Investigates the appearance of vampires, mummies, werewolves, zombies, ghosts, witches, and other monsters many claim are real.

Over 250 of the most bloodcurdling and bone-chillingly fascinating and true monster stories. Not recommended for reading just before bedtime! Monsters have been spotted everywhere, not just slithering under a child’s bed or lurking in the closet. Paranormal researcher extraordinaire Brad Steiger, an author of thousands of books and articles on the mysterious and unknown, collects some of the scariest, most unbelievable but true monster stories in his latest collection, Real Monsters, Gruesome Critters and Beasts from the Darkside. From slightly demented humans to spine-tingling paranormal encounters, each outlandish occurrence is detailed with thorough research and recounted with a storyteller’s crafted voice. This bold telling of verified monster sightings taken from historical records and first-person accounts features: The British scientists’ discovery of a tuft of hair in the Himalayan mountains containing DNA that cannot be matched with any known animal—the most convincing proof yet that Yetis are real; The “Mothman” sighted in West Virginia that some believe to be a harbinger of death; The monstrous creature, complete with horns and tail, that still lurks in the shadows of the Big Easy; The expectant mother examined by the strange praying-mantis entities aboard a UFO; and The couple walking near a lake in British Columbia, Canada, astonished to see a reptilian humanoid emerging from the lake's depths; UFO abductors seeking to create human-alien hybrids; Lake monsters, lizardmen, and creepy mermaids troll the waters for prey; Dinosaurs terrorize the jungles; Yeti and Bigfoot leave clues that they live in the mountains; Big cats, black dogs, and giant snakes prowl neighborhoods; And many, many more hair-raising stories! Highlighting news articles, historical accounts, and first-person interviews, this chronicle of human interactions with monsters will convince even the most hardened skeptic of the existence of the bogeyman, Bigfoot, shadow people, devils, mutant animals, swamp creatures, and all kinds of heinous beasts. Real Monsters, Gruesome Critters and Beasts from the Darkside will leave you constantly looking over your shoulder and wondering about the things that go bump and howl and screech in the night.

From animals long believed extinct to monsters we thought never existed —a cryptozoologist’s true accounts of his worldwide hunt for legendary creatures. Cryptozoologist Richard Freeman has spent years researching and tracking down mythical monsters. In this book, he recounts more riveting monster hunt stories from his globetrotting adventures: through the dense forests of Sumatra on the trail of a mystery ape known as the orang-pendek, to Tasmania in search of the thylacine or Tasmanian wolf. Every corner of Earth has its own monster —even in the traceless Gobi Desert, where he searches for the Mongolian death worm, a creature so feared by the nomads that it can send a whole community into a panic. Freeman also provides excellent advice on how to carry out your own cryptozoological expeditions from scratch—with information on: what equipment to take inoculations how to choose which mythical animals to hunt planning ahead the importance of getting good local guides, and more

Brian a ten year old boy tries desperately to escape a troubled home life. When he thinks all hope is lost he makes a very unexpected friendship. Together Brian and his friend will journey to New Orleans and into the heart of voodoo. Brian must learn to master a newly discovered power to help save is friend from a terrible cure cast upon him by the voodoo God Baron Samedi.

The Mother Goose Monsters have brewed up their own versions of classic rhymes perfect for young readers. These ghoulishly giddy nursery rhymes are outrageous and fun for the whole family. Find out what happens to the old monster who lived in a shoe, or when Mary took her ghost to school one day. Rhyming words, repetitive text, and silly nonsense stories are presented in a fun and entertaining way sure to encourage early literacy skills and the love of storytelling.

Interdisciplinary Essays on Monsters and the Monstrous analyses and explores the enduring influence and imagery of monsters and the monstrous on human societies, and from a unique interdisciplinary scope tackles the critical question: when faced with an existential threat, what can we do?

A study of the gruesome game characters we love to beat—and what they tell us about ourselves. Since the early days of video games, monsters have played pivotal roles as dangers to be avoided, level bosses to be defeated, or targets to be destroyed for extra points. But why is the figure of the monster so important in gaming, and how have video games come to shape our culture’s conceptions of monstrosity? To answer these questions, Player vs. Monster explores the past half-century of monsters in games, from the dragons of early tabletop role-playing games and the pixelated aliens of Space Invaders to the malformed mutants of The Last of Us and the bizarre beasts of Bloodborne, and reveals the common threads among them. Covering examples from aliens to zombies, Jaroslav Švelch explores the art of monster design and traces its influences from mythology, visual arts, popular culture, and tabletop role-playing games. At the same time, he shows that video games follow the Cold War–era notion of clearly defined, calculable enemies, portraying monsters as figures that are irredeemably evil yet invariably vulnerable to defeat. He explains the appeal of such simplistic video game monsters, but also explores how the medium could evolve to present more nuanced depictions of monstrosity.

An enlightening collection of inter-disciplinary research on the multifarious incarnations of the monster, 'Monstrous Manifestations' invites the reader to venture into the deepest anxieties of the human psyche.

We know all kinds of monsters. Vampires who suck human blood, werewolves who harass tourists in London or Paris, zombies who long to feast on our brains, or Godzilla, who is famous in and outside of Japan for destroying whole cities at once. Regardless of their monstrosity, all of these creatures are figments of the human mind and as real as they may seem, monsters are and always have been constructed by human beings. In other words, they are imagined. How they are imagined, however, depends on many different aspects and changes throughout history. The present volume provides an insight into the construction of monstrosity in different kinds of media, including literature, film, and TV series. It will show how and by whom monsters are really created, how time changes the perception of monsters and what characterizes specific monstrosities in their specific historical contexts. The book will provide valuable insights for scholars in different fields, whose interest focuses on either media studies or history.

Every culture knows the phenomenon of monsters, terrifying creatures that represent complete alterity and challenge every basic notion of self and identity within a cultural paradigm. In Latin and Greek culture, the monster was created as a marvel, appearing as something which, like transgression itself, did not belong to the assumed natural order of things. Therefore, it could only be created by a divinity responsible for its creation, composition, goals and stability, but it was triggered by some in- or non-human action performed by humans. The identification of something as monstrous denotes its place outside and beyond social norms and values. The monster-evoking transgression is most often indistinguishable from reactions to the experience of otherness, merging the limits of humanity with the limits of a given culture. The topic entails a large intersection among the cultural domains of law, literature, philosophy, anthropology, and technology. Monstrosity has indeed become a necessary condition of our existence in the 21st century: it serves as a representation of change itself. In the process of analysis there are three theoretical approaches: psychoanalytical, representational, ontological. The volume therefore aims at examining the concept of monstrosity from three main perspectives: technophobic, xenophobic, superdiversity. Today’s globalized world is shaped in the unprecedented phenomenon of international migration. The resistance to this phenomenon causes the demonization of the Other, seen as the antagonist and the monster. The monster becomes therefore the ethnic Other, the alien. To reach this new perspective on monstrosity we must start by examining the many facets of monstrosity, also diachronically: from the philological origin of the term to the Roman and classical viewpoint, from the Renaissance medical perspective to the religious background, from the new filmic exploitations in the 20th and 21st centuries to the very recent ethnological and anthropological points of view, to the latest technological perspective , dealing with artificial intelligence.