*** 'Jaw-dropping.' -Val McDermid 'Pacy, witty... 4*' - The Telegraph 'A terrific read!' -Baroness Helena Kennedy QC 'Unputdownable. Searingly honest, shocking and funny.' -Barbara Machin, creator and showrunner, Waking the Dead 'A police memoir like no other.' -Kerry Daynes, bestselling author of What Lies Buried and The Dark Side of the Mind When Jackie Malton joined the police force in 1970, male recruits were given a truncheon and female recruits were given a handbag. At every step, she fought sexism and homophobia on top of the rapists, murderers, and armed robbers she tackled in the streets. And when she was harassed by her own colleagues for reporting bent coppers, Jackie was thrown into a shame and isolation that she tried to dim with alcohol. At the height of her success, as she became one of only three female detective chief inspectors in the Met, and as a chance meeting with the writer Lynda La Plante catapulted her into the world of TV, Jackie was battling her own demons harder than ever before. In this thrilling and revealing memoir, meet the real woman behind the iconic character Jane Tennison - every bit as tenacious, determined, and fearless, with an extraordinary story to tell. 'The story of a pioneer, a determined police officer who used her talent as a force for good. If it were not for women like Jackie, policing today would be very different.' -Colin Sutton, author of the Manhunt series 'A fascinating account of Jackie Malton's remarkable career as a police officer, and how she used that experience to bring a new kind of authenticity to Prime Suspect and many other TV crime dramas and documentaries.' -Neil McKay, TV writer and producer, Appropriate Adult 'Compelling, enlightening and totally gripping.' -Angela Marsons, author of the DI Kim Stone series

April 7 1991 saw the broadcast of the first instalment of Prime Suspect, a new crime series by screenwriter Lynda La Plante, starring Helen Mirren as DCI Jane Tennison. The drama focused on the desperate efforts of the Metropolitan Police to catch and convict a serial killer targeting women in a series of particularly gruesome attacks, while Tennison battles male colleagues who resent her taking charge of the case. Over seven series, Prime Suspect went on to tackle issues such as racism, homophobia and child abuse, establishing La Plante as a leading TV dramatist; winning multiple industry accolades for its stars and production team (including a clutch of BAFTAs and EMMYs) and gaining distribution all over the world. Deborah Jermyn's study examines exactly what made Prime Suspect so distinctive and controversial and the role it played in transforming the TV crime drama. Jermyn places the series in the context of earlier TV crime series, particularly those such as Juliet Bravo, The Gentle Touch and Cagney& Lacey that featured female detectives, and traces its influence on those such as Silent Witness and CSI that came after. Jermyn also relates the institutionalised sexism and misogyny that Tennison confronts to real-life discrimination and prejudice in British policing and its attitudes to women, whether as investigators or victims, in cases such as that of Assistant Chief Constable Alison Halford and the distinction made between prostitutes and the 'innocent' victims of the Yorkshire Ripper. Through a close analysis of key scenes, Jermyn highlights the formal and aesthetic innovations of Prime Suspect, in its attention to the detail of forensic work; its unflinching portrayal of the bodies of murder victims and its cinematic shooting style. Recognising Prime Suspect as one of the most striking, acclaimed and influential texts in British television history, Jermyn acknowledges the key roles played by the original screenwriter La Plante and by Helen Mirren as Jane Tennison.

HIGHLY COMMENDED FOR BOOK OF THE YEAR AT THE TRUE CRIME AWARDS 2023 'Jaw-dropping' -Val McDermid 'A police memoir like no other' -Kerry Daynes, bestselling author of The Dark Side of the Mind 'Honest, shocking and funny' - Barbara Machin, creator of Waking the Dead When Jackie Malton joined the police force in 1970, male recruits were given a truncheon and female recruits were given a handbag. At every step, she fought sexism and homophobia on top of the rapists, murderers, and armed robbers she tackled in the streets. And when she was harassed by her own colleagues for reporting bent coppers, Jackie was thrown into a shame and isolation that she tried to dim with alcohol. At the height of her success, as she became one of only three female detective chief inspectors in the Met, and as a chance meeting with the writer Lynda La Plante catapulted her into the world of TV, Jackie was battling her own demons harder than ever before. In this thrilling and revealing memoir, meet the real woman behind the iconic character Jane Tennison - every bit as tenacious, determined, and fearless, with an extraordinary story to tell.

Contemporary British Television Crime Drama examines one of the medium’s most popular genres and places it within its historical and industrial context. The television crime drama has proved itself capable of numerous generic reinventions and continues to enjoy some of the highest viewing figures. Crime drama offers audiences stories of right and wrong, moral authority asserted and resisted, and professionals and criminals, doing so in ways that are often highly entertaining, innovative, and thought provoking. In examining the appeal of this highly dynamic genre, this volume explores how it responds not only to changing social debates on crime and policing, but also to processes of hybridization within the television industry itself. Contributors, many of whom are leading figures in UK television studies, analyse popular series such as Broadchurch, Between the Lines, Foyle’s War, Poirot, Prime Suspect, Sherlock and Wallander. Essays examine the main characteristics of television crime drama production, including the nature of trans-Atlantic franchises and literary and transnational adaptations. Adopting a range of feminist, historical, aesthetic and industrial approaches, they offer incisive interrogations that provide readers with a rich understanding of the allure of crime drama to both viewers and commissioners.

