism, Christianity, Islam, and modern secular culture and how these stories were incorporated and adapted over time. This rich multidisciplinary research demonstrates not only how stories in different religions and cultures are interesting in their own right, but also that the process of transformation in particular deserves scholarly interest. It is through the changes in the stories that the particular identity of each religion comes to the fore most strikingly.

The corpus coranicum eludes familiar categories and resists strict labels. No doubt the threads woven into the fabric are exceptionally textured, varied, and complex. Accordingly, the introductory chapter of this book demonstrates the application of form criticism to the text. Chapter two then presents a form-critical study of the prayer genre. It identifies three productive formulae and addresses distinct social settings and forms associated with them. The third chapter begins by defining the liturgy genre vis-à-vis prayer in the Qurʾān. Drawing a line between the hymn and litany forms, this chapter treats each in turn. Chapter four considers the genre classified as wisdom literature. It identifies sapiential formulae and sheds light on wisdom contexts. The fifth chapter examines the narrative genre writ large. It also surveys narrative blocks of the long saga. The subsequent chapter on the proclamation genre inspects a set of vocative formulae, which occurs in the messenger situation. The concluding chapter looks at the corpus through synchronic and diachronic lenses. In the end, Qurʾānic genres encapsulate the form-critical elements of formulae, forms, and settings, as well as an historical dimension.

Behind the Story: Ethical Readings of Qurʾānic Narratives is a pivotal work that presents groundbreaking research on the Qurʾānic narrative as a literary genre with profound moral significance. It underscores the genre's integral role in shaping Islamic moral thought, as manifested in areas like Islamic law, theology, Sufism, politics, and art. The book offers insightful interpretations of various Qurʾānic narratives, delving into their ethical dimensions and challenges. It also examines their historical reception and influence across both Muslim and non-Muslim scholarship, covering diverse disciplines such as mysticism, art, and applied ethics. This volume stands as an invaluable resource for scholars and students seeking a deeper understanding of the Qurʾānic narrative and its multifarious interpretations in the context of Islamic Studies and beyond. Contributors Taira Amin, Halla Attallah, Bilal Badat, Fatih Ermiş, Mohammad Fadel, Hannelies Koloska, Samer Rashwani, Emmanuelle Stefanidis, and Devin Stewart. ما وراء الحكاية: دراسات أخلاقية في القصة القرآنية، يعالج هذا الكتاب القَصص القرآني من حيث هو نوعٌ أدبي ذو مضمون أخلاقي في المقام الأول، الأمر الذي لم يَحظَ بالنظر العلمي والمنهجي من قبل؛ على الرغم من تأثيره العميق في حقول الفقه والكلام والتصوف والسياسة والأخلاق والفن، وغيرها. يقدم القسم الأول قراءات تأويلية تسعى للكشف عن المفاهيم والمبادئ والأسئلة الأخلاقية التي يثيرها القصص القرآني، بينما يكشف القسم الثاني عن تاريخ تلقيها وتأثيرها في فنون عديدة تشمل التصوف والأدب والعمارة والأخلاق التطبيقية. هذا الكتاب لبنة جديدة في منهج دراسة القصص القرآني، ويطمح إلى أن يكون مرجعاً لا غنى عنه للباحثين والطلاب المشتغلين في حقول الدراسات القرآنية، والأخلاق النظرية والتطبيقية، والتصوف، والفنون، والدراسات الإسلامية عمومًا. المساهمون فاتح إرمش، وطاهرة أمين، وبلال بادات، وسامر رشواني، وإيمانويلا ستيفانيديس، وديفين ستيوارت، وهالة عطاء الله، ومحمد فاضل، وهانيليس كولوسكا.