1857-1858: The British Empire in India is teetering on the brink of collapse in the face of widespread rebellion by native regiments. In the final phase of the Great Indian Mutiny an intrepid young woman rises to lead the mutinying sepoys: Lakshmibai, the

A stiff upper lip, steely eyes and a cold heart is often how the English imperialist is pictured in popular imagination. Drawing from memoirs, commentaries and family letters, Elizabeth Hamilton brings forth an alternative portrayal of her ancestors, Sir Robert Hamilton and Sir William Barton. Their careers in India are set against the momentous events of their times to present a different side of the colonialists of a quiet people, dedicated to the tradition of upholding the law and avoiding conflict. Volume I, The Proud Empire, traces the life of Sir Robert Hamilton, from the beginning of his career under the watchful eye of his father, up until his retirement. Occupying multiple roles such as the Resident of Indore and Agent to the Governor General in the Central Provinces, he is seen interacting with various prominent Indian figures such as the Rani of Jhansi, Tantya Tope and Nana Sahib. The picture of the arrogant imperialist fades away to be replaced by that of someone keen to make a difference to the society he was working in, who encourages good governance, mends ties in the midst of escalating tensions and must recover cities occupied by insurgents, all the while shadowed by the burden of great personal losses. Volume II, The Straight Race, tracks Sir William Barton’s career in the early twentieth century. Starting in the Punjab and the North-West Frontier, he later served as Resident in the well-administered states of Mysore and Hyderabad, where he stood up to the Nizam, doing his best to set the administration on a less corrupt footing. Retirement did not deter Sir William’s close interest in Indian affairs; he returned twice on tour as an advisor to electrical companies and travelled with a Ministry of Supply mission during the Second World War. With three books and many articles for newspapers and journals on the subject, India remained an integral part of his life.

The encyclopaedia highlights the South Asian country of India with its varied ramifications. As a rich country with all its diversity, it has played a significant role in world affairs for more than two thousand years. India is the most populous country in the world, and its economy is growing rapidly. It is marching ahead in science and technology. In the hundredth anniversary of its independence in 2047, it aspires to become a developed nation. One should be aware of this country in this globalized world. It is not only fascinating but also knowledge-enhancing. The encyclopaedia holds importance due to several reasons: information on a vast range of subjects, scientific methodology, accuracy, and reliability. It could be used as a starting point for further research. The book will be useful for general readers, serious researchers, graduate students, and academics.

This two-volume reset edition draws together a selection of Anglo-Indian poetry from the Romantic era and the nineteenth century.

Most people view cultural heritage sites as static places, frozen in time. In Cultural Landscapes in India, Amita Sinha subverts the idea of heritage as static and examines the ways that landscapes influence culture and that culture influences landscapes. The book centers around imagining, enacting, and reclaiming landscapes as subjects and settings of living cultural heritage. Drawing on case studies from different regions of India, Sinha offers new interpretations of links between land and culture using different ways of seeing—transcendental, romantic, and utilitarian. The idea of cultural landscape can be seen in ancient practices such as circumambulation and immersion in bodies of water that sustain engagement with natural elements. Pilgrim towns, medieval forts, religious sites, and contemporary memorial parks are sites of memory where myth and history converge. Engaging with these spaces allows us to reconstruct collective memory and reclaim not only historic landscapes, but ways of seeing, making, and remembering. Cultural Landscapes in India makes the case for reclaiming iconic landscapes and rethinking conventional approaches to conservation that take into consideration performative landscape as heritage.

A little girl, Manikarnika, with an uncanny sense of her own destiny, grew up to be none other than the brave queen of Jhansi, Rani Lakshmibai. Trained in horse riding and the martial arts from an early age, Manu was married to Gangadhar Rao, the Maharaja of Jhansi, when she was thirteen. Soon after her husband’s death, the reins of the kingdom passed on to her, and she took up this responsibility undeterred and fearless. When Jhansi faced the danger of annexation, she fought against the British with unflinching courage, losing her life in the course of the battle. She has since become one of the most inspiring heroes of the freedom struggle and a much-admired role model. Deepa Agarwal chronicles the life and times of this legendary character in a gripping narrative, drawing a colourful portrait of bravery. This riveting account also includes nuggets of information about the eventful year 1857, making for a fascinating read.