'Under that veneer of charm there lies a most evil, violent and horrible side to your character. You should never be at liberty outside of prison walls.' - Mr Justice Drake, Exeter Crown Court, 28 April 1989Before being sentenced to three life terms for the murder of Bristol newlywed Shirley Banks in April 1989, John Cannan boasted of over a hundred one-night stands. He was charming, he was handsome and he wooed his conquests - among them professional women - with flowers and champagne.When Suzy Lamplugh disappeared in July 1986 following her meeting with 'Mr Kipper', Cannan had only been out of prison for three days following an eight-year sentence for rape. After Cannan was convicted of the murder of Shirley Banks, the Lamplugh case was closed. To this day Cannan denies his involvement in the Lamplugh cash and protests his innocence in the murder of Shirley Banks. His appeal has been dismissed.Drawing on the latest psychological profiling knowledge developed in American by the FBI and, most importantly, an intense three-year correspondence with Cannan, Christopher Berry-Dee provides a chillingly personal, comprehensive portrait of a complex, intelligent but disturbed man.

An outrageous graphic novel that investigates key concepts in mathematics Integers and permutations—two of the most basic mathematical objects—are born of different fields and analyzed with separate techniques. Yet when the Mathematical Sciences Investigation team of crack forensic mathematicians, led by Professor Gauss, begins its autopsies of the victims of two seemingly unrelated homicides, Arnie Integer and Daisy Permutation, they discover the most extraordinary similarities between the structures of each body. Prime Suspects is a graphic novel that takes you on a voyage of forensic discovery, exploring some of the most fundamental ideas in mathematics. Travel with Detective von Neumann as he leaves no clue unturned, from shepherds’ huts in the Pyrenees to secret societies in the cafés of Paris, from the hidden codes in the music of the stones to the grisly discoveries in Finite Fields. Tremble at the ferocity of the believers in deep and rigid abstraction. Feel the frustration—and the excitement—of our young heroine, Emmy Germain, as she blazes a trail for women in mathematical research and learns from Professor Gauss, the greatest forensic detective of them all. Beautifully drawn and exquisitely detailed, Prime Suspects is unique, astonishing, and witty—a once-in-a-lifetime opportunity to experience mathematics like never before.

Lackey Ferguson met Marissa Hardin once, the morning he signed on to build a bathhouse at the Hardins' fancy Fort Worth home. But when Marissa is found brutally murdered, Lackey becomes the number one suspect in a trumped-up case, while a sexual psychopath runs loose. Desperate to find the real killer, Lackey must evade arrest while keeping an eye on his fiancee-who may just be the killer's next target.

The fighting female archetype--a self-reliant woman of great physical prowess--has become increasingly common in action films and on television. However, the progressive female identities of these narratives cannot always resist the persistent and problematic framing of male-female relationships as a battle of the sexes or other source of antagonism. Combining cultural analysis with close readings of key popular American film and television texts since the 1980s, this study argues that certain fighting female themes question regressive conventions in male-female relationships. Those themes reveal potentially progressive ideologies regarding female agency in mass culture that reassure audiences of the desirability of empowered women while also imagining egalitarian intimacies that further empower women. Overall, the fighting female narratives addressed here afford contradictory viewing pleasures that reveal both new expectations for and remaining anxieties about the "strong, independent woman" ideal that emerged in American popular culture post-feminism.

The Wheat and Tares and the Ten Virgins are two parables that are not often talked about by theologians, bishops, and the fivefold ministry of apostles, prophets, evangelists, pastors and teachers. And this is due in part, in my opinion, because there is an obscurity as to who are the tares and the five foolish virgins in those parables that the Lord Jesus is referring to, who are not only in the world, but also who call the Lord Jesus as their Savior. So, the tares that I’m going to put a spotlight on are those preachers and false teachers of God's word be they called Pastor, Bishop, Apostle, Elder, Father, Minister, Reverend, Dr. Reverend, Reverend Dr, whatever title these tare preachers and false teachers of God’s word prefer. And of the doctrines the devils that have been sown, through them, into the body of Christ, as well as who are the five foolish virgins out of the Ten who got left behind.

In this book, Lindsey A. Sherrill explores the exponential growth of true crime podcasting, including the role of the ubiquitous Serial podcast in the growth of the industry. Using both demographic population analysis and interviews with podcast hosts and producers, Sherill demonstrates that true crime podcasts exist as hybrid organizations, with diverse goals ranging from entertainment to criminal justice reform advocacy to journalistic inquiry. These competing motivations of podcast producers are explored, along with the ethical quandaries that emerge in the process of telling true crime stories. Sherrill traces true crime podcasting back to the infancy of the medium and examines the influences, innovations, and events that created the true crime podcast ecosystem, as well as its influence on real cases in the United States. Scholars of communication, sociology, and media studies will find this book of particular interest.