During the late nineteenth century, magazines, newspapers, novelists, and even historians presented a revised version of the Civil War that, intending to reconcile the former foes, downplayed the issues of slavery and racial injustice, and often promoted and reinforced the worst racial stereotypes. The Reel Civil War tells the history of how these misrepresentations of history made their way into movies. More than 800 films have been made about the Civil War. Citing such classics as Birth of a Nation and Gone With the Wind as well as many other films, Bruce Chadwick shows how most of them have, until recently, projected an image of gallant soldiers, beautiful belles, sprawling plantations, and docile or dangerous slaves. He demonstrates how the movies aided and abetted racism and an inaccurate view of American history, providing a revealing and important account of the power of cinema to shape our understanding of historical truth.

The Civil War on Film will inform high school and college readers interested in Civil War film history on issues that arise when film viewers confuse entertainment with historical accuracy. The nation's years of civil war were painful, destructive, and unpleasant. Yet war films tend to embrace mythologies that erase that historical reality, romanticizing the Civil War. The editors of this volume have little patience for any argument that implies race-based slavery isn't an entirely repugnant economic, political, and cultural institution and that the people who fought to preserve slavery were fighting for a glorious and admirable cause. To that end, The Civil War on Film will open with a timeline and introduction and then explore ten films across decades of cinema history in ten chapters, from Birth of a Nation, which debuted in 1915, to The Free State of Jones, which debuted one hundred and one years later. It will also analyze and critique the myriad of mythologies and ideologies which appear in American Civil War films, including Lost Cause ideation, Black Confederate fictions, Northern Aggression mythologies, and White Savior tropes. It will also suggest the way particular films mirror the time in which they were written and filmed. Further resources will close the volume.

The Civil War retains a powerful hold on the American imagination, with each generation since 1865 reassessing its meaning and importance in American life. This volume collects twelve essays by leading Civil War scholars who demonstrate how the meanings o

This book debunks popular myths and misconceptions about the American Civil War through primary source documents and shows how misinformation can become so widespread. The American Civil War deeply divided the nation and was a pivotal point in American history. The acrimony and bitterness of this four-year struggle, coupled with its importance to the fabric of American life, has resulted in the development and perpetuation of many myths about the conflict. This work separates myth from reality. The author examines 10 popular myths about the war, each of which is examined in terms of its origins and how it became ensconced in the American memory. It uses primary sources to explain the evolution of the myths and to inform the reader about what really happened, providing a unique quality to this work. Moreover, the book not only explains the flaws in the myth but encourages the reader to further investigate each of the topics.

The American Civil War left indelible marks on America’s imagination, collectively and as individuals. In the century and a half since the war, musicians have written songs, writers have crafted histories and literature, and filmmakers recreated scenes from the battlefield. Beyond popular media, the battle rages on during sporting events where Civil War-inspired mascots carry on old traditions. The war erupts on tabletops and computer screens as gamers fight the old fights. Elsewhere, men and women dress in uniforms and home-spun clothes to don the mantel of people long gone. Central to “history” is the idea of “story.” Civil War history remains full of stories. They inspire us, they inform us, they educate us, they entertain us. We all have our favorite books, movies, and songs. We all marvel at the spectacle of a reenactment—and flinch with startled delight when the cannons fire. But those stories can fool us, too. Entertainments can seduce us into forgetting the actual history in favor of a more romanticized version or whitewashed memory. The Civil War and Pop Culture: Favorite Stories and Fresh Perspectives from the Historians at Emerging Civil War explores some of the ways people have imagined and re-imaged the war, at the tension between history and art, and how those visions have left lasting marks on American culture. This collection of essays brings together the best scholarship from Emerging Civil War’s blog, symposia, and podcast—all of it revised and updated—coupled with original piece, designed to shed new light and insight on some of the most entertaining, nostalgic, and evocative connections we have to the war.

This book explores the remarkable partnership of Joseph and Harriet Hawley, a married couple from Connecticut whose lives were transformed by overlapping experiences in the American Civil War era. When Joseph became the colonel of the 7th Connecticut Infantry Regiment in 1862, Harriet ignored family advice and social convention, and travelled to Union military headquarters at Hilton Head Island, South Carolina, where Joseph’s regiment was stationed. From that bold beginning, she spent the next three years as a visitor at field hospitals, a teacher at freedman’s schools, a wartime journalist, a ward nurse, and her husband’s informal advisor and publicist. Moving in and around the scenes of military action, she lived and worked in spaces usually reserved for men and took on responsibilities that implicitly challenged conventional understandings of women’s physical and emotional dependency. While Joseph struggled for recognition and promotion in the brutally competitive environment of Union military politics, Harriet shrewdly used her own personal contacts with power brokers in Hartford and Washington to protect his interests and those of his men. And as the terrible realities of the Civil War pushed them both to the brink of physical and emotional collapse, Harriet and Joseph remained committed to the cause and found ways to sustain their devotion to both Union and emancipation in the very worst moments of the conflict.

The American Civil War was without doubt the defining event in the history of the United States. This up-to-date analyisis of a critical period goes beyond the origins, course and consequences of the Civil War to bring in other important themes such as racial conflict, gender relations, religion, the popular memory and state formation.

This collection of nine original essays provides a rich new understanding of Connecticut’s vital role in the Civil War. The book’s nine chapters address an array of individual topics that together weave an intricate fabric depicting the state’s involvement in this tumultuous period of American history. In-depth examinations of subjects as diverse as the abolitionist movement in Windham County, the shipbuilding industry in Mystic, and post-traumatic stress disorder in Connecticut veterans serve as an excellent companion to Matthew Warshauer’s earlier book on the subject, Connecticut in the American Civil War: Slavery, Sacrifice, and Survival. Contributors include David C. W. Batch, Luke G. Boyd, James E. Brown, Michael Conlin, Emily E. Gifford, Todd Jones, Diana Moraco, Carol Patterson-Martineau, and Michael Sturges. Ebook Edition Note: 6 illustrations have been redacted.

During the 1930s, no event was more absorbing or galvanizing to Ernest Hemingway than the Spanish Civil War. Hemingway was passionately devoted to the cause of the democratically elected Spanish Republic and he spent much of the war reporting from its front lines, producing a deeply political body of work that illuminated the conflict and presaged the world war to come. In the end, his immersive journey into the turbulent world of the Spanish Civil War resulted in For Whom the Bell Tolls, a landmark in American political fiction. This book offers a fresh account of Hemingway’s adventures in Spain during the Civil War, stressing his embrace of radical political action and discourse in defense of the Republic against the forces of Fascism. On the eightieth anniversary of For Whom the Bell Tolls, Gilbert H. Muller reconsiders Hemingway as an engaged artist, political actor, and visionary.

There were over 75 raids and battles that took place in Maryland during the Civil War, including "Bloody Antietam"--the bloodiest day in American military history. As a border state between the North and South during the Civil War, Maryland's loyalties were strong for both sides. The first casualties of the war occurred during the Baltimore Riot of April 19, 1861, when members of the 6th Massachusetts Regiment were attacked by Confederate supporters while traversing through the city on their way to protect Washington, DC, from attack. Ten days later, Maryland chose not to secede from the Union by a vote of 53-13. On September 17, 1862, near Sharpsburg, one of the largest and bloodiest battles of the Civil War took place at "Bloody Antietam." At the end of the day, nearly one in four men would be a casualty of the battle, making it the bloodiest day in American military history. There were over 75 skirmishes, raids, and major battles that took place in Maryland during the Civil War. Through vintage photographs, Maryland in the Civil War shares the state's rich military heritage.