This book explores the why and the how of women’s participation in armed struggle, and challenges preconceived assertions about women and violence, providing both a historic and a contemporary focus. The volume is about women who have participated in armed conflict as members of an armed group, trained in military action, with different tasks within the conflict. The chapters endeavor to make women’s own voices heard, to discover the untold stories of women as perpetrators and facilitators of military violence, and the authors do this through the use of personal interviews and the study of primary documents. The work widens the geographical perspective of feminist security studies to discover in what ways the historical, political, and social context has motivated the women to participate in military action, and presents new case study data from Germany, Ukraine, Turkey, Israel, Palestine, Cameroon, India, the Philippines, Vietnam and Latin America. Temporally, the chapters cover almost two centuries, from the late 19th century to the present day, touching upon a wide variety of examples of armed conflict, from wars of independence to the Second World War. Bringing together approaches from politics, history, anthropology and area studies, the chapters are informed by the fundamental insights of feminist research and address such pivotal questions as hegemonic masculinity in the armed forces and the relation between women’s armed violence and female agency. This book will be of much interest to students and researchers in gender and security studies, armed conflict and history.

This book presents an analysis of the foundations organised by the Birla family in India. Several generations were involved in the renovation and establishment of sanctuaries, temples and other sacral buildings. As a result, between 1933 and 1998, nineteen Birla Mandirs were established, mainly in northern and central India. All the temples have the capacity to surprise with their various decorative motifs, not seen in other places, which – apart from their aesthetic function – above all bear important symbolic content. Therefore, is it possible to treat the Birla Mandirs as a specific medium – the carrier of a particular message that is not only religious, but with a significance that permeates other layers of social and political discourse. This message, as the authors of the book claim, have a bearing on the socio-political thought of India – supported by the creation and propagation of ideas related to identity and a national art. It also conveys the idea of hierarchical Hindu inclusivism which, although considering all religions as equal, treats Hinduism in a unique way – seeing within it the most perfect form of religion, giving man the opportunity to learn the highest truth. The book also examines whether the temples founded by the Birla family and the religious activities undertaken therein apply the concept of “inventing” tradition, and whether traditions created (or “modernised”) in contemporary times are a way of enhancing the appeal of the message conveyed from temple to society. “The Vastness of Culture” is a series of publications presenting cultural studies and emphasizing the role of comparative research and analyses that reveal similarities, differences and intercultural influences. In our publications, cultures and civilizations are in a state of constant flux, engaging in dialogue, creating new understandings, competing for meaning under the influence of global content, without any clear boundaries, but with a vastness that forces questions to be raised.

Verse captures and portrays sentiment. Revolution, on the other hand, is invariably a culmination of emotions: the tension and strife, hate and faith, and despair and hope of the people who make and are made by them. For those who look back on it, verse can, therefore, serve as a chronicle of historical events and as a priceless look into the socio-political zeitgeist of an era. For those who sing it, verse may have the power to not only fan and fuel existing fiery whirlwinds but to actually ignite flames. Tracing the most controversial, celebrated and lasting of historys musical treasures through four great revolutionsthe American Revolution, the French Revolution, the Russian and Bolshevik revolutions, and the Indian Independence Movementthis book explores the stories these compositions have to tell as well as the lives of the poets, lyricists, songwriters, and singers who wrote them. Whether you are a music aficionado, a history buff or the everyday intellectual, learning from history and art about the human condition in a political and cultural framework is more important today, than ever before. Come, listen.

This book engages a theory of power which remains attentive to gender as its main category of articulation